Panasonic S1H Filmmaker Kit
SKU code: 45397
- 24.2 Megapixel Full Frame CMOS Sensor
- 5-Axis Sensor Shift Stabilisation
- Dual Native ISO
- 6K/24p (3:2) Video Recording
- 10-Bit 4K or C4K Video Recording
- 9fps Continuous Burst Mode Shooting
- 14+ Stops of Dynamic Range
- 5.76 Million-Dot OLED EVF
- Includes Lumix S 24-105mm Lens + Atomos Ninja V
You May Also Like
The Essentials:
Memory Cards:
Bags, Cases & Straps:
Batteries & Chargers:
Lenses:
Tripods & Monopods:
Flashes & Lighting:
Cleaning & Maintenance:
Audio Equipment:
Studio Lighting:
Cables & Connectivity:
Other:
Designed for High-End Film Production
The Panasonic S1H is the world's first Mirrorless interchangeable lens camera that is capable of 6K video recording. Truly pushing the boundaries of technical innovation, the S1H and its incredible imaging possibilities are looking to disrupt the digital cinema and film production industry forever.
24.2 Megapixel CMOS Sensor
Equipped with a Full-Frame 24.2 Megapixel CMOS sensor and the latest Venus Engine image processor, the S1H has been tuned for excellent low-noise performance cinema quality colour reproduction with a 14-stop dynamic range.
5-Axis Sensor Shift Image Stabilisation
The inclusion of 5-Axis Sensor Shift Stabilisation makes the S1H a very compelling proposition. Compensating for camera-shake when shooting hand-held or on a gimbal, it delivers up to 6 stops of compensation or 6.5 stops when paired with a Dual I.S 2 compatible lens.
Dual Native ISO
Inheriting technology from Panasonic's broadcast range of video cameras, the Lumix S1H is equipped with Dual Native ISO, delivering low noise results in a broad range of lighting conditions. The system comprises of two dedicated circuits for each pixel. This design allows you to use the cameras included picture profiles to deliver clean footage across a broad range of ISO values.
Low ISO Circuit
Its Low ISO circuit provides base sensitivities of ISO100, ideal for regular use. In this mode, ISO values change to ISO640 when V-Log is applied, ISO400 when HLG is applied, and ISO200 when Cinelike D2 is applied.
Low Noise Circuit
The alternative Low Noise circuit offers base sensitivities of ISO640 for normal use, ISO 4000 with V-Log, ISO 2500 with HLG and ISO 1250 when Cinelike D2 is used. The end result is a wide range of options, allowing you to fine-tune your recording based on your specific shooting environment.
6K Video Recording has Arrived
Creating a new entry-point for cinematography the Lumix S1H can deliver true 6K/24p (3:2 aspect ratio) video from it's full frame Sensor. Additionally, it is also the world's first interchangeable lens camera that can shoot 5.9K/30p (16:9 aspect ratio) and 10-bit 60p 4K or Cinema 4K, helping push the technical and creative potential for what's possible in a mirrorless sized camera.
4K 10-bit 60p Video Recording
Like all of Panasonic's range, the camera also supports a variety of recording formats, including 10-bit 4K at 60p, and a 4:3 anamorphic mode at 48p. The high-resolution data of the S1H can also be downscaled to create exceptionally detailed 4K video content for truly life-like results.
Full HD Slow Motion
The S1H is also capable of using an equivalent Super 35mm area of the sensor to output frame rates up to 59.94p. Full HD is also supported at up to 120p for cinematic quality slow-motion effects.
Fast 9fps Burst Mode Shooting
But the S1H is not just a one-trick video recording pony. Its also a very capable stills shooter, delivering an impressive maximum 9fps continuous shooting mode.
96 Megapixel Ultra-High Resolution Mode
Clever utilisation of the 5-Axis Sensor Stabilisation allows the camera to precisely move the sensor to composite a ultra-high resolution 96 megapixel image for maximum detail and post-processing versatility.
14+ Stops of Dynamic Range
The significance of the S1H comes from not only the recording resolution the camera is capable of, but also the rich gradation and wide colour space the sensor can capture. Boasting a range of 14+ stops to ensure a wide spectrum of detail is captured from dark to bright areas, its performance is comparable to Panasonic's high-end Cinema VariCam, except in a significantly more portable size and affordable price range.
V-Log / V-Log L Colour Profile
The S1H offers V-Log/V-Gamut to ensure maximum detail and accuracy in the subtlety of subjects such as skin tone. Designed to fit seamlessly into your existing Panasonic setup, the S1H is compatible with V-Log recorded by VariCam or V-Log L footage from a Lumix GH5 or GH5s.
In-Camera LUT Support
Support for an in-Camera LUT makes monitoring easier, offering a more accurate display of the colour and tone of a scene before post-production even begins. Handy for keeping your rig portable and easy to set up, it potentially eliminates the requirement of a bulky external monitor.
Unlimited Video Recording Time
Similar to all of Panasonic's recent Lumix G and S series cameras, the S1 H is capable of non-stop video recording in every recording mode (depending on battery and memory card capacity). In order to deliver the high product reliability required for mission critical filming scenarios, Panasonic has worked hard to solve heat management problems that are traditionally associated with mirrorless and DSLR cameras to be able to offer an uncompromising solution. This ensures the S1H is suitable for recording a variety of long form subject matter including documentaries, interviews corporate events and more.
Simultaneous Recording
To cater to crews working on critical scenes, the S1H offers simultaneous internal and external recording. Internally the camera utilises Dual UHS-II SD memory card slots and features a HDMI output that supports 4K60 4:2:2 10-bit while recording 4:2:0 10-bit internally or 4K30 4:2:2 10-bit internally and externally.
SMPTE Compliant Time Code
Built-in compatibility with SMPTE-compliant time code ensures it plays nicely with other broadcast cameras. Integrating easily with your existing workflow, footage from the S1H can be easily synced from multiple camera sources saving time and offering convenience during your edit.
Built-in Wi-Fi & Bluetooth Connectivity
The convenience of Bluetooth Low Energy functionality and an ultra-fast 802.11ac Wireless speed ensures a quick, hassle-free connection to your smartphone. Improve your creative potential and social reach by enabling remote shutter release, start/stop video recording and fast image transfer to a smartphone or tablet device.
5.76-Million Dot OLED EVF
Equipped for accuracy, the Panasonic S1H utilises a cutting-edge Real View EVF that utilises a 5.76 million-dot OLED EVF with a large 0.78x viewing magnification that can be customised based on your shooting scenario.
10,000:1 Contrast Ratio
Virtually lag free, the EVF is rated at 0.005 seconds lag and features a 10,000:1 contrast ratio. Its display frame rate can also be adjusted between 60 and 120fps allowing you to fine-tune the display specific to your subject matter or personal preference.
3.2-inch LCD Touchscreen
The rear of the camera houses a larger 3.2-inch LCD Touchscreen. With a 2.33 million dot resolution, it works well with critical focusing applications, ensuring your photos and video are tack-sharp. The touch screen functionality provides a natural, intuitive experience when navigating menus and reviewing photos and video.
Live View Boost & Night Mode
Catering to shooting in difficult lighting, the LCD can be set to a Live View Boost mode where it's viewing sensitivity can be fine-tuned to aid in composing your image when working with dimly lit scenes. For Astro shooters, a Night Mode can be activated to lower the screens backlight intensity while overlaying a red-filter on the display to better preserve your night-adjusted vision.
Articulating Screen Design
The articulating design of the rear screen has a cult following in camera circles. Its flip-out design enables shooting from low and high angles with comfort and can be flipped forward for easy monitoring when filming yourself.
Weather Sealed Construction
Constructed from a durable weather-sealed magnesium alloy chassis, the Panasonic Lumix S1H is designed to be a workhorse, capable of holding its own against the toughest shooting conditions. Signalling a new-era of cinematic and professional broadcast equipment, it seamlessly blends uncompromising technical internals with confidence inspiring ergonomics to deliver a truly new standard in camera technology.
This kit includes the Panasonic Lumix S1H Body + Lumix S 24-105mm F4 MACRO O.I.S. + Atomos Ninja V External Monitor/Recorder.
PANASONIC S1H | |
IMAGING | |
Lens Mount |
Leica L
|
Sensor Resolution |
Actual: 25.28 Megapixel
|
Effective: 24.2 Megapixel (6000 x 4000) | |
Image Sensor |
35.6 x 23.8 mm (Full-Frame) CMOS
|
Image Stabilization |
Sensor-Shift, 5-Axis
|
Capture Type |
Stills & Video
|
EXPOSURE CONTROL | |
Shutter Type |
Electronic Shutter, Mechanical Focal Plane Shutter
|
Shutter Speed |
Mechanical Shutter
|
1/8000 to 60 Seconds | |
Up to 30 Minute in Bulb Mode | |
Electronic Front Curtain Shutter | |
1/2000 to 60 Seconds | |
Up to 30 Minutes in Bulb Mode | |
Electronic Shutter | |
1/8000 to 60 Seconds | |
1/16000 to 1/125 Second in Movie Mode | |
Up to 60 Seconds in Bulb Mode | |
Bulb/Time Mode |
Bulb Mode
|
ISO Sensitivity |
Photo/Video
|
100 to 51,200 (Extended: 50 to 204,800) | |
Metering Method |
Center-Weighted Average, Highlight Weighted, Multiple, Spot
|
Exposure Modes |
Aperture Priority, Manual, Program, Shutter Priority
|
Exposure Compensation |
-5 to +5 EV (1/3 EV Steps)
|
Metering Range |
0 to 18 EV
|
White Balance |
2500 to 10,000K
|
Presets: Auto, Cloudy, Colour Temperature, Daylight, Flash, Incandescent, Shade, White Set 1, White Set 2, White Set 3, White Set 4 |
|
Continuous Shooting |
Up to 9 fps at 24.2 MP for up to 60 Frames (Raw) / 999 Frames (JPEG)
|
Up to 30 fps at 18 MP | |
Up to 60 fps at 8 MP | |
Interval Recording |
Yes
|
Self-Timer |
2/10-Second Delay
|
STILL IMAGE CAPTURE | |
Image Sizes |
0.16875
|
10,656 x 8000 | |
5312 x 3984 | |
4992 x 3744 | |
3536 x 2656 | |
3328 x 2496 | |
2880 x 2160 | |
2560 x 1920 | |
1840 x 1376 | |
0.126388889 | |
12,000 x 8000 | |
5984 x 4000 | |
5184 x 3456 | |
3888 x 2592 | |
3504 x 2336 | |
3232 x 2160 | |
2784 x 1856 | |
1968 x 1312 | |
0.672916667 | |
12,000 x 6736 | |
5888 x 3312 | |
4064 x 2288 | |
3840 x 2160 | |
2816 x 1584 | |
1920 x 1080 | |
Aspect Ratio |
1:1, 2:1, 3:2, 4:3, 16:9, 65:24
|
Image File Format |
JPEG, Raw
|
Bit Depth |
14-Bit
|
VIDEO CAPTURE | |
Internal Recording Modes |
H.265/MOV 4:2:0 10-Bit
|
5952 x 3968 at 23.98/24.00 fps [200 Mb/s] | |
5376 x 3584 at 25/29.97 fps [200 Mb/s] | |
5888 x 3312 at 23.98/24.00/25/29.97 fps [200 Mb/s] | |
DCI 4K (4096 x 2160) at 47.95/48.00/50/59.94 fps [200 Mb/s] | |
UHD 4K (3840 x 2160) at 47.95/48.00/50/59.94 fps [200 Mb/s] | |
3328 x 2496 at 47.95/48.00/50 fps [200 Mb/s] | |
1920 x 1080p at 47.95/48.00/100 fps [100 to 150 Mb/s] | |
H.264/MOV 4:2:2 10-Bit | |
DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97 fps [150 to 400 Mb/s] | |
UHD 4K (3840 x 2160) at 23.98/24.00/25/29.97 fps [150 to 400 Mb/s] | |
3328 x 2496 at 23.98/24.00/25/29.97 fps [150 to 400 Mb/s] | |
1920 x 1080p at 23.98/24.00/25/29.97/50/59.94 fps [50 to 200 Mb/s] | |
1920 x 1080i at 50/59.94 fps [50 Mb/s] | |
H.264/MOV 4:2:0 8-Bit | |
DCI 4K (4096 x 2160) from 2 to 59.94 fps [100 to 150 Mb/s] | |
UHD 4K (3840 x 2160) from 2 to 59.94 fps [100 to 150 Mb/s] | |
3328 x 2496 from 2 to 50 fps [100 to 150 Mb/s] | |
1920 x 1080p [100 Mb/s] | |
H.265/MP4 4:2:0 10-Bit | |
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps [72 to 100 Mb/s] | |
H.264/MP4 4:2:0 8-Bit | |
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps [100 Mb/s] | |
1920 x 1080p at 23.98/25/29.97/50/59.94 fps [20 to 28 Mb/s] | |
AVCHD 4:2:0 8-Bit | |
1920 x 1080p at 23.98/50/59.94 fps [17 to 28 Mb/s] | |
1920 x 1080i at 50/59.94 fps [17 to 28 Mb/s] | |
External Recording Modes |
4:2:2 10-Bit via HDMI
|
DCI 4K (4096 x 2160) at 23.98/24.00/50/59.94 fps | |
UHD 4K (3840 x 2160) at 23.98/24.00/50/59.94 fps | |
Raw 12-Bit via HDMI | |
5888 x 3312 at 23.98/25/29.97 fps | |
4096 x 2960 at 23.98/25/29.97/50/59.94 fps | |
3536 x 2656 at 23.98/25/29.97/50 fps | |
Sensor Crop Modes |
Super35 / APS-C
|
4K (4096 x 2160) | |
4K (3840 x 2160) | |
4K (3328 x 2496) | |
1080p (1920 x 1080) | |
Sensor Crop While Recording |
1080p (1920 x 1080)
|
Fast-/Slow-Motion Support |
Yes
|
Gamma Curve |
HDR-HLG
|
Broadcast Output |
NTSC/PAL
|
IP Streaming |
RTP, RTSP
|
3840 x 2160 | |
Built-In Microphone Type |
Stereo
|
Audio Recording |
MOV: 2-Channel 16-Bit 48 kHz LPCM Audio
|
MP4: 2-Channel AAC Audio | |
AVCHD: 2-Channel AC-3 Audio | |
INTERFACE | |
Media/Memory Card Slot |
Dual Slot: SD/SDHC/SDXC (UHS-II)
|
Video I/O | 1 x HDMI Output |
Audio I/O | 1 x 1/8" / 3.5 mm TRRS Headphone/Mic Output |
1 x 1/8" / 3.5 mm TRRS Headphone/Mic Mic/Line Input | |
Power I/O | 1 x USB-C Input |
Other I/O | 1 x USB-C (USB 3.2 / 3.1 Gen 1) Output (Shared with Power Input) |
1 x 2.5 mm Sub-Mini Control Input | |
Wireless |
2.4 GHz Wi-Fi (802.11b/g), Wi-Fi 4 (802.11n)
|
5 GHz Wi-Fi 4 (802.11n), Wi-Fi 5 (802.11ac) | |
Mobile App Compatible |
Yes
|
MONITOR | |
Display Size |
3.2"
|
Resolution |
2,330,000 Dot
|
Display Type |
Free-Angle Tilting Touchscreen LCD
|
Secondary Display |
Top: Status Display
|
VIEWFINDER | |
Type |
Built-In Electronic (OLED)
|
Resolution |
5,760,000 Dot
|
Eye Point |
21 mm
|
Coverage |
1
|
Magnification |
Approx. 0.78x
|
Diopter Adjustment |
-4 to +2
|
FOCUS | |
Focus Type |
Auto and Manual Focus
|
Focus Mode |
Continuous-Servo AF, Manual Focus, Single-Servo AF
|
Autofocus Points |
Contrast Detection: 225
|
Autofocus Sensitivity |
-6 to +20 EV
|
FLASH | |
Flash Modes |
Auto, Auto/Red-Eye Reduction, Forced On, Forced On/Red-Eye Reduction,
Off, Slow Sync, Slow Sync/Red-Eye Reduction |
Maximum Sync Speed |
1/320 Second
|
Flash Compensation |
-3 to +3 EV (1/3 EV Steps)
|
Dedicated Flash System |
TTL
|
External Flash Connection |
PC Terminal
|
ENVIRONMENTAL | |
Operating Temperature |
14 to 104°F / -10 to 40°C
|
Operating Humidity |
10 to 80%
|
GENERAL | |
Battery Type |
1 x DMW-BLJ31 Rechargeable Lithium-Ion, 7.4 VDC, 3050 mAh (Approx. 400 Shots)
|
PoE Support |
Yes
|
Power Consumption |
≤6.3 W
|
Netflix Approved |
Yes
|
Tripod Mounting Thread |
1 x 1/4"-20 Female (Bottom)
|
Accessory Mounting Thread |
1 x
|
Material of Construction |
Magnesium Alloy
|
Dimensions (W x H x D) |
15.1 x 11.42 x 11.04 cm
|
Weight |
1.16 kg (With Battery, Recording Media)
|
PANASONIC LUMIX S 24-105MM F/4 MACRO O.I.S. LENS | |
Focal Length
|
24 to 105mm
|
Maximum Aperture |
f/4
|
Minimum Aperture |
f/22
|
Lens Mount |
Leica L
|
Lens Format Coverage |
Full-Frame
|
Angle of View |
84° to 23°
|
Minimum Focus Distance |
11.81" / 30 cm
|
Maximum Magnification |
0.5x
|
Macro Reproduction Ratio |
0.043055556
|
Optical Design |
16 Elements in 13 Groups
|
Diaphragm Blades |
9, Rounded
|
Focus Type |
Autofocus
|
Image Stabilization |
Yes
|
Filter Size |
77 mm (Front)
|
Dimensions (ø x L) |
8.4 x 11.8 cm
|
Length at Maximum Extension |
16.19 cm
|
Weight |
0.680 kg
|
ATOMOS NINJA V | |
DISPLAY | |
Panel Type |
IPS-Type LCD
|
Display Size |
5.0" / 12.7 cm
|
Resolution |
1920 x 1080
|
Aspect Ratio |
0.672916667
|
Touchscreen |
Yes
|
Maximum Brightness |
1000 nits / cd/m2
|
Bit Depth / Colour Support |
8-Bit+FRC (1.07 Billion Colours)
|
HDR Compatibility |
HDR10, Hybrid Log Gamma
|
Pixels Per Inch (ppi) |
423 ppi
|
Colour Gamut |
100% Rec. 709
|
Real-Time LUT Monitoring |
SDR
|
Image Controls |
Anamorphic De-Squeeze, Blue Only, False Colour, Focus Peaking,
Pixel Zoom, RGB Parade, Scaling, Vectorscope, Waveform, Zebra |
INPUTS / OUTPUTS | |
Video I/O | 1 x HDMI 2.0 Input |
1 x HDMI 2.0 Output | |
Embedded Audio |
HDMI: 2-Channel
|
HDMI: 8-Channel | |
Audio I/O | 1 x 1/8" / 3.5 mm Mic/Line Input |
1 x 1/8" / 3.5 mm Headphone Output | |
Power I/O |
1 x D-Tap Input
|
Other I/O |
1 x 2.5 mm (LANC)
|
Media/Memory Card Slot |
Single Slot: SSDmini/SSD with Master Caddy II/III
|
Bluetooth |
Yes
|
Mobile App Compatible |
Yes: iOS Only
|
App Name: AtomRemote | |
Functionality: Adjust Settings, Remote Control | |
FORMAT SUPPORT | |
Video Format |
HDMI (8/10-Bit 4:2:2)
|
DCI 4K: 60/50/30/25/24 | |
UHD 4K: 60/50/30/25/24 | |
1080p: 120/60/50/30/25/24 | |
1080i: 60/50 | |
720p: 60/50 | |
Gamma Curve |
Rec709
|
Video Signal Conversion |
HDMI to SDI
|
DCI 4K: 60/50/30/25/24 | |
UHD 4K: 60/50/30/25/24 | |
1080p: 120/100/60/50/30/25/24 | |
1080i: 60/50 | |
720p: 60/50 | |
RECORDING | |
Pulldown Conversion |
2:2, 3:2
|
Camera Trigger |
HDMI
|
Pre-Roll Record |
4K: 2 Seconds
|
Full HD: 8 Seconds | |
Encoding Formats |
Up to 4097 x 2160
|
ProRes 422, HQ, LT, Raw, Raw HQ 8/10-Bit | |
DNxHR HQ, HQX, LB, SQ 8/10-Bit | |
Maximum Audio Tracks |
12
|
Metadata Tagging |
10
|
POWER | |
DC Input Power |
5.8 to 7.2 VDC
|
Battery Type |
1 x L-Series
|
Power Consumption |
10 W (Typical)
|
22 W (Maximum) | |
MOUNTING | |
Mounting |
2 x 3/8"-16 Female
|
ENVIRONMENTAL | |
Operating Temperature |
104°F / 40°C
|
GENERAL | |
Material of Construction |
Aluminum, Polycarbonate
|
Dimensions |
15.1 x 9.15 x 3.15 cm
|
Weight |
0.360 kg
|
* Specifications subject to change by the manufacturer without notice
- Panasonic Lumix S1H Body - Black
- Lumix S 24-105mm F4 MACRO O.I.S.
- Atomos Ninja V External Monitor/Recorder
- Body Cap
- Hot Shoe Cover
- Eye Cup
- Flash Synchro Socket Cap
- Cover for the Battery Grip Connector
- Shoulder Strap
- Battery Pack
- Battery Charger
- AC Adaptor
- AC Mains Lead
- USB Connection Cable (C-C)
- USB Connection Cable (A-C)
- BNC Converter Cable
- Cable Holder
- Ninja V Master Caddy II
- Ninja V AC Power Supply (12V-3A)
- Lens cap
- Lens rear cap
- Lens hood
- Lens storage bag
Manufacturer Warranty
This product comes with a
12 month Australian warranty
from Panasonic Australia
Want to read more about warranties?
Add extra protection for peace of mind
One Year Warranty
$348.44
Two Year Warranty
$456.84