Panasonic Lumix S5 II Ultimate Landscape Kit

Introducing the Panasonic Lumix S5 II Ultimate Landscape Kit, a comprehensive package designed to elevate your landscape photography to new heights. This kit includes the powerful Panasonic Lumix S5 II Body in sleek black, offering exceptional performance and versatility. Paired with the renowned Panasonic Lumix S Pro 16-35mm f/4 Lens, you'll capture stunning wide-angle shots with incredible detail and clarity. Transport your gear effortlessly in the Peak Design Everyday Backpack 30L v2, designed for comfort and organization on the go. For stable and precise shots, the Sirui ST-124 Waterproof Carbon Fibre Tripod with ST-10X Ball Head is an essential addition. Ensure uninterrupted shooting sessions with the reliable Panasonic DMW-BLK22E Battery. Expand your storage capabilities with the high-speed SanDisk Extreme Pro 256GB SDXC UHS-II 300MB/s Memory Card. Control your camera remotely with the Panasonic DMW-RS2 Remote Shutter, while the NiSi Filters 150mm System Starter Kit Second Generation II and Urth 77mm UV + Circular Polarising (CPL) Lens Filter Kit enhance your creative possibilities. Protect your gear with the Peak Design Shell Ultralight Camera Cover and ATF Universal Camera Screen Protector, and keep everything pristine with the included ATF Cleaning Kit. Elevate your landscape photography experience with the Panasonic Lumix S5 II Ultimate Landscape Kit.

Panasonic Lumix S5 II Body - Black

The new Panasonic S5 II is a serious evolution in performance. Key capabilities of these new releases include a new 24MP sensor and a new processor born from the Panasonic and LEICA L 2 Technology alliance. This makes possible Phase Hybrid AF and Active IS for reinforced command over subject tracking and stabilisation. Other features that expand the videographer's horizon include unlimited 4:2:2 10-bit C4K/4K recording achieved via a fan and high-efficiency heat sink; full-sensor video shooting; and REAL TIME LUT for on-the-spot colour grading without post production.

Professional-quality photo/video performance for unlimited expression

Panasonic has developed a new 24-megapixel 35mm full-frame CMOS sensor that features on-sensor PDAF (Phase Detection Auto-Focus). Under the L 2 Technology alliance formed by LEICA and LUMIX, both brands co-invested to develop a new imaging engine that has approximately 2x higher-speed signal processing for high bit-rate video recording and improved high burst rate photography.

With an increased buffer memory size, the LUMIX S5II is capable of impressive high speed burst shooting at up to 30 fps (AFS/AFC) with an electronic shutter in JPEG/RAW.

Another game-changer delivered with the LUMIX S5II is the new Active I.S. This builds on Panasonic's history of innovation and reputation in the image stabilisation field by determining the status of camera shake and optimising horizontal, vertical, and rotational correction ratios. The system can compensate for significant camera shake in video recording, approximately 200% more when compared to the LUMIX S5.

It is highly beneficial in challenging situations, such as handheld filming while walking without using a gimbal, long-shutter handheld shots such as night-time or moving water, and telephoto fixed-frame shots. The cameras also offer Dual I.S.2 with a high-precision 5-axis gyro sensor for stills shooting.

A variety of video functions and recording options

The LUMIX S5II is built for the videographer who desires freedom from restriction. They introduce 4:2:0 10-bit 6K (3:2) to the S Series, which makes it easy to crop for multiple aspect ratios (16:9, 9:16, 1:1) from the same source footage while maintaining resolution. For example, when you take a 9:16 vertical image out of 6K footage you still maintain a greater than 4K vertical image which can be viewed on mobile devices.

The camera's new and extremely compact active heat management system delivers unlimited recording in all environments while not adding extra bulk to hamper the photographer, providing free rein in the field. The 14+ stop V-Log/V-Gamut capture offers a high dynamic range, consistent colour management and streamlined post production. In addition, with in-camera colour grading via REAL TIME LUT, creative scope is increased while workflow is reduced – excellent for repeatable setups such as content creators who work in the same studio or are looking to repeat the same style in camera instead of applying the same LUT in post.

The new camera provides 4:2:0 10-bit 6K (17:9) / 5.9K (16:9), unlimited 4:2:2 10-bit C4K/4K recording capability. HFR (High Frame Rate) in C4K/4K (48p), FHD (120p), Slow & Quick motion in C4K/4K(1-60fps) / FHD(1-180fps), and 4K HDR video recording are also available. 4K 60p Time Lapse video can also be produced in-camera. The exposure is automatically adjusted to prevent large changes in brightness between adjacent frames, allowing smooth daytime to nighttime time lapses to be created. Practical tools included are Waveform Monitor, Vector Scope, Zebra Pattern, System Frequency (24.00Hz), Synchro Scan, Fan mode and a control panel for quick menu selection. By using the optional XLR Microphone Adaptor DMW-XLR1 and the 3.5mm input jack/built-in microphone, users can capture four channels of audio, reducing the need for external audio recording devices.

Excellent operability and functions to enhance workflow

The small size of the new S Series camera and the lenses available means a low-impact kit, and no compromise on performance with a wealth of capabilities designed for a superior shooting experience. AWB Lock keeps the white balance set in auto, while Sheer Overlay can now be used in Creative Video mode footage sequences. Live Crop allows digital zooming and panning on the 6K sensor in a 4K video recording, making it easy for a creator to add smooth motion without having to move the camera.

In a step up from the S5, the new, larger 3,680K-dot OLED LVF (Live View Finder) has a magnification ratio of approx. 1.52x / 0.76x (35mm camera equivalent). A versatile, bright free-angle 3.0-inch LCD rear monitor (3:2 aspect, 1840K-dot) with touch control allows for quick changes to settings, even when both the HDMI cable and USB cable are connected, or the user is in front of the camera.

The Live View Composite Mode takes away the guesswork, allowing the photographer to set the desired exposure, take the shot, then view the image on the screen as it is being exposed in real time. Once they are happy with how the shot looks, they simply hit the shutter button again to stop the exposure. This mode is also great for light painting, shooting light trails and other long exposure scenarios.

The drive dial now includes a setting for 96-megapixel High Resolution Mode. In this mode the camera captures 8 images in quick succession, with small movements of the sensor between shots to capture extra resolution. There is no requirement to stitch images using software as the camera combines the shots into one image. This mode also features motion compensation, further expanding the use of High Resolution Mode in general photography.

Impressive quality, performance and connectivity

The LUMIX S5II has been designed to offer dependable video recording in real-world conditions and has a new heat dispersion mechanism combining a small fan and high-efficiency heat sink. As a result, they achieve continuous video recording in C4K 60p, while the camera body remains conveniently compact. Users can shoot worry-free, whether capturing extended recordings or live streaming. To withstand heavy field use, the cameras have a magnesium alloy full die-cast body and are splash/dust-resistant.

The LUMIX S5II supports USB 3.2 Gen 2 for high-speed writing and readout. The dual SD Card slots (UHS-II x 2) offer a choice of Relay Recording, Backup Recording or Allocation Recording modes, with the card access indicator now located inside the card slot cover. Videographers will be thrilled that the cameras have a full HDMI Type A terminal, offering a more robust connection without the need for adaptors. For external microphone connection, a ?3.5mm input jack is provided as well as a headphone jack. Content sharing with smartphones is streamlined using Bluetooth 5.0 Low Energy connection, Wi-Fi 5-GHz (IEEE802.11ac) and 2.4-GHz (IEEE 802.11b/g/n). With an always-on Bluetooth connection, a smartphone can act as the camera's remote control via the LUMIX Sync app. The settings of the LUMIX S5II can also be copied and transmitted wirelessly to other S5II and S5IIX cameras when using multiple cameras.

The cameras are compatible with LUMIX Tether applications which enable tethered shooting via USB. Users can control and view multiple cameras by connecting them to a PC. For live streaming, LUMIX Tether for Streaming (Beta) with LIVE VIEW mode is available. LUMIX Sync for iOS/Android devices enables image transfer to a smartphone or tablet via easy wireless connection.

The 2200mAh high-capacity battery (DMW-BLK22) can be recharged either via AC or USB which is convenient if you are travelling and want to use a USB power bank. It also complies with USB PD (Power Delivery) when used with the optional LUMIX Battery Charger (DMW-BTC15). The current Battery Grip (DMW-BGS5) is compatible with the new cameras.

The best lineup of full-frame lenses

The Panasonic LUMIX S Series boasts a total lineup of 14 lenses including the new LUMIX S 14-28mm F4-5.6 MACRO (S-R1428). Users can take advantage of the five-strong LUMIX F1.8 lens series which all feature the same exterior, and offer convenience by having the same filter size. Using lenses of a similar size, diameter and centre of gravity also makes it easy to switch between them when an S Series camera is mounted on a gimbal, for example. All these lenses have the same high-quality colour rendering, and bokeh performance. Covering virtually any framing and composition, use of these fixed focal length lenses ensures filmmaking with streamlined workflow and post-production.

LUMIX S Series lenses all feature linear motors with the option to change how the focus ring responds. For the non-linear setting, focus is shifted with a variable amount according to the rotation speed of the focus ring; while for linear setting focus is shifted with a designated amount according to the rotational quantum of the focus ring. Sensitivity (the amount of focus shift per rotational quantum) can be selected from 90 to 1080 degrees. With MF Assist, there is now the ability to enlarge the focus point to check critical focus while recording video.

Furthermore, the L-Mount system provides the largest native lineup of full-frame lenses to choose from, with 61 lenses to date for a limitless spectrum of creative possibilities. The LUMIX S5II will also recognise the focal length of an analog lens such as anamorphic or other old lenses, and automatically use the in-body image stabiliser.

Future firmware update

To enhance the performance of the LUMIX S5II, the functions below will be available via a future firmware update.

• RAW data output using Software Upgrade Key DMW-SFU2 (S5II)
• Live View Composite (S5II) and more.

Panasonic Lumix S Pro 16-35mm f/4 Lens

Premium Wide-Angle Lens

The Panasonic Lumix S PRO 16-35mm f/4 is a top-of-the-line wide-angle lens that offers professional shooters using the L-mount alliance system excellent framing versatility. Featuring a f/4 aperture and 9-bladed diaphragm, this lens produces beautiful bokeh in out-of-focus areas across the entire focal length. It also boasts an optical design with aspherical, ED and UHR elements that delivers outstanding resolving power, making it an ideal companion for high resolution cameras.

16-35mm Focal Range

With a highly versatile zoom range of 16-35mm, the full frame lens is an excellent choice for capturing landscape, architecture and other style of images that require a wider field of view. The lens has been precisely designed to meet the most stringent LEICA standards and ensures optimal image resolution performance at every focal length with minimal focus breathing.

Constant f/4 Aperture

The lens boasts a constant aperture of f/4 across the entire focal length so there is no need to adjust shutter speed or ISO to compensate for aperture drops as you change focal range. The aperture is created with a circular 9-bladed diaphragm that produces a soft bokeh in the out-of-focus areas of your frame.

Linear Autofocus Motor

Cutting edge imaging technology has been integrated in the 16-35mm lens to deliver fast and incredibly accurate autofocus performance. This is achieved with the use of a double-magnet linear motor in the AF actuator that delivers a maximum 480fps drive speed.

Refined Manual Focus Control

Although the lens has an impressive autofocus capability, it also provides a refined control system for those who prefer to handle focus themselves. Just like the other S-series lenses the 16-325mm has a focus clutch that allows shooters to physically switch between autofocus and manual focus modes in seconds.

Built for Rugged Weather Conditions

Wide-angle lenses like this one are often favoured by adventure and landscape photographers, which is why Panasonic have ensured that it can withstand the most extreme weather situations. It has a series of internal weather proofing seals that work together to achieve a dust and splash resistant design that can operate at temperatures as low as -10°C.

Lightweight & Compact Design

Weighing less than 0.500kg, the lens is an obvious choice for photographers and videographers on the go. The lightweight and compact construction won't take up a lot of space in your bag or add a lot of extra weight making it a great lens to pack for hiking or travel.

Sophisticated Optics for Image Performance

The Panasonic S-series 16-35mm lenses can deliver premium image quality thanks to its 12 elements arranged in 9 groups, which include three aspherical lenses to effectively reduce the footprint of the lens. Combined with the extra-low dispersion (ED) element and an ultra-high-refractive index (UHR) element this also corrects spherical and chromatic aberrations for optimised imaging performance.

Peak Design Everyday Backpack 30L v2 - Black

The team at Peak Design have taken their unbelievably popular Everyday Backpack 30L Black and updated it to be more functional, fashionable and environmentally friendly.

• Here are the improvements to the Everyday Backpack v2 compared to the original v1:
• Improvements include cleaner seams + more rounded profile for sleeker look.
• 100% Recycled Bluesign Certified (excl. Black) Exterior Material
• More internal pockets for improved organisation for your accessories and personal items.
• Redesigned laptop pocket which now supports laptops up to 15-inches.
• Updated UltraZip, extra-durable, abrasion resistant zippers.
• Overhauled external carry straps with improved Cord Hook connectors and additional anchor points.
• Improved ergonomic MagLatch hardware.
• Widened top and side access points for fast, more convenient access to your gear.
• More volume in exterior side pockets to hold larger water bottles, tripods etc.
• Improved shoulder straps for improved ergonomic comfort + magnetic strap holds.

Not Just a Camera Bag

The Peak Design Everyday Backpack is an extremely versatile and intelligently designed bag crafted by a team of designers, engineers and photographers. With features specifically aimed at photographers, the backpack is created for use by everyone for all kinds of purposes - be it adventure or commuting in a city.

MagLatch Closure System

Its updated MagLatch locking mechanism allows effortless, one-handed, silent opening and closing of the bag. The latch locks onto one of the four crossbar mounting points and also magnetically attaches to an internal steel plate for added security. The four ladder lock points allow the bag to expand or contract by up to 8 litres, depending on the amount of stuff you need to carry.

Configurable Internal Storage

Compression moulded EVA foam FlexFold dividers allow configuring the interior layout extremely efficiently to maximise the available space. The origami inspired foldable dividers can be shaped to create custom compartments to hold and protect gear. The three padded octagonal inserts can be folded to wrap around, rest flat to provide a shelf for gear, act as a pass through from one side of the bag to the other or can be folded up to seal off compartments and create sub-compartments. Attached with Velcro, the inserts can be removed completely to create a single large compartment to carry everyday essentials.

Innovative 3-Side Access

The main compartment is accessible from the top and both sides via a top flap and side hatches. This versatility delivers multiple points of entry from which you can access your camera gear, ensuring you're always ready to capture the moment.  The side flaps open up the entire length and width of the bag, and in conjunction with the configurable dividers, eliminate the need to dig deep to find what you need.  

Multiple Carrying Styles

The Everyday Backpack 30L v2 offers a variety of carrying options to suit your style and personal preference. Designed as a back pack, the bag is equipped with padded shoulder straps that feature axial attachment points for a perfect fit. A durable and comfortable top handle and briefcase style carry handles on either side ensure easy pick-up-and-go, regardless of how the bag is laid down. In addition, a pass-through strap on the rear of the bag allows you to slip it over the handle of a roller bag for convenient transit when you're travelling with more than one piece of luggage.

Effortless Shoulder Strap Adjustment    

Ergonomically designed quick pull shoulder straps with tri-glide buckles allow you to loosen the backpack and swing it around to the front. This allows access to your favourite cameras and lenses through the side flaps without removing the bag from your body.

Thoughtful Pocket Layout

The numerous pockets in and around the backpack are intelligently designed to facilitate the workflow of photographers. An exclusive laptop pocket accessible from the top, without opening the main compartment, includes two sub-pockets - a sleeve for a tablet or a smartphone and a quick stash pocket for documents and books. The inside panel of the two side flaps feature a bevy of discreet and well organised pockets, protected with a zippered waterproof cover. A small concealed inner slip pocket with magnetic closure is ideal for valuables such as credit cards and cash, while expandable external side pockets allow holding items such as water bottles or a tripod.

Ventilated Back Panel

A corrugated EVA foam back panel ensures faster release of heat and limits perspiration for enhanced all-day carrying comfort.

Versatile External Carrying Options

Included external carry straps along with multiple anchor points throughout the bag enable customisable external carry in several different combinations, permitting you to attach items such as a sleeping mat, umbrella, tripod or camera drone on the outside of the backpack.

Weatherproof Shell

Water-proof external zippers and a DWR impregnated 100% recycled fabric features a with multilayer PU coating to ensure protection to equipment by preventing water penetration through the fabric.

What Fits in the Everyday Backpack

The 30 litre Peak Design Everyday Backpack can comfortably carry a full frame DSLR body with up to 6 lenses, such as a prime lens, a 14-24mm, and a 24-70mm or 70-200mm, a 15-inch laptop, tablet, smartphone, a tripod and loads of accessories well organised in the numerous pockets. Compression straps ensure you can attach additional items externally.

Sirui ST-124 Waterproof Carbon Fibre Tripod with ST-10X Ball Head

Ultimate Stability and Protection

The Sirui ST-124 Waterproof Carbon Fibre Tripod with ST-10X Ball Head is designed to keep out water, dirt and dust, while its newly designed locking mechanism provides comfortable operation. The 8-layer carbon fibre construction ensures reduced weight, increased stability and vibration-free performance. The triangle-shaped centre column enhances rigidity and allows for the tripod to be folded into a low profile. The legs have three ratchet positions for different angles and extension, and measure just 48cm when collapsed. Each leg is made of 4 sections with 3 sealed twist locks, while rubber feet and metal spikes ensure stability on any surface.

A stabilising hook on the centre column is a SIRUI standard and a transport bag. The bag strap can also be used as a tripod strap.

• Super low profile design
• 8-layer carbon fibre in 4 sections
• Reversible 1/4 inch and 3/8 inch screw for heads/cameras
• Locking screw for head
• Water and dustproof twist locks
• Stabilising hook

The Sirui ST-10X Ball Head are designed and built to the highest standards. The ST-10X ball head is ultra low profile while still maintaining high load capacity.

The base and panning clamp can be smoothly rotated by 360 °, thus panoramic shots are a breeze. The clamping device is compatible with the Arca-Swiss system, enabling the use of various quick-release plates. The safety lock system prevents accidental slippage of the quick release plate. The precise control of the knobs allows very smooth and effective locking and unlocking of the individual components. The knob for the friction of the ball can be limited in the ST series.

• 360 ° panorama function via base and also panning clamp and vertical notch
• Aluminium knobs for added durability
• Easy and fast control of all knobs
• Plate with 1/4" stainless steel screw head assembly with 3/8" thread
• Safety Lock  prevents slipping of the plate
• Sliding Stopper stops the camera slipping when in portrait mode
• Spirit level
• Quick release plate

Panasonic DMW-BLK22E Battery for LUMIX S5, GH5 II & GH6

Made for the LUMIX S5 mirrorless camera, the Panasonic DMW-BLK22E lithium-ion battery is rechargeable and has a high capacity of 2,200mAh for great runtime. It's a genuine Panasonic accessory and perfect to keep a couple of spares in your camera bag for all your photo adventures. This 2200mAh-capacity, 7.2V battery can be charged with the optional DMW-BTC15 or inside the camera via USB.

SanDisk 256GB UHS-II SDXC Overview

Experience faster workflow and burst shooting with the 256GB Extreme PRO UHS-II SDXC Memory Card from SanDisk. Capture flawless cinema-quality 8K, 4K, and Full HD video, as well as raw photos and continuous shutter bursts. This card has a storage capacity of 256GB and utilises the UHS-II bus to support read speeds of up to 300 MB/s and write speeds of up to 260 MB/s. The V90 Video Speed Class rating guarantees write speeds won't drop below 90 MB/s.

UHS-II media achieves its speed through an extra row of pins and, while this card has been designed for cameras that are UHS-II / V90 compatible, it may be used in devices that do not support UHS-II / V90. However, bear in mind that this card will then default to your device's speed class and bus rating, such as UHS-II and V60, which supports minimum write speeds of 60 MB/s, UHS-II and V30, which supports minimum write speeds of 30 MB/s, or UHS-I and U3, which also supports minimum write speeds of 30 MB/s. If your device does not support U3, this card is compatible with the U1 and Class 10 standards, each of which guarantees minimum write speeds of 10 MB/s.

Built for extreme conditions, SanDisk's 256GB Extreme PRO UHS-II SDXC Memory Card is protected against shock, temperatures, X-rays, and water. Also featured is a built-in write-protect switch that helps to safeguard your content from being erased.

Panasonic DMW-RS2 Remote Shutter for Lumix DC-S1R/S1/S5 Cameras

Capture Clear Images with the DMW-RS2 Remote Shutter

The DMW-RS2 Remote Shutter is the perfect accessory for Panasonic Lumix DC-S1R/S1/S5 cameras. This wired remote shutter release helps to prevent camera shake when working atop a tripod or other support. It connects directly to the camera via a 0.25 cm mini stereo port, allowing you to remotely release the shutter without disturbing the camera body.

NiSi Filters 150mm System Starter Kit Second Generation II

NiSi NIP-150-SKITII

This 150mm System Starter Kit Second Generation II from NiSi contains three filters that are compatible with filter holders that can accept 150mm wide, 2mm thick filters. They can be used individually or in various combinations to enhance the results of your photography. Included are two neutral density filters that can be used to darken the entire image; and a medium-edge graduated neutral density filter, which stops overexposure in certain parts of an image, such as bright skies, while allowing for a normal, unaffected exposure in the other areas of the image.

Constructed from optical glass for clarity as well as Colour fidelity, these filters have been optimized for use with digital sensors and to promote nearly flat attenuation of visible and infrared light. Due to imaging sensors' greater susceptibility to infrared light compared to traditional film, Colour casts can occur when photographing darker subjects that require increased exposure times. To provide neutrality across the visible and infrared spectrums in order to eliminate Colour casts and ensure cleaner, truer blacks, one layer of NiSi Optical Nano Coating is applied to each of these filters' surfaces. The Nano coating associated with this filter also results in an improved beading effect when in contact with water or oil for greater cleaning efficiency.

A filter brush is provided for cleaning and maintenance of the filters, as well as padded pouch for storage and transport.

NiSi 150 x 150mm Nano IRND 1.8 Filter (6-Stop)

• Darkens the image, allowing you to photograph with a longer shutter speed or wider aperture than normally required
• Providing a 6-stop exposure reduction, this filter allows you to control depth of field and convey movement more easily
• Filter does not affect Colouration of the image and is ideal for use with other filters
• Each surface includes one layer of NiSi Optical Nano Coating that attenuates infrared light as well as visible wavelengths to maintain Colour neutrality and suppress Colour casts due to increased exposure times
• Nano coating provides an improved beading effect with water or oil for more efficient cleaning
• Constructed from optical glass for clarity

NiSi 150 x 150mm Nano IRND 3.0 Filter (10-Stop)

• Darkens the image, allowing you to photograph with a longer shutter speed or wider aperture than normally required
• Providing a 10-stop exposure reduction, this filter allows you to control depth of field and convey movement more easily
• Filter does not affect Colouration of the image and is ideal for use with other filters
• Each surface includes one layer of NiSi Optical Nano Coating that attenuates infrared light as well as visible wavelengths to maintain Colour neutrality and suppress Colour casts due to increased exposure times
• Nano coating provides an improved beading effect with water or oil for more efficient cleaning
• Constructed from optical glass for clarity

NiSi 150 x 170mm Nano Medium-Edge Graduated IRND 0.9 Filter (3-Stop)

• Darkens bright areas of an image, such as skies, while leaving the remainder of the frame unaffected
• 8x filter factor provides up to a 3-stop reduction of light in selective areas
• Medium-edged line of transition between the dense and clear areas
• Useful for images that include elements like rooftops and mountains that protrude into the sky
• Filter does not affect Colouration of the image and is ideal for use with other filters
• Each surface includes one layer of NiSi Optical Nano Coating that attenuates infrared light as well as visible wavelengths to maintain Colour neutrality and
• suppress Colour casts due to increased exposure times
• Nano coating provides an improved beading effect with water or oil for more efficient cleaning
• Constructed from optical glass for clarity

NiSi Caddy for S5 Filter Holder and Seven 150 x 150mm or 150 x 170mm Filters

• Designed to accommodate a NiSi S5 Filter Holder and up to seven 150 x 150mm or 150 x 170mm filters
• Soft, nonabrasive interior lining
• When photographing with a tripod, rear touch-tab loop allows placement around a tripod leg, putting filters in more immediate reach
• Clip-on shoulder strap
• Touch-tab-fastened closure
• Durable canvas construction
• Microfiber cleaning cloth for filter cleaning and maintenance

Urth 77mm UV + Circular Polarising (CPL) Lens Filter Kit

The 77mm UV + Circular Polarising (CPL) Lens Filter Kit from Urth offers essential protection for your lens while enhancing the quality of your images. The UV filter acts as a protective barrier, safeguarding the lens from dust, moisture, and scratches, thereby preserving image clarity and sharpness. Featuring an 8-layer nano-coating over Japanese AGC glass, the UV filter ensures optimal optical performance and durability. Additionally, the CPL polarising filter effectively reduces glare and reflections, resulting in enhanced colour saturation, contrast, and overall image quality. Whether shooting landscapes, portraits, or everyday scenes, this filter kit provides photographers with the necessary tools to capture stunning, high-quality images in diverse shooting environments.

Peak Design Shell Ultralight Camera Cover - Medium

Protects Camera from Rain

The Peak Design Shell Rain and Dust Cover protects your camera from the elements in any environment, making it a great carrying solution for busy photographers on the move.

Seam Sealed Construction

The shell enables access to your camera's viewfinder and controls while keeping it protected from rain and snow. Constructed with a unique form-fitting design and 4-way stretchable fabric with a waterproof membrane, the shell is seam-taped for maximum protection.

Compatible with Capture & Anchor

The shell is also compatible with the Capture Camera Clip and Peak Design Anchor system, allowing you to connect to any Peak Design strap and ensuring your camera always easily accessible, even in incumbent weather.

Built-in Storage Pocket

For added convenience, the Shell Rain and Dust Cover from Peak Design can be flipped inside out and packed into its built-in storage pocket for easy portability. 

The Medium size Shell is best suited to APS-C sensor DSLR's with battery grip, or a Full Frame DSLR with a 24-70mm f/2.8 Lens.

ATF Universal Camera Screen Protector - 2 Pack

The ATF 4-inch Universal Screen Protector minimises the risk of permanent damage to your Compact, DSLR or Video camera screen. The pack comes with two screen protectors, a wet cleaning wipe, a cleaning cloth and a squeegee card to ensure a perfect application every time.

The screen protector is thin yet rigid to ensure easy positioning and bubble free application. A handy grid pattern is printed on the mask and acts as a guide to make it easier to measure and cut the film to the perfect size and ensures your edges are straight and true.

Before applying the protector, use the wet wipe to remove fingerprints, oil, dirt and dust from your screen. Then use the cleaning cloth to remove any residue left over from the wet wipe, leaving your screen free of imperfections and eliminating the risk of unsightly contaminants trapped under the screen once the protector is applied. Finally, the squeegee card can be utilised to push any trapped air out through the edges of the screen to leave a durable, crystal clear layer that will safeguard your screen from accidental bumps and scratches.

The ATF Universal Screen Protector is compatible with capacitive touch screens and will improve your photography experience by reducing screen glare and minimising smudges for improved viewing in a broad range of lighting scenarios.

ATF Cleaning Kit

The ATF Cleaning Kit helps you to protect your camera setup against dirt or dust. Taking care of your gear is one of the most important things that a photographer can do. Keeping your lenses clean so that smudges don't ruin your shots or even just having some cleaning wipes handy to remove dirt will help ensure your gear lasts a long time.

Lens Cleaning Pen

Every shot you take has to first pass through your lens so if you've got a grubby fingerprint at the front of your glass you can be sure it's going to show up on your image or video. The Cleaning Kit comes with a handy pocket-sized lens cleaning pen.

Wide Pen Cleaning Tip

The tip of the cleaning pen has a wide surface felt tip that is charged with a carbon cleaning powder designed to absorb oil, dirt, and grease effectively. This cleaning tip gets refreshed with carbon every time the lid is put back on so it can be used many times.

Retractable Cleaning Brush

The pen also features a slider that extends a handy cleaning brush which is perfect to remove small pieces of grit and dirt before using the cleaning tip, or to get into hard to reach corners of camera bodies.

Dust Blower

Useful for dislodging dirt and dust from the interior of the camera or getting into inaccessible nooks and crannies the dust blower features a micro-tip for high pressure delivery. It is a convenient size and uses a soft rubber design so it's easy to use.

Lens Cleaning Solution

The Lens cleaning solution spray is suitable for cleaning glass lenses and leaving them streak & smudge free without damaging lens coatings.

Wet and Dry Cleaning Wipes

The ATF Cleaning Kit comes with 6 single use dual cleaning wipe packs. Each pack has one wet and dry Anti-static wipe to ensure your gear can remain sparkling new and clean. The Wet wipe removes excess dirt while the dry wipe can be used to clean and shine surfaces.

Machine Washable Microfibre Cleaning Cloth

There is a saying among photographers that you can never have too many microfibre cloths because they are one of the most effective and useful tools in order to keep your kit in good condition. They easily absorb dust and oils from your lens, grip, and camera body, while being easily cleaned and reused by throwing it in the washing machine.

Carry Case with Access Zip

The entire set packs down into an included handy carrying case which zips for secure and easy storage. It has a breathable mesh design that allows you to easily locate your cleaning equipment. The case also doubles as a handy storage compartment for other loose items including batteries, cables and more.

The Cleaning Kit by After the Fact kit is a super useful additional to any photographer's camera bag that will ensure your gear remains in peak condition so you can stop worrying about dirt, oil, and grime and focus on shooting.