Panasonic Lumix GH7 Mirrorless Camera 12-60mm Leica Kit
SKU code: 61887
- 25.2MP BSI CMOS Micro Four Thirds Sensor
- 4K60 4:2:2 10-Bit Unlimited Recording
- 5.7K60, 4K120 HFR, FHD 240p VFR
- ProRes RAW, 32-Bit Float, 13+ Stop WDR
- Dual I.S. 7.5-Stop 5-Axis Stabilizer
- 3.68m-Dot OLED Electronic Viewfinder
- 3.0" 1.84m-Dot Free Angle Touchscreen
- CFexpress Type B & SD UHS-II Card Slots
- Includes Leica Vario-Elmarit 12-60mm f/2.8-4 Lens
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Panasonic Lumix GH7 Mirrorless Camera 12-60mm Leica Kit
An Iconic Pro Camera
Get ready for raw with the latest Micro Four Thirds LUMIX GH7 Mirrorless Camera from Panasonic. This flagship update now features ProRes RAW internal recording, 32-bit float recording with the optional DMW-XLR2 audio interface, Adobe Cloud Frame.io compatibility, versatile Open Gate framing, and real-time custom LUTs. The GH7 retains all the valuable features of its predecessor, including the same compact form factor, a 25.2MP sensor, 5.7K30 Apple ProRes 422 HQ internal recording, improved AF performance, a 13+ stop dynamic range boost, and 5-axis stabilisation. It is perfect for indie films, pro/consumer photography, documentaries, or even as a B-camera in high-end productions.
GH7 Updates
- Newly equipped with Apple ProRes RAW internal recording and 32-bit float recording for dramatic enhancements in the speed and quality of video production
- 25.2MP BSI CMOS sensor with 13+ stop dynamic range boost with rich gradation for vibrant, detailed photos and videos
- There's no longer a need to adjust audio recording levels during shooting - with 32-bit float recording using the optional DMW-XLR2 adapter and internal recording of 5.7K 30p Apple ProRes 422 HQ and Apple ProRes RAW HQ
- Upload still images and proxy videos directly to the Adobe Cloud Frame.io platform.
- One shot for all social media platforms in all aspect ratios via Open Gate for superior resolution and heightened detail
- Improved AF performance with Phase Detection Autofocus by adding real-time recognition AF for Human/Animal/Car/Motorcycle/Train/Airplane
- Real-time custom LUTs to apply new colour expressions
Flagship Imaging Platform
High-Resolution 25.2MP Sensor, 5.7K Raw Video
Redesigned from the ground up, this sensor improves upon its predecessors in the GH Series with new silicone and software. It has an improved 13+ stops of dynamic range boost despite its reduced cell size due to the increased number of pixels on the Micro Four Thirds sensor. Use a CFexpress Type B card to internally record 5.7K Apple ProRes 422 HQ and ProRes RAW HQ, or the SD slot can capture up to 10-bit 4K120p footage. The ability to record high bitrates and an unlimited recording time set this camera apart from any of its predecessors.
For maximum sharpness, the sensor is unhindered by a low-pass filter; it smooths out any moire through intelligent detail processing from its updated Venus engine. Relying on its next-generation image stabilisation, this camera synthesizes eight distinct images into a single 100MP image - all without requiring a tripod.
Lightning-Fast Sensor Readout
The Venus Engine has twice the power of previous generations, which enables 75 fps burst shooting or up to 240 fps variable frame rate (VFR) slow motion video footage. The Venus Engine's fast sensor readout limits the rolling shutter distortion to keep skyscrapers vertical when shooting from an automobile's action mount or to capture slow motion footage of quickly moving objects.
Stabilisation: In-Body, Sensor-Shift
- In-body, sensor-shift, 5-axis image stabilisation is obtained with a high-precision gyro-sensor and a stabilisation algorithm. At all focal lengths, this stabilisation technology offers 7.5 stops of deviance from the shutter speed dictated by the reciprocal rule.
- Sensor-shift technology works seamlessly with the optical image stabilisation of Panasonic lenses. Electronic stabilisation is available who those who accept the slight cropping effect it requires. Boost I.S. mode is the most extreme form of electronic stabilisation, simulating a shot locked off on a tripod.
AF & AE Highlights
- The processing speed of the autofocus has been tripled, powering the 315-area contrast-detection depth-from-defocus (DFD) system. The updated algorithm calculates the distance to your subject and predicts whether it is moving closer or further away from the camera, anticipating where it will be for the following frame. It functions by collecting data from several focal planes, then creating a 3D, real-time depth map.
- The subject-tracking focusing system also supports face, eye, head, body, and animal recognition. The autofocus will automatically switch from body recognition to face, then eye recognition as the subject approaches the camera for improved sharpness.
- The Focus Limiter, Manual Focus Assist, and an updated joystick enable quick and precise focusing. Zone AF is a less obstructive overlay, and Face Priority in Multi Metering prevents unwanted exposure changes.
Professional-Grade High Bitrate Video
Limitless Latitude
- 5.7K30 recording is supported in the high-quality Apple ProRes 422 HQ/ProRes 422 and ProRes RAW codecs for visually lossless, high bitrate footage well-suited for intense manipulation in post-production. ProRes 422 HQ/ProRes 422 is also supported in DCI 4K and FHD at up to 60p.
- The GH7 supports unlimited recording up to DCI 4K at 60p with 4:2:2 10-bit sampling for pristine detail and depth in colour grading.
Preserve 13+ Stops of Detail
- Shooting in V-Log and V-Gamut will give you 12+ stops of dynamic range, which can be increased to 13+ stops by activating its dual-analog gain circuits with Dynamic Range Boost Mode. One circuit using ISO 800 absorbs the richness of the visible spectrum while maintaining detail in the highlights, and ISO 2000 captures low-noise gradients of black in the shadows.
- The well-exposed picture is composited once passing through the Image Synthesis Dedicated Circuit. This makes it different from a dual-native design because you're not selecting one ISO or the other, but both are working in tandem. Dynamic Range Boost Mode is available for footage shot up to 60 fps.
Unlimited Recording Times
Panasonic recognizes the importance of shooting extended clips and has designed the GH7 to not have a maximum record time. Extended takes like interviews and live events can be recorded in their entirety, reducing sync errors, and simplifying data management. This is made possible by a fan-driven active cooling design that radiates heat away from the sensor.
Intelligent Image Processing
3D noise reduction is achieved by comparing three sequential frames, then automatically scrubbing the noise which appears in only one of the three frames. Intelligent detail processing eliminates the need for a low-pass filter and smooths fine details like hair and wires to minimize moire patterns.
Flat Profile & Expansive Colour Space
Edit seamlessly with VariCam cameras with accurate colour reproduction and subtle gradations from dark areas to highlights. V-log and Hybrid Log Gamma preserve the maximum amount of data, leaving your colourist with plenty of latitude to shape the aesthetic with creative LUTs. The GH7 supports both .CUBE and .VLT formats for V-Log View Assist in real time to approximate the final look of your deliverable.
Raw Recording via HDMI
In addition to internal recording to the CFexpress card, the GH7 supports 12-bit raw video output in 5.7K, DCI 4K, and Anamorphic 5.8K and 4.4K formats via HDMI when recording to Atomos Ninja V and V+ external recorders in ProRes RAW.
Anamorphic Versatility
- Record open gate with the 4:3 sensor for 5.8K 30p 4:2:0 10-bit and 4.4K 60p 4:2:0 10-bit video.
- Store up to 10 anamorphic lenses on the GH7 for quick swaps and ready-to-view, desqueezed footage. Images can be desqueezed in cinescope size. Magnification rate is also selectable from 1.30x, 1.33x, 1.5x, 1.8x, or 2.0x.
- The Image Stabilizer Anamorphic setting is ideal for using an anamorphic lens. To properly interpret the visual information for stabilisation processing, select from 1.30x, 1.33x, 1.5x, 1.8x or 2.0x depending on the lens magnification.
Super-Slow Motion
By shooting in high frame rate (HFR) 4K you can boost your frame rate to 120p, or 1080p will give you 240p to play with. Autofocus remains available to actively make changes while recording up to 200 fps.
Instant Back-Up
Simultaneous internal and external recording via the HDMI port broadens your options for redundancy and storage, particularly convenient when shooting live events over an hour long. Record in resolutions up to DCI 4K in 17:9 with a bit depth up to 4:2:2, 10-bit, and frame rates up to 60p, 50p, 30p, 25p, 24p.
High-Fidelity Sound
Enhanced audio features enable high-quality audio recording. The GH7 is always ready to capture 48 kHz 24-bit with its built-in mic. Boost that to 96 kHz 24-bit with an external mic. For recording interviews with multiple mics, HDMI will output 4-channels of audio data. The GH7 also supports 32-bit float recording, which does not require adjustment of the sound recording level during shooting.
Scopes & Assists
- The Waveform monitor, Vectorscope, and Luminance spot meter feed you vital information about your levels.
- Time lapse video interval capture is customizable for both shooting and playback durations, complete with exposure smoothing.
- Focus Transition, Frame Indicator, and Frame Marker improve the workflow in both production and post-production.
- Safety Zone Marker, Vertical Position Information, Center Marker Options, and Enlarged Live Display help keep your action properly oriented, centered, and in focus.
Photography Capabilities
Hybrid Strength
Though Lumix is known for stellar video production, it excels as a hybrid camera with its 100MP stills, a wide dynamic range, 7.5 stops of dual image stabilisation, and continuous shooting up to 75 fps with an electronic shutter.
100MP Shots
Image stabilisation technology enables 8 consecutive stills to be synthesized into one high-resolution, 100MP image without the use of a tripod. Dynamic Range Boost Mode is automatically engaged in all photo modes.
Clean Details in Low Light
Details are retained and colour noise is reduced, even when shooting in dimly lit conditions that require high ISO. When conditions are less than ideal, 2D noise reduction gives your photos a more natural and three-dimensional quality.
Shutter Flexibility
Manually select between several shutter modes depending on your needs: a mechanical shutter type, electronic front curtain type, electronic shutter type, electronic shutter type with noise reduction after shooting at a slow shutter speed, or let the camera automatically switch the shutter type depending on the conditions and shutter speed.
Rapid-Fire for Three Seconds
Achieve 75 fps burst shooting (AFS, electronic shutter) while maintaining 25.2MP due to the fast readout speed of the GH7 sensor and the superior processing power of the new Venus Engine. The high sensor readout speed reduces rolling shutter distortion. Shoot 75 fps with an electronic shutter and AFS or 14 fps with a mechanical shutter and AFS. With AFC, you can shoot at up to 8 fps with a mechanical shutter or 7 fps with an electronic shutter.
Ready-to-Share
- Several picture profiles are included to save time editing, including L. Classic Neo, a film-like effect with a nostalgic, soft colouring. L. Monochrome S is a black and white effect with a gentle touch suited to portraits. Cinelike modes have a film-like finishing touch using a gamma curve to prioritize dynamic range or contrast.
- For professional control, V-Log's flat profile is available when taking stills. Manually adjust the contrast, saturation, and sharpness and save it as My Photo Style 1-10 for a detailed profile down to the ISO and white balance.
- Sharing with colleagues and different platforms is made easy with compatibility with the Adobe Cloud Frame.io platform.
- Shoot in all aspect ratios via Open Gate for superior resolution and heightened detail for sharing in social media and all platforms.
Streaming Capabilities
- The GH7 can stream directly via Wi-Fi, USB tethering, or wired Ethernet LAN. It supports:
- up to 1920 x 1080p59.94 via Wi-Fi via RTMP / RTMPS
- up to UHD 4K29.97 / 1920 x 1080p59.94 via USB tethering via RTMP / RTMPS
- up to UHD 4K59.94 via wired LAN using RTP / RTSP
Professional and Reliable Design
High-Definition TFT LCD
The free-angle 3" 1.84m-dot LCD screen tilts toward the shooter, enabling high- and low-angle shots, as well as positions in tight corners that would otherwise be extremely difficult to properly frame and focus your camera. It features high contrast, high brightness, and high visibility even under strong sunlight. Additionally, its intuitive design uses static touch control and has an improved locking mechanism for easier use.
Intelligent OLED Eyepiece
The 3.68m-dot OLED Live Viewfinder has a 0.76x-equivalent magnification for bright, realistic eye-level monitoring.
CFexpress Type B & SD
The dual card slot provides options dependent on the bitrate of your shoot. The CFexpress Type B slot is necessary to record higher bitrate formats like Apple ProRes RAW and 422 HQ and 800 Mb/s 4:2:2 10-bit ALL-Intra footage. The SD card slot records bitrates up to 600 Mb/s when using high performance UHS-II U3 Class 10 SD cards.
SSD Recording Over USB
Both video and stills can be recorded and played back using an external SSD when connected via the USB-C port. This enables saving to larger capacity drives and working with media that's immediately compatible with most post-production workflows.
Danger: High Voltage
The GH7 takes DMW-BLK22 lithium-ion battery and provides approximately 360 shots per charge.
Weatherproof Below Freezing
The body of the GH7 is engineered to keep out precipitation and dust down to 14°F. Despite its sealed design, heat dispersal is attained through an electric fan, heat sink, and frame that radiates heat away from the sensor, engine, and memory card.
Ergonomic Optimization
- Spend less time rummaging through digital menus by using its dual ring selectors to find your preferred shooting mode. The design of the camera incorporates dedicated buttons for key features like the zoomed-in manual focus assist box and audio information button for quick adjustments of the levels.
- An additional video record button on the face of the GH7 is more accessible when mounted on a shoulder rig. The camera is designed to be as small and lightweight as possible, increasing its compatibility with motorized gimbals and commercial drones (available separately).
Wireless & Remote Control
- To expand the flexibility of data transfers and remote control, wireless options are built into the design. Wi-Fi 5GHz and Bluetooth v5.0 enable the transfer of photos and footage to a cell phone, which can then be beamed to a news station. Updating the camera's firmware can be accomplished wirelessly via a smartphone.
- Remotely control up to 12 GH7 cameras via and LUMIX Tether app via USB. Adjust settings like the metering mode, recording quality, and focus mode, then transfer the footage to the computer after recording. When prepping those cameras, save time and reduce errors by using the Lumix SYNC app to wirelessly match the recording settings.
In/Out
- This camera provides options to connect to external devices. The USB 3.2 Gen2 Type-C enables data transfers of 10Gb/s, powers the camera, or charges the battery. The HDMI Type-A port feeds the footage to an external recorder, or the hot shoe mount connects to an XLR expansion device like the DMW-XLR2 (available separately).
- A 3.5mm headphone jack is located on the side of the camera, above the 3.5mm headphone jack. On the front of the camera, a flash synchro socket doubles as a timecode in/out when using the included BNC converter cable.
Panasonic Leica DG Vario-Elmarit 12-60mm f/2.8-4 ASPH. POWER O.I.S. Lens
Spanning a useful wide-angle to short telephoto range, the Leica DG Vario-Elmarit 12-60mm f/2.8-4 ASPH. POWER O.I.S. Lens from Panasonic is a 24-120mm equivalent zoom designed for Micro Four Thirds cameras. Designed in collaboration with Leica, this versatile lens utilizes four aspherical elements and two extra-low dispersion elements to deliver well-corrected, sharp image quality that is void of colour fringing and distortions. The lens also makes use of a linear motor for fast, quiet, and precise autofocus performance, and the POWER Optical Image Stabilizer system helps to minimize the appearance of camera shake for sharper handheld shooting. Additionally, the durable metal body of the lens renders it splash, dust, and freezeproof to suit its use in trying environmental conditions.
- Standard zoom for Micro Four Thirds mirrorless cameras, this lens provides a 24-120mm equivalent focal length range.
- Four aspherical elements and two extra-low dispersion elements contribute to minimizing chromatic and spherical aberrations and various distortions in order to produce a high degree of clarity, sharpness, and colour accuracy.
- Linear autofocus motor delivers fast AF performance that is also precise, smooth, and near-silent to benefit both stills and video applications.
- POWER Optical Image Stabilizer minimizes the appearance of camera shake for sharper handheld shooting, and also supports the Dual I.S. function for increased stabilisation performance.
- Splash, dust, and freezeproof design benefits working in inclement weather conditions.
- Rounded nine-blade diaphragm contributes to a smooth and pleasing bokeh quality.
PANASONIC LUMIX GH7 MIRRORLESS CAMERA | |
IMAGING | |
Lens Mount |
Micro Four Thirds
|
Sensor Resolution |
Actual: 26.52 Megapixel
|
Effective: 25.2 Megapixel (5776 x 4336) | |
Image Sensor |
17.3 x 13 mm (Four Thirds) BSI CMOS
|
Sensor Crop (35mm Equivalent) |
Crop Factor: 2x
|
*Additional Crop Occurs in Select Video Modes | |
Image Stabilisation |
Sensor-Shift, 5-Axis
|
Capture Type |
Stills & Video
|
EXPOSURE CONTROL | |
Shutter Type |
Mechanical Focal Plane Shutter and Electronic Rolling Shutter
|
Shutter Speed |
Mechanical Shutter
|
1/8000 to 60 Seconds | |
Up to 30 Minute in Bulb Mode | |
Electronic Front Curtain Shutter | |
1/2000 to 60 Seconds | |
Up to 30 Minutes in Bulb Mode | |
Electronic Shutter | |
1/32000 to 60 Seconds | |
Up to 60 Seconds in Bulb Mode | |
Bulb/Time Mode |
Bulb Mode
|
ISO Sensitivity Range |
Photo
|
100 to 25,600 (Extended: 50 to 25,600) | |
Video | |
100 to 12,800 (Extended: 50 to 12,800) | |
Metering Method |
Center-Weighted Average, Highlight Weighted, Multiple, Spot
|
Exposure Modes |
Aperture Priority, Auto, Manual, Program, Shutter Priority
|
Exposure Compensation |
-5 to +5 EV (1/3 EV Steps)
|
Metering Range |
0 to 18 EV
|
White Balance |
2500 to 10,000K
|
Presets: AWB, Auto, Cloudy, Colour Temperature, Daylight, Flash, Incandescent, Shade, White Set 1, White Set 2, White Set 3, White Set 4 | |
Continuous Shooting |
Mechanical Shutter
|
Up to 14 fps at 25.2 MP for up to 215 Frames (Raw) / 260 Frames (JPEG) | |
Electronic Shutter | |
Up to 75 fps at 25.2 MP for up to 215 Frames (Raw) / 260 Frames (JPEG) | |
Self-Timer |
2/3/10-Second Delay
|
STILL IMAGE CAPTURE | |
Image Sizes |
4:3
|
100 MP (11,552 x 8672) *Via In-Camera Pixel-Shift | |
50.5 MP (8192 x 6144) *Via In-Camera Pixel-Shift | |
25 MP (5776 x 4336) | |
12.5 MP (4096 x 3072) | |
6.5 MP (2944 x 2208) | |
5 MP (1920 x 1440) | |
3:2 | |
89 MP (11,552 x 7696) *Via In-Camera Pixel-Shift | |
44.5 MP (8192 x 5464) *Via In-Camera Pixel-Shift | |
22 MP (5776 x 3848) | |
11 MP (4096 x 2728) | |
5.5 MP (2944 x 1960) | |
5 MP (1920 x 1280) | |
16:9 | |
75 MP (11,552 x 6496) *Via In-Camera Pixel-Shift | |
37.5 MP (8192 x 4608) *Via In-Camera Pixel-Shift | |
18.5 MP (5776 x 3242) | |
9.5 MP (4096 x 2304) | |
5 MP (2944 x 1656) | |
5 MP (1920 x 1080) | |
1:1 | |
75 MP (8672 x 8672) *Via In-Camera Pixel-Shift | |
37.5 MP (6144 x 6144) *Via In-Camera Pixel-Shift | |
19 MP (4336 x 4336) | |
9.5 MP (3072 x 3072) | |
5 MP (2208 x 2208) | |
5 MP (1440 x 1440) | |
Aspect Ratio |
1:1, 3:2, 4:3, 16:9
|
Image File Format |
JPEG, Raw
|
VIDEO CAPTURE | |
Internal Recording Modes |
ProRes RAW/ProRes RAW HQ
|
5728 x 3024 at 23.98/24.00/25/29.97/50 fps [1 to 4.2 Gb/s] | |
4096 x 2160 at 23.98/24.00/25/29.97/50/59.94 fps [1.1 to 4.2 Gb/s] | |
H.264/MOV/MPEG-4 AVC/ProRes 422/ProRes 422 HQ 4:2:2 10-Bit | |
5728 x 3024 at 23.98/24.00/25/29.97 fps [1000 to 1900 Mb/s] | |
H.264 ALL-Intra/MOV 4:2:2 10-Bit | |
4096 x 2160 from 1 to 59.94 fps [400 to 800 Mb/s] | |
3840 x 2160 from 1 to 59.94 fps [400 to 800 Mb/s] | |
1920 x 1080p from 1 to 240 fps [200 to 800 Mb/s] | |
1920 x 1080i at 50/59.94 fps [100 Mb/s] | |
H.264 Long GOP/MOV/MPEG-4 AVC 4:2:2 10-Bit | |
4096 x 2160 from 1 to 59.94 fps [150 to 200 Mb/s] | |
3840 x 2160 from 1 to 59.94 fps [150 to 200 Mb/s] | |
1920 x 1080p from 1 to 240 fps [100 to 200 Mb/s] | |
1920 x 1080i at 50/59.94 fps [50 Mb/s] | |
H.265 Long GOP/MOV 4:2:0 10-Bit | |
5760 x 4320 at 23.98/24.00/25/29.97 fps [200 Mb/s] | |
5728 x 3024 from 1 to 59.94 fps [200 to 300 Mb/s] | |
4352 x 3264 at 47.95/48.00/50/59.94 fps [300 Mb/s] | |
4096 x 2160 [150 to 300 Mb/s] | |
3840 x 2160 [72 to 300 Mb/s] | |
1920 x 1080p from 1 to 300 fps [20 to 200 Mb/s] | |
External Recording Modes |
4:2:2 10-Bit via HDMI
|
DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97/50/59.94 fps | |
UHD 4K (3840 x 2160) at 23.98/24.00/25/29.97/50/59.94 fps | |
1920 x 1080p at 23.98/24.00/25/29.97/50/59.94 fps | |
1920 x 1080i at 50/59.94 fps | |
Raw 12-Bit via HDMI | |
5760 x 4320 | |
5744 x 3024 | |
DCI 4K (4096 x 2160) | |
Gamma Curve |
Panasonic V-Gamut, Panasonic V-Log
|
IP Streaming |
RTMP, RTMPS
|
1280 x 720 to 1920 x 1080 at 29.97p, 59.94p (4.0 to 16.00 Mb/s) | |
RTMP, RTMPS, UVC/UAC | |
1280 x 720 to 1920 x 1080 at 25p, 29.97p, 50p, 59.94p (4.0 to 16.00 Mb/s) | |
3840 x 2160 at 29.97p (4.0 to 16.00 Mb/s) | |
RTP, RTSP | |
1280 x 720 to 3840 x 2160 at 25p, 29.97p, 50p, 59.94p (4.0 to 50.00 Mb/s) | |
Built-In Microphone |
Stereo
|
Audio Recording |
MOV: 2/4-Channel 24-Bit 96 kHz LPCM Audio
|
MOV: 2/4-Channel 24-Bit 48 kHz LPCM Audio | |
MP4: 2-Channel 16-Bit 48 kHz AAC Audio | |
INTERFACE | |
Media/Memory Card Slot |
Slot 1: CFexpress Type B
|
Slot 2: SD/SDHC (UHS-II) [U3/V30 or Faster Recommended] | |
Video I/O |
1x HDMI (Unspecified Signal) Output
|
Audio I/O |
1x 1/8" / 3.5 mm TRRS Headphone/Mic Microphone Input
|
1x 1/8" / 3.5 mm TRRS Headphone/Mic Headphone Output | |
Power I/O |
1x USB-C Input/Output
|
Other I/O |
1x USB-C Data/Monitor/Tether/Video
|
Wireless |
5 GHz Wi-Fi 5 (802.11ac), Bluetooth 5.0 Video Output, Audio Output, Control
|
Mobile App Compatible |
Yes: Android & iOS
|
App Name: Panasonic LUMIX Sync | |
Functionality: Access Stored Files, Adjust Settings, Firmware Update, Remote Control, View Live Feed | |
Global Positioning (GPS, GLONASS, etc.) |
GPS
|
*Via Connected Smartphone | |
MONITOR | |
Display Size |
3"
|
Resolution |
1,840,000 Dot
|
Display Type |
Free-Angle Tilting Touchscreen LCD
|
VIEWFINDER | |
Type |
Built-In Electronic (OLED)
|
Resolution |
3,680,000 Dot
|
Eye Point |
21 mm
|
Coverage |
1
|
Magnification |
Approx. 0.76x
|
Diopter Adjustment |
-4 to +3
|
FOCUS | |
Focus Type |
Auto and Manual Focus
|
Focus Mode |
Automatic, Continuous-Servo AF, Focus Lock AF Area Mode, Manual Focus, Single-Servo AF, Touch AF & Shutter
|
Autofocus Points |
Photo, Video
|
Contrast Detection: 315 | |
Autofocus Sensitivity |
-4 to +18 EV
|
FLASH | |
Flash Modes |
Auto, Auto/Red-Eye Reduction, Forced On, Forced On/Red-Eye Reduction, Off, Slow Sync, Slow Sync/Red-Eye Reduction
|
Maximum Sync Speed |
1/250 Second
|
Flash Compensation |
-3 to +3 EV (1/3 EV Steps)
|
Dedicated Flash System |
TTL
|
External Flash Connection |
Shoe Mount
|
ENVIRONMENTAL | |
Operating Temperature |
14 to 104°F / -10 to 40°C
|
Operating Humidity |
10 to 80%
|
GENERAL | |
Battery Type |
1x DMW-BLK22 Rechargeable Lithium-Ion, 7.2 VDC, 2200 mAh (Approx. 350 Shots)
|
Shoe Mount |
1x Hot Shoe
|
- Panasonic Lumix GH7 Mirrorless Camera
- Panasonic DMW-BLK22 Lithium-Ion Battery (7.2V, 2200mAh)
- Battery Charger
- BNC Conversion Cable
- Shoulder Strap
- Body Cap
- Eye Cup
- Hot Shoe Cover
- Flash Socket Cap
- Panasonic Leica DG Vario-Elmarit 12-60mm f/2.8-4 ASPH. POWER O.I.S. Lens
- Front Lens Cap
- Panasonic Rear Lens Cap for Lumix G Lenses
- Lens Hood
- Lens Pouch