OM SYSTEM OM-5 + 14-150mm Lens - Silver
SKU code: 49523
- 20.4M Live MOS Image Sensor
- High-speed 121 Point Cross-Type Phase Detection AF
- Dust, Splash & Freeze Proof Design (IP53 rated)
- 2.36M Dots OLED Electronic Viewfinder
- In-Body Image Stabilisation of 6.5EV of Compensation (7.5EV with Sync IS Lenses)
- TruePic IX Image Processor
- Live ND, Live Composite, Live Bulb, Pro Capture, Starry Sky AF
- Enhanced Video Functions for Creators (C4K 30p, Vertical Video, Webcam)
- USB Charging & Power Delivery
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Compact and Durable
The OM-5 is a 20.4MP camera body that is designed to impress. Crafted from a durable magnesium alloy, it is lightweight and strong, perfect for travelling or everyday use. Its small size makes it easy to fit into any bag, and its sleek design ensures it is virtually invisible when carried.
Micro Four Thirds Compatible
Whether you have an OM camera from OM SYSTEM or an Olympus OM-D, PEN or any other compatible camera, you'll benefit from all that the Micro Four Thirds (MFT) standard has to offer: a camera system boasting a compact size, lightweight, more shooting freedom, high image quality and ease of use, to name just a few. So if you're in the market for a new camera body, check out the OM-5. You won't be disappointed.
Designed For The Outdoors
OM-5 Body is the latest addition to the OM series of high-performance cameras from Olympus. As its name suggests, the OM-5 is designed for adventures, with a weather-resistant and dustproof body that can withstand extremes of heat and cold. It's also splashproof and rated IP53 for protection against rain and snow.
So whether you're shooting in the desert or high in the mountains, you can be sure your camera will keep working. And if you get caught in a sudden downpour, you don't need to worry about your equipment. The OM-5 is tough enough to handle anything Mother Nature can throw at it. So go ahead and enjoy your adventure, knowing that your camera is up to the challenge.
Video That Will Impress
Think of the OM-5 as a high-quality video camera as it can capture stunning views in a 4K 30p video codec, making it manageable for the on-the-go edit suite. To ensure you capture the shot, the camera is powered by the BLS-50 Battery, which provides enough juice to manage the impressive stabiliser (5-axis stabilisation system), and maintain a high frame rate. More importantly, the 4K codec is easy on the memory card but does not compromise on quality and detail.
Movies are a great way to capture memories and share stories with others. But sometimes, even the best photos can't do a story justice. That's where the OM-5 comes in. With its ability to stabilise the shakiest of situations with up to 6.5 steps of compensation (or 7.5 with compatible Sync-IS lenses), the OM-5 is perfect for turning your favourite stories into spectacular movies that are worthy of the journey you made. So if you're looking for a camera that can help you capture your most precious memories, the OM-5 is the perfect choice.
But Wait, There's More
For Olympus fans, OM System has delivered. It seems this compact, lightweight camera has it all. High-resolution stills, powerful video, impressive stabilisation, and weather sealing - what more could you need? Well, it turns out the new OM-5 has more under the hood waiting to be explored. Take, for instance, the ability to do long exposures in-camera without needing a filter. That's right; you can now transform a cityscape or landscape scene to a longer exposure (up to four steps of effect) with the ND16. So if you want to remove people from that iconic scene, set up your camera on a tripod and use this setting - the people will vanish.
The Best Lenses for the OM-5
The All Rounder
Sure, you could lug around a huge DSLR and a bunch of heavy lenses with you everywhere you go. Or, you could lighten your load with the perfectly built M.Zuiko Digital ED 40-150mm F4.0 PRO ultra-portable lens. This little lens gives you all the power you need to shoot stunning landscapes, beautiful nature shots, and amazing closeups of birds and other wildlife - without weighing you down. Plus, it's fully weather-sealed, so you can keep shooting even in harsh conditions.
Ultra-Wide
If you're looking for a versatile and powerful lens that can help capture some stunning outdoor scenes, then the M.Zuiko 8-25mm F4.0 PRO is definitely worth considering. With a focal length range of 16-50mm, it's perfect for everything from landscapes to cityscapes. And despite being packed with features, it's still relatively lightweight at just 0.411 kg. Plus, the weather-sealed construction means you can shoot in all kinds of conditions without worrying about your gear.
TYPE | |
Lens mount | Micro Four Thirds |
IMAGE SENSOR | |
Type | 4/3'' Live MOS sensor |
Effective pixels | 20.4 Megapixels |
ENGINE | |
Type | TruePic IX |
FILTER | |
Dust reduction filter | Supersonic Wave Filter |
VIEWFINDER | |
Type | OLED Electronic Viewfinder |
Pixel number | 2.360 K dots |
Diopter adjustment | Equipped -4.0 - +2.0 diopters / built-in type |
Angle of view | Approx. 100% |
Magnification | Max. 1.37 x with a 50mm lens set to infinity at -1 dioptre (depending on selected viewfinder style) |
Eye point | 27 mm at -1 dioptre from eyepiece lens |
Style | 3 styles selectable |
Correction of colour temperature | +/- 7 levels |
S-OVF | Expands the Live View dynamic range *Available in the EVF when in P, A, S and M modes. Art filter, WB and exposure are not reflected in EVF. |
LIVE VIEW | |
Displayed information | Aperture, Shutter speed, Auto bracket, AE lock, Focus mode, Shooting mode, Battery check, IS activating mode, Face / Eye detection mode, Record mode, ISO, Sequential shooting mode , White Balance, Metering mode, Exposure compensation value, AF frame display, AF confirmation mark, Shooting information, Spot metering area, Super FP, Flash status, Touch Panel Condition, Focal length, Flash mode, Histogram, Level Gauge, Highlight & Shadow, Live ND, Focus peaking, Number of storable pictures, Custom, Face detection, Flash intensity, Wi-Fi |
Field of view | Approx. 100% |
Magnification levels | 3 / 5 / 7 / 10 / 14 x |
Dynamic range expansion | When in HDR1 or HDR2 |
Display modes | Comparison, Grid (4 types), Grid, Histogram, Level Gauge, Magnified View, Standard information, Off |
IMAGE STABILISER | |
Type | Sensor shift |
Modes | Five-dimensional, vertical or horizontal activation, automatic |
Effective Compensation Range | Up to 7.5 EV steps (Sync IS) |
Up to 6.5 EV steps | |
Based on CIPA measurement conditions | |
Live View stabilisation | Available |
Lens IS priority | Available |
FOCUSING SYSTEM | |
Method | TTL phase difference detection system, contrast detection system (when non high-speed contrast AF compatible lens is used, it works as MF assist) |
Focus areas | 121 points * / 121 points contrast AF All target, single target (normal / small), group target (5- area / 9-area / 25-area), custom target 1-4 (AF area and its increment steps selectable) * All cross type |
AF lock | Available, Locked by first position of shutter release button in single AF mode, AE/AF lock button (customised) |
Modes | Manual focus, Single AF*, Continuous AF*, Preset MF**, AF* Tracking, Stacking, Starry Sky AF * incl. manual override ** Distance setting values are rough estimates and only AF lenses can be used. |
AF illuminator | Equipped |
Manual focus | Available, with enlarged focusing area, focus peaking and focus indicator |
Face Detection extension | Eye Detect AF: Off, Left side priority, Near side priority, Right side priority |
Predictive AF | Available |
AF tracking | Available, Available in continuous AF mode |
FOCUS PEAKING | |
Colour selection | White, black, red, yellow |
Intensity | High / Normal / Low |
Back light effect | On / Off |
FOCUS BRACKETING MODE | |
Number of images | 3 - 999 shots |
Step size | 10 levels Compatible with: All Micro Four Thirds AF lenses |
FOCUS STACKING MODE | |
Technology | 8 shots are taken at different focus points and automatically composited together into a single image Compatible with: 7-14mm F2.8 PRO, 8-25mm F4 PRO, 12-40mm F2.8 PRO, 12-40mm F2.8 PRO II, 12-45mm F4 PRO, 12-100mm F4 IS PRO, 40-150mm F2.8 PRO 40- 150mm F4.0 PRO, 100-400mm F5.0-6.3 IS, 150-400mm F4.5 TC1.25x IS PRO, 8mm F1.8 Fisheye PRO, 30mm F3.5 Macro, 60mm F2.8 Macro, 300mm F4 PRO 1.4x Teleconverter MC-14, 2x Teleconverter MC-20 Angle of view becomes slightly smaller |
EXPOSURE SYSTEM | |
Modes | Programme automatic, Aperture priority, Shutter priority, Manual, Bulb, Time, Movie, HDR, Custom shooting |
Exposure compensation | +/- 5 EV ( 1, 1/2, 1/3 steps ) Note: Monitor and EVF displays only up to ±3 EV. |
Exposure bracketing | 2 / 3 / 5 frames ( +/- 1/3, 2/3, 1 EV steps ) 7 frames ( +/- 1/3, 1/2, 2/3 EV steps ) |
ISO bracketing | 3 frames ( 1/3, 1/2, 1 EV steps ) |
AE lock | Available |
My Mode | 3 settings storable |
Enhancement function | Shadow Adjustment Technology Flicker Scan: Available for M, S and silent mode (can be confirmed in Live View) |
In-Built LiveND | ND2, ND4, ND8, ND16 (+1, 2, 3 or 4 steps) |
HDR bracketing | 3 / 5 frames ( +/- 2 / 3 EV steps ) 7 frames ( +/- 2 EV steps ) |
MULTI-EXPOSURE | |
Max. number of frames | 2 frames (shooting) 3 frames (editing) |
Auto gain control | Available |
Frame assistance | Live View |
LIGHT METERING | |
Method | TTL open aperture light metering |
Zones | 324 zones Multi-pattern Sensing System |
Detection range | -2 - 20 EV (17mm f2.8, ISO 100) |
Modes | ESP light metering, Spot metering, Centre weighted metering, Highlight, Shadow |
ART FILTER | |
Modes | Pop Art, Soft Focus, Pale & Light Colour, Light Tone, Grainy Film, Pin Hole, Diorama, Cross Process, Dramatic Tone, Gentle Sepia, Key Line, Water colour, Vintage, Partial Colour*, Bleach Bypass, Instant Film |
Variation / Effect | Available |
Art Filter bracketing | Art Filters selectable * 18 colours selectable |
SENSITIVITY | |
Auto | (customisable, default ISO LOW - 6400) |
Manual | ISO LOW - 25600 in 1/3 or 1 EV ISO steps |
SHUTTER | |
Shutter type | Computerised focal-plane shutter |
Self timer | 2 s / 12 s / Custom |
SHUTTER SPEEDS | |
Shutter speed range | 1/8000 - 60 s (in 1/3, 1/2, 1 EV steps) |
Bulb mode | Up to 30 minutes (selectable longest time in the menu, default: 8 minutes) |
High res shot | |
Shutter type | Electronic shutter |
Shutter speed | 1/8000 - 60 s |
Start delay | 0, 1/8, 1/4, 1/2, 1, 2, 4, 8, 15. 30 s |
Resolution | JPEG: 10368x7776 / 8160 x 6120 / 5760 x 4320 RAW: 10368 x 7776 Equivalent to 80M / 50M / 25M pixel sensor (8 shots combined into a single JPEG using sensor shift) Available in P/A/S/M mode You need to install OM Workspace to develop on a PC |
Handheld High res shot | |
Shutter type | Electronic shutter |
Shutter speed | 1/8000 - 60 s |
Resolution | JPEG: 8160 x 6120 / 5760 x 4320 RAW: 8160 x 6120 Equivalent to 50M / 25M pixel sensor (8 shots combined into a single JPEG using sensor shift) Available in P/A/S/M mode Flash can not be used |
Anti-shock mode | |
Shutter type | Electronic first curtain shutter |
Shutter speed | 1/320* - 60 s |
Start delay | 0, 1/8, 1/4, 1/2, 1, 2, 4, 8, 15, 30 s * For speeds over 1/320 sec., mechanical shutter will automatically be selected. |
Silent mode | |
Shutter type | Electronic shutter |
Shutter speed | 1/32000 - 60 s |
Start delay | 0, 1/8, 1/4, 1/2, 1, 2, 4, 8, 15. 30 s |
Flicker Scan | |
Stills | 1/7634 - 1/50 s |
Movies | 1/250 - 1/30 s * * Frame rates greater 30fps are limited to their reciprocal value |
WHITE BALANCE | |
AUTO WB system | Advanced detection system with Live MOS sensor |
Manual White balance (One-Touch) | Available |
White balance bracketing | 3 frames / +/- 2, 4, 6 mired steps |
One-touch white balance | 4 custom settings can be registered |
Custom WB | 1 setting can be registered at Kelvin temperature (2000K - 14000K) |
Preset values | Tungsten, Flourescent 1, Sunlight, Flash, Overcast, Shade, Underwater |
Auto Flash adjustment | Off / Auto WB / Flash |
Keep warm colour | On / Off |
SEQUENCE SHOOTING | |
Speed (H) | Approx. 10 fps Max. number of frames: RAW 149 / JPG (LF): Up to card capacity |
Speed (L) | 6 fps Max. number of frames: RAW / JPG (LF): Up to card capacity |
Silent mode | |
Speed (H) | Approx. 30 fps Max. number of frames: RAW 18 / JPG (LF): 20 |
Speed (L) | Approx. 10 fps Max. number of frames: RAW 138 / JPG (LF): Up to card capacity |
Pro Capture mode | |
Speed (H) | Approx. 30 fps |
Speed (L) | Approx. 10 fps |
Pre-shutter Frames | 0 - 14 frames (recorded by half release prior to full release) |
Frame count limiter | - 99 frames / Off (unlimited frames) (incl. pre-shutter frames) |
Conditions | Memory card: KIOXIA KSDXU-A064G When using the M.Zuiko Digital ED 12-40mm F2.8 Pro Maximum sequential shooting speed may be affected by several factors including lens used, brightness, aperture, shutter speed, and ISO setting. The actual shooting speed may become slower than the set shooting speed by a few frames per second. When using ISO Bracketing, performance will be affected at ISO 2000 or above. |
Interval shooting I | Interval: 1 s - 24 h Max. number of frames: 9999 Smoothing |
IMAGE PROCESSING | |
Colour space | sRGB / AdobeRGB |
Sharpness + Contrast | 5 levels |
Contrast | 5 levels |
Saturation | 5 levels |
Black & White filter | Yellow, Orange, Red, Green |
Black & White toning | Sepia, Blue, Purple or Green in Black & White mode |
Picture mode | |
Gradation | 4 levels (auto, high key, normal, low key) |
Engine | TruePic IX |
Art Filter bracketing | Available |
Tele converter effect | 2 x |
Fisheye compensation | Available when M.Zuiko Digital ED 8mm Fisheye PRO is attached Angle of view adjustable in 3 levels Compensation automatically ON when using Underwater Modes, available (can be confirmed in Live View) |
EXTERNAL FLASH CONTROL | |
X-sync speed | 1/250 s / 1/8000 s (Super FP Mode) |
Type | TTL AUTO, AUTO, MANUAL, FP TTL AUTO, FP MANUAL |
Modes | Auto, Red-eye reduction, Slow synchronisation, 2nd curtain and slow synchronisation, Fill-in for exclusive flash, Manual |
Intensity | +/- 3 EV ( 1/3, 1/2, 1 EV steps ) Note: Some functions are only available if they are supported by the external flash. |
Compatible external flash | FL-14, FL-20, FL-36R, FL-50R, FL-300R, FL-600R, FL700WR, FL-900R, STF-8 |
MONITOR | |
Monitor type | Vari-angle LCD - Touch Panel |
Monitor size | 7.6 cm / 3.0'' (3:2) |
Resolution | 1,037 K dots |
Brightness adjustment | t +/- 7 levels |
Colour balance | +/- 7 levels Vivid (default) / Natural |
Touch Control functions | AF area enlargement, AF area selection, Art Filter, Enlargement, Enlargement playback, Frame forward/ backward, Live Guide, Scene Modes, Shooting mode, Shutter release, Super Control Panel, Wi-Fi connection |
LEVEL GAUGE | |
Detection | 2-axis |
Display | Rear display and viewfinder |
SUPER CONTROL PANEL | |
Displayed information | Battery indicator, Record mode, Shutter speed, Aperture |
value, Exposure compensation indicator, ISO, AE | |
bracketing, AF frame, Focus mode, AEL notification, | |
Face detection, Number of storable frames, Metering | |
mode, Exposure mode, Exposure level view, Flash | |
compensation value, Colour space, Gradation, Colour | |
saturation compensation value, Sharpness compensation | |
value, Contrast compensation value, White balance, | |
White balance compensation value, Noise reduction, | |
Flash mode, Drive mode, Internal temperature warning, | |
Histogram | |
RECORDING FORMATS | |
RAW | 12 bit |
RAW & JPEG | Applied parallel recording |
JPEG | Applied |
Aspect ratio | 4:3 / 3:2 / 16:9 / 6:6 / 3:4 |
IMAGE SIZE | |
RAW | 5184 x 3888 compressed |
5184 x 3888 Fine (compression: 1/4) | |
STILL IMAGE RECORDING | |
EXIF | 2.3 |
DCF | Applied |
RAW | Applied |
MOVIE RECORDING SYSTEM | |
Recording format | MOV(MPEG-4AVC/H.264) |
Picture mode | Flat, OM-Log400 |
Time code | Rec run / Free run |
Drop frame / Non-drop frame | |
Image Stabilisation Mode | Applied Sensor shift |
M-IS1 (Image sensor shift and electronic image stabilizer | |
with multi motion IS) | |
M-IS2 (Image sensor shift with multi motion IS) | |
4K Movie quality | 4096 x 2160 (C4K) / 24p / IPB (approx. 237 Mbps) |
3840 x 2160 (4K) / 30p, 25p, 24p / IPB (approx. 102 | |
Mbps) | |
HD Movie quality | Full HD 1920 x 1080 (16:9) / 30p, 25p, 24p / ALL-I (A-I), |
IPB (SF, F, N) (MOV) | |
Full HD 1920 x 1080 (16:9) / 60p, 50p / IPB (SF, F, N) | |
(MOV) | |
HD 1280 x 720 (16:9) / 60p, 50p, 30p, 25p, 24p / ALL-I | |
(A-I), IPB (SF, F, N) (MOV) | |
Bit rates | ALL-I: ~ 202 Mbps |
Movie Recording System | FullHD IPB (SF: ~52Mbps, F: ~30Mbps) |
HD IPB (SF: ~26Mbps, F: ~14Mbps, N: ~10Mbps) | |
Maximum Recording Time | Up to card capacity |
Max. file size | 4 GB (AVCHD) |
Exposure Modes | Aperture priority, Manual, Programme automatic, Shutter |
priority | |
* Frame rate may drop when using certain art filter | |
Class 10 or higher SD card is recommended for movie shooting | |
UHS-II or UHS-I U3 card is recommended for ALL-I shooting | |
MOVIE SPECIALTIES | |
Rec Indicator | Red Recording Frame during shooting available |
Vertical Video | Available |
High-Speed Recording | 1920x1080 (MOV) / 120fps |
Time lapse | 4k, 1080p, 720p (AVI Motion JPEG®) |
Fast motion | Available |
Slow motion | Available |
Art Filter | Cross Process, Diorama, Dramatic Tone, Gentle Sepia, |
Grainy Film, Key Line, Light Tone, Pale & Light Colour, Pin | |
Hole, Pop Art, Soft Focus, Vintage, Partial Colour*, Bleach | |
Bypass | |
* 18 colours selectable | |
Frame rate limited to 30fps or lower | |
HDMI Live View | |
Monitor mode | Video signal and info display is processed |
While recording, footage is simultaneously displayed on the HDMI monitor | |
and on the camera, but the info display is shown only on either one of the | |
two. | |
While playing movies, footage is simultaneously displayed on the HDMI | |
monitor (normal size) and on the camera (normal size or enlarged). | |
Record mode | Only video signal is processed |
Movie quality is set to YCbCr 4:2:2 (8 bit), frame rate follows movie setting | |
(24p, 30p and 60p settings are not recommended.), and sound will be | |
recorded. | |
Flicker Scan | Available in M mode (can be confirmed in Live View) |
SOUND RECORDING SYSTEM | |
Speaker | Built-in mono speaker |
Microphone | Built-in stereo microphones |
External stereo microphone can be attached | |
Recording format | High quality sound recording (Stereo linear PCM/24-bit, |
Sampling frequency 96kHz) | |
Stereo PCM/16bit, 48kHz, Wave Format Base | |
Image footage | 30 s |
Microphone functions | Wind Noise Reduction, Recording Volume, Volume limiter, |
Audio Dubbing | |
Linking OM System PCM | |
Recorders | |
Functions | Slate Tone / Synchronised Audio Rec-Movie Rec |
Compatible with: LS-100, LS-P4, LS-P5 | |
VIEW IMAGES | |
Modes | Single, Index, Calendar, Zoom, Movie |
Auto rotation | Available |
Histogram in playback | Available |
mode | |
Shooting information | Off / On |
Highlight/Shadow point | Available |
warningq | |
ERASE / PROTECT / COPY FUNCTION | |
Erase modes | Single, All, Selected |
Image protect mode | Single frame, Selected frames, All Frames, Release |
protect (Single/All selected) | |
IMAGE EDITING | |
Editing functions | RAW data edit, Red-eye reduction, Sepia, Black & White, |
Resize, Correction of saturation, Correction of brightness, | |
Correction of colour balance, Shadow Adjustment, | |
Trimming, e-Portrait, Aspect ratio | |
MENU | |
Menu languages in camera | English, French, German, Spanish, Italian, Russian, Czech, |
Dutch, Danish, Polish, Portuguese, Swedish, Norwegian, | |
Finnish, Croatian, Slovenian, Hungarian, Greek, Turkish, | |
Latvian, Estonian, Lithuanian, Ukrainian, Serbian | |
CUSTOMISATION OPTIONS | |
Fn Button | Equipped |
My Mode | 4 settings storable (Can be set to mode dial.) |
Factory reset | Full / Basic |
Programmable button | Equipped |
INTERFACE | |
Media | SD Memory Card (SDHC, SDXC, UHS-I, UHS-II compatible) |
Class 10 or higher SD card is recommended for movie | |
shooting | |
UHS-II or UHS-I U3 card is recommended for 4K, C4K, | |
ALL-I shooting. | |
HDMI™ | Applied Micro connector (Type D) * "HDMI", the HDMI logo and "High-Definition Multimedia Interface" are |
trademarks or registered trademarks of HDMI Licensing LLC. | |
USB 2.0 High Speed | Applied |
Wireless connectivity | Wi-Fi, Bluetooth® |
Communication method | Bluetooth® Low Energy Ver.4.2 |
Wi-Fi is a registered trademark of the Wi-Fi Alliance. | |
The Bluetooth® word mark and logos are registered trademarks owned | |
by the Bluetooth SIG, Inc. and any use of such marks by OLYMPUS | |
CORPORATION is under license | |
Hot shoe | Equipped |
Microphone jack | 3.5 ø mm mini-jack (plug-in power on/off) |
WI-FI FUNCTIONS | |
Easy Connection | QR code setting |
Wireless Shooting | Live View, Power off, Rec View, Self timer, Touch AF & |
Shutter, P/A/S/M exposure modes, Bulb mode, Zoom, | |
Movie recording, Live Composite, Short movie | |
OTHER FEATURES | |
WebCam | UVC (USB Video Class) / UAC (USB Audio Class) |
POWER SUPPLY | |
Battery | BLS-50 Lithium-Ion Battery (included) |
Sleep mode | 1, 3, 5, 10 min. and off selectable. |
Battery life | |
Image shooting | 310 shots (using Toshiba SDHC UHS-I Card Exceria with IS on, with no flashes attached , based on CIPA test standards) |
Movie recording | 60 min (standard JEITA conditions) 110 min (when zoom and other operational functions are not used) |
USB charging | Built-in battery can be charged with USB (when camera power is off) Performance varies depending on different USB des |
ENVIRONMENT | |
Temperature | -10 - 40°C Operating temperature / -20 - 60°C storage temperature |
Humidity | 30 - 90% operation humidity / 10 - 90% storage humidity |
DIMENSIONS / WEIGHT | |
Width | 12.53 cm |
Height | 8.52 cm |
Depth | 4.97 cm |
Weight | 0.414 kg (including battery and memory card) 0.366 kg (body only) |
* Specifications subject to change by the manufacturer without notice
- OM SYSTEM OM-5 Mirrorless Camera - Silver
- OM System 14-150mm Lens
- BLS-50 Lithium-Ion Battery
- F-5AC Adapter
- USB Cable
- Shoulder Strap
Manufacturer Warranty
This product comes with a
24 month Australian warranty
from OM SYSTEM Australia
Want to read more about warranties?