Nikon Z8 Ultimate Landscape Kit
SKU code: 61881
- 45.7MP Stacked CMOS Sensor
- 64-25,600 ISO Range
- 20 fps (120fps in JPEG mode)
- 6 Stops - 5-Axis In-Body Stabilisation
- 8.3K Video Resolution
- Z-Mount Lens/Full-Frame Format
- Rounded 9-Blade Diaphragm
- Includes Z8 and 17-28mm f/2.8 Wide Angle Zoom Lens
- Includes Backpack, Tripod and Remote Cord
- Includes ND, CPL & UV Filters and Cleaning Kit
- Includes Rain Cover and Screen Protector
- Includes Rechargeable Battery and Memory Card
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Nikon Z8 Ultimate Landscape Kit
The Nikon Z8 Ultimate Landscape Kit is a comprehensive solution designed for serious landscape photographers, offering unparalleled imaging performance and versatility. Central to this kit is the Nikon Z8 Mirrorless Camera, featuring a 45.7 MP stacked CMOS sensor and the advanced EXPEED 7 processor, enabling incredible speed, precision, and dynamic range. This powerhouse camera is complemented by the lightweight Nikon Z 17-28mm f/2.8 lens, ideal for capturing wide, sweeping vistas. The kit also includes the SanDisk Extreme Pro 128GB CFexpress Type B Memory Card for fast data handling, the Phottix Odin II TTL Flash Trigger for advanced lighting control, and the sturdy Explorer EX-EXPPRO Expedition Pro Carbon Fibre Tripod for stable shooting in all conditions. Additional accessories like the Urth filter kit, Nikon remote cord, and a comprehensive cleaning kit ensure you're equipped for any landscape photography challenge.
Nikon Z8 Mirrorless
The Nikon Z 8 features the same stacked CMOS sensor with 45.7 effective megapixels as the Z 9, making it the world's fastest scanning speed mirrorless camera. This allows for minimised rolling-shutter distortion, as well as eliminating the need for a mechanical shutter.
Exquisite Image-processing - Expeed 7 Processor
The Z 8 is equipped with Nikon's most advanced image-processing engine, EXPEED 7. It processes a vast amount of data and enables next-generation features like the Real-Live Viewfinder, powerful AF, 120fps Pre-Release Capture, High-Efficiency RAW, in-camera 8.3K/60p N-RAW, 4K UHD/120p, and more.
Groundbreaking Subject Detection and AF performance - Even Better Than Before
The powerful AF algorithm automatically detects and tracks nine subject types - people (eye, face, head, upper body), dogs, cats, birds, cars, motorcycles, bicycles, trains, and planes. The detection performance in dimly lit situations, such as indoors and at sunsets, has also been enhanced. together with fast AF calculation and constant, rapid communication between the camera body and the NIKKOR Z lenses, the Z 8 offers high AF performance in a variety of shooting scenes.
The powerful EXPEED 7 engine allows the Z 8 to detect faces even as small as 3% of the frame's long edge. This is very useful for wedding scenes when you want to shoot the couple in an expansive landscape and keep them in sharp focus. The function also allows videographers to capture a person approaching from a distance, keeping the AF on them as they run toward the camera from a starting point.
Dual Card Slots Give You The Options to Suit Your Needs
The Z 8 has two card slots, which give you a choice according to your shooting needs. One slot takes industry-leading CFexpress Type B cards, excellent for fast reading/writing of heavy stills or video data. This slot also accepts XQD memory cards. The second slot takes the more widely available SD (UHS-II) cards, which have a great balance of writing speed and cost.
Extended Recording Up to 125 Min. In 4k UHD/60p and Up to 90 Min. In 8K UHD/30p
The Z 8 enables extended recording up to 125 min. in 4K UHD/60p and up to 90 min. in 8K UHD/30p without overheating. with its smaller and lighter body than the Z 9, it is suitable for demanding all-day weddings and long, fly-on-the-wall documentaries.
Rich tones with Increased Luminance Captured In HEIF, Both for Stills and Time-Lapse Videos
Landscape/cityscape photographers can now take full advantage of capturing the rich tones of sunset and high luminance of city illumination by shooting in HEIF (High-Efficiency Image File). The HEIF format can retain rich tonal gradation with HLG gamma in 10-bit. You can also get an idea of how the HEIF images that you shoot will look on an HDR (HLG)-compatible monitor with the Z 8's 3000cd/m2 compatible EVF and 900cd/m2 high-luminance image monitor on location. It is also possible to create 8K UHD HLG time-lapse videos in-camera. You can enjoy viewing the HEIF images and footage by connecting the Z 8 to an HDR (HLG)-compatible monitor or television via an HDMI 2.1 cable.
12-Bit Or 10-Bit Professional-Level Video Options - All In-Camera
Whatever you are shooting, you can achieve maximum creative potential with high-quality grading possibilities. The Z 8 records pristine 12-bit ProRes RAW HQ, Nikon's proprietary N-RAW video, or 10-bit ProRes 422 HQ internally - no external device is required. Full HD proxy files are simultaneously created in-camera when shooting in ProRes RAW and N-RAW, making editing the footage smoother. Furthermore, you can shoot in N-Log for any of the 12-bit and 10-bit in-camera codecs to get more control over the look of your final footage.
12-Bit N-RAW for 8.3K 60p Streamlines High-End Video Production
Nikon's groundbreaking N-RAW video format packs all the depth and detail of 12-bit RAW into a file that is half the size of ProRes RAW HQ files. You can work with 8.3K/60p, 5.4K/60p (DX format), 4.1K/120p, or 4K UHD/120p (2.3x crop) footage in compatible editing software to create 8K or 4K video outputs in both DCI and UHD formats. Furthermore, 8K footage gives you the freedom to crop, zoom, and track in post while still being able to output your finished video in 4K.
12-Bit ProRes RAW HQ Optimises Editing Workflow
The Z 8 lets you record 4.1K/60p in 12-bit ProRes RAW HQ, also in-camera. ProRes RAW HQ is a go-to codec for professionals, so it's practical to use when you are editing videos with footage taken by multiple different cameras and recorders which support the format. You can take advantage of the flexibility in post, including for green-screen chroma key compositing and other digital effects.
ProRes 422 HQ and H.265 Available in 10-bit
The Z 8 lets you shoot in 10-bit video files that pack rich depth and detail but are easy to grade and edit on your laptop on the go. ProRes 422 HQ, regarded as an industry standard, is a video format that is compatible with a wide variety of editing software. You can shoot up to 4K UHD/60p and Full HD/120p in 4:2:2 colour sampling with ALL-I intraframe compression to achieve high image quality. You also have the option to shoot in H.265, which supports up to 4K UHD/120p without cropping.
More Control Over Your Look with N-Log
You can select the tone mode when recording video from SDR, N-Log, and HLG. Nikon's original N-Log utilises extensive colour depth and 12-stop 1,300% dynamic range to record rich tones in both the highlights and shadows. You can also take advantage of Nikon's 3D LUT to help speed up your grading in post.
High-definition 4K UHD/60p, 50p, 30p, 25p, 24p Oversampled From 8K
Sharpness matters, especially on larger monitors. with the Z 8, you can record high-definition 4K UHD/60p, 50p 30p, 25p, and 24p oversampled from 8K in 10-bit and 8-bit. Combining this with high-resolution NIKKOR Z lenses creates overwhelmingly immersive 4K videos.
Crystal Clear 24-bit/48 kHz Linear PCM Audio Recording
The Z 8 lets you record high-quality audio in 24-bit/48 kHz linear PCM when shooting video. with uncompressed linear audio, you can record sound clearly with a wider dynamic range.
Zoom In On Your Subjects Even When Using Prime Lenses - Hi-Res Zoom
with the Z 8's Hi-Res Zoom, you can enjoy an extra reach of up to 2x zoom during 4K UHD and Full HD video recording with the touch of a button, even when using prime lenses. Unlike an ordinary digital zoom, it preserves high resolution when zooming in, as it utilises up to 8K resolution in real-time. You can also select a zooming speed from three options.
A Truly Blackout-Free EVF: Real-Live Viewfinder
A constant, seamless connection to your subject through the viewfinder is key to capturing decisive moments you would otherwise have missed. The Z 8's Real-Live Viewfinder prevents blackout or repeats of certain frames, even during intermittent continuous shooting, ensuring you see every single moment. A 120-fps refresh rate can be selected when you want to follow fast-moving subjects even more smoothly.
The Sheer Joy of Agile Operation
The Z 8 is designed to let you go further and faster with your creativity. with the first-rate performance and functionality of the Z 9 condensed into a well-balanced, compact body, this is an agile camera allowing for a more flexible shooting experience and more space in your camera bag. with less weight yet assuring durability, you can tackle even the toughest mountain climbs, lengthy bird shoots, or demanding all-day weddings. The sturdy grip and the robust, well-balanced body are engineered to be comfortable in your hands with a wide range of NIKKOR Z lenses, from ultrawide-angle to super-telephoto, making the camera more stable in various different still and video shooting conditions.
The 4-Axis Tilting Monitor Expands Flexibility In Camera Angles
The Z 8's 4-axis horizontally and vertically tilting image monitor gives you the confidence to shoot from more perspectives that would be otherwise difficult, letting you try new, creative camera angles intuitively - whether it's still or video shooting.
Stable Handheld Shooting with VR Functions
The compact yet well-balanced body of the Z 8 gives you the confidence and freedom to shoot video, as well as stills, handheld. It supports not only in-camera VR but also Synchro VR, a function in which in-camera VR and the VR of compatible NIKKOR Z lenses work together to enhance the stabilisation, giving you a VR effect equivalent to a shutter speed of 6.0 stops faster. In addition, you can apply the powerful electronic VR to facilitate recording while walking. It also helps correct trapezoid distortion, something usually common with wide-angle lenses.
Capture Moments You Couldn't Before - Pre-Release Capture
A perching kingfisher suddenly takes flight - some action happens too quickly to react in time. The Z 8's Pre-Release Capture lets you nail such a fleeting millisecond that you would have missed before. Simply hold the shutter-release button half down to start buffering, and the camera captures images up to 1 second before - as well as up to 4 seconds after - the button is fully pressed. At 60 fps (C60), the image area is in DX format, which brings your subject larger into the frame with a 1.5x crop factor. In combination with the Z 8's powerful AF performance, Pre-Release Capture helps turn fast-moving instants into stunning tack-sharp images.
A Robust Body That Can withstand Sub-Zero Conditions - Shoot In More Locations
The Z 8 allows you to shoot in more locations. Its body and the EN-EL15c Rechargeable Li-ion Batteries are designed to work in freezing conditions down to -10°C/14°F. The front cover of the Z 8's body is made from magnesium alloy to ensure mount rigidity when using super-telephoto lenses, to secure the image sensor with high precision, and to ensure heat dissipation. The back and top covers are made of a Sereebo P series material, a new material from Teijin, a world-renowned Japanese material manufacturer. By using the lightweight Sereebo P series material, the Z 8 realises as strong a body as with magnesium alloy, providing high impact resistance for the entire camera. with its excellent dust- and drip-resistant performance achieved with thorough sealing applied across the entire system, including lenses, the Z 8 can withstand a wide range of extreme conditions.
Multiple Sensor Protection Measures From Dust and Accidental Shock
The Z 8 features thorough sensor protection to minimise the risk of foreign matter collecting on the image sensor. The camera incorporates the same cutting-edge double-coating process as the Z 9 on the optical filter in front of its image sensor. The first layer is an electro-conductive coating that repels dust, and the second is a fluorine coating that makes it easy to wipe off more stubborn dust. Furthermore, the camera is equipped with a sensor shield that is closed when the camera is turned off, which blocks out dust, and accidental touches when you change lenses. When the camera is turned off, the in-camera VR lock mechanism holds the sensor securely in place. This prevents it from being damaged if the Z 8 is accidentally jolted or shaken during transportation.
External Power Sources to Extend Your Hours of Shooting
The dust- and drip-resistant MB-N12 Power Battery Pack increases the battery life by approx. 1.8 times compared to the included EN-EL15c batteries. The MB-N12 enables hot swapping, so you can continue shooting when one of the two batteries is removed. In addition, because the Z 8 offers two USB terminals - one for communication and the other for power charge/supply - this enables power charge/supply via a mobile battery or V-mount battery while the camera is communicating with other devices.
Nikon Z 17-28mm f/2.8 Lens
The Lightweight Wide-Angle Storyteller
The Nikon NIKKOR Z 17-28mm f/2.8 manages to combine speed and compactness while presenting a broad field of view that's ideal for anything from landscapes to architecture subjects to handheld vlogging applications. It is a portable ultra-wide-angle zoom that is ideal for creators.
Lightweight and Compact Design
Despite the bright f/2.8 design, this manages to remain sleek and lightweight, making it ideal for handheld use, all-day shoots, and a variety of vlogging needs.
Compared to the NIKKOR Z 14-24mm f/2.8 S, this lens has a smaller diameter, uses more widely available 67mm front filters, and is 30% lighter while retaining the same f/2.8 speed.
Internal zooming design prevents the lens from extending during use, making it easier to balance while shooting, especially when used in conjunction with a gimbal.
Perfect for FX-format Z-mount cameras, this smaller lens is also ideal for DX-format bodies and will provide a 25.5-42mm equivalent focal length range.
Programmable Control Ring is, by default, set to adjust manual focus but can also be used to control aperture or exposure compensation. It has a click-less design, too, that's suitable for video needs.
Specialized electromagnetic aperture mechanism provides greater exposure control stability that is especially beneficial when working with fast continuous shooting rates.
Dust- and moisture-resistant lens barrel benefits the lens' use in inclement conditions.
Autofocus
Stepping motor maintains quick and quiet autofocus performance that's ideal for both photo and video needs.
An internal focusing design is used, where only the internal lens groups are moved during focusing, to maintain the overall length of the lens during use and to promote faster focusing speeds.
Minimum focusing distance of 7.5" benefits working with close-up subjects.
Focus breathing has been suppressed to benefit video use and maintain a consistent field of view when changing focus.
Ultra-Wide Flexibility
Constant f/2.8 design maintains consistent performance throughout the zoom range and also benefits both low-light performance and depth of field control.
The bright design and ultra-wide-angle focal length make this lens suitable for astrophotography needs.
Broad zoom range suits travel and everyday shooting needs and is especially well-suited to cityscapes, landscapes, interiors, and architectural subjects.
Rounded 9-blade diaphragm contributes to a pleasing bokeh quality, benefitting the use of shallow depth of field and selective focus techniques.
SanDisk Extreme Pro 128GB CFexpress Type B 1700MB/s Memory Card
Blazing-fast speeds that deliver RAW 4K video
The SandiskExtreme Pro 128 GB CFexpress Memory Card Type B is designed to deliver high speed, consistent recording. The CFexpress form factor allows you to capture raw 4K videos with continuous, low latency performance in your video recording. This memory card comes with a RescuePRO Deluxe data recovery software (download required) which makes it easy to recover the accidently deleted files.
The memory card type B is backward-compatible with selectiveXQD cameras that adopt firmware enabling CFexpress, the express Card Bridges the gap between existing devices and the future of technology.
WANDRD PRVKE 31 Photo Bundle V3 - Sedona Orange
Make your day trips comfortable and light with the Wandrd PRVKE 31 Sedona Orange Photo Bundle - V3. This backpack is crafted with waterproof tarpaulin and Robic 1680D Ballistic Nylon. It features a quick side camera access for shooting on the go, a dedicated laptop sleeve measuring 34 X 25 X 2.5 cm, a tablet sleeve measuring 33 X 25 X 1.25 cm, magnetic tote handles for added style and convenience, weather-resistant zippers for added protection, and an expandable pocket for your water bottle or tripod.
Explorer EX-EXPPRO Expedition Pro Carbon Fibre Tripod
The EX-EXPPRO Expedition Pro Carbon Fibre Tripod with Monopod from Explorer Photo & Video is a lightweight, feature-packed tripod ideal for explorers and adventurous photographers. With a large load capacity of up to 19.96 kg, it provides high stability in various conditions. The 10-layer carbon fibre leg tubes ensure rigidity while keeping the weight low. The slim, centre-column-free design offers a compact profile for easy portability, travel, and storage. The EX-EXPPRO includes a detachable leg that can be quickly converted to a monopod by attaching a ball head. The centre junction features two accessory ports, a 3/8-16" and a 1/4-20", for mounting additional gear such as the Explorer Sidekick magic arm, LED lights, microphones, and more.
The 4-section legs extend to create a high maximum working height of 55.5" and fold to a compact 6.3", suitable for carrying in a large camera bag or backpack. Three leg angle selections can be made to settle the tripod on uneven terrain and allow for super low-angle shooting from a height of 6.3" when the legs are splayed out. The included rubber feet and metal spikes allow for ultimate traction on any surface.
The BX-33 ball head has a 360° panning function, and it is smooth and easy to operate. Tension on the ball can be increased to add more control when using heavier lenses. The clamp is Arca type compatible allowing the use of any Arca type plate or L-bracket in addition to the included quick release plate.
Urth 67mm UV, Circular Polarising (CPL), ND64, Soft Grad ND8 Lens Filter Kit (Plus+)
Our professional Nature Filter Kit Plus+ has all the essential tools to take your nature photography to the next level. It includes a UV Plus+, CPL Plus+, ND64 Plus+, and a Soft Graduated ND8 Plus+.
Our UV Filter Plus+ cuts ultraviolet light, sharpens your photos, and protects your lens against scratches, water, dirt, and fingerprints. Our CPL Polarising Filter Plus+ cuts reflected (polarised) light, which increases contrast and boosts colour saturation and vibrancy.
Our ND64 Filter Plus+ blocks a fixed 6 f-stops of light allowing longer shutter speeds for long exposure, and wider apertures for depth of field effects. Our Soft Grad ND8 Plus+ provides a fixed 3 f-stop light reduction for balanced exposure and better dynamic range in graduated light conditions like you find in mountains, forests and sunsets.
Sharper Photos
Cut UV haze for sharper details.
Boost Colours
Cut reflected light for better saturation.
Master Natural Light
Our ND filters help you balance light.
Industry-leading German B270 SCHOTT optical glass is coated with a 20-layer nano-coating for better sharpness, added protection, and easier cleaning.
Our consciously designed ultra-slim rim avoids vignetting and our durable magnalium is guaranteed for life.
All our filters are double-threaded for stacking filters or using screw-mount lens caps.
Nikon Remote Cord #MC-DC2
The Nikon MC-DC2 Remote shutter release cable plugs into the accessory terminal of specific Nikon cameras and allows the shutter to be released without making direct contact with the camera body. Use of this cable can help avoid camera shake when shooting with a tripod, and it can be used to activate long exposures (bulb).
Compatible with the following Nikon cameras:
Z 7, Z 6, Z 7II, Z 6II, Z 5, COOLPIX 950, D780, D610, D7500, COOLPIX P1000, D7200, D5600, D3300, D5300, D5500, D7100, D3200, D750, Nikon Df, COOLPIX P7800, COOLPIX A, D5200, D600, D7000, COOLPIX P7700, D90, D3100, D5100, D5000
EN-EL15c Rechargeable Li-ion Battery for Nikon Z5
The Nikon EN-EL15c rechargeable Li-ion rechargeable battery is designed to work with the Nikon Z series of cameras. It has a high capacity charge for long use. It can be used in as substitute for previous gen batteries.
This battery can be charged in camera and via external chargers.
ATF Universal Camera Screen Protector - 2 Pack
The ATF 4-inch Universal Screen Protector minimises the risk of permanent damage to your Compact, DSLR or Video camera screen. The pack comes with two screen protectors, a wet cleaning wipe, a cleaning cloth and a squeegee card to ensure a perfect application every time.
The screen protector is thin yet rigid to ensure easy positioning and bubble free application. A handy grid pattern is printed on the mask and acts as a guide to make it easier to measure and cut the film to the perfect size and ensures your edges are straight and true.
Before applying the protector, use the wet wipe to remove fingerprints, oil, dirt and dust from your screen. Then use the cleaning cloth to remove any residue left over from the wet wipe, leaving your screen free of imperfections and eliminating the risk of unsightly contaminants trapped under the screen once the protector is applied. Finally, the squeegee card can be utilised to push any trapped air out through the edges of the screen to leave a durable, crystal clear layer that will safeguard your screen from accidental bumps and scratches.
The ATF Universal Screen Protector is compatible with capacitive touch screens and will improve your photography experience by reducing screen glare and minimising smudges for improved viewing in a broad range of lighting scenarios.
ATF Cleaning Kit
The ATF Cleaning Kit helps you to protect your camera setup against dirt or dust. Taking care of your gear is one of the most important things that a photographer can do. Keeping your lenses clean so that smudges don't ruin your shots or even just having some cleaning wipes handy to remove dirt will help ensure your gear lasts a long time.
Lens Cleaning Pen
Every shot you take has to first pass through your lens so if you've got a grubby fingerprint at the front of your glass you can be sure it's going to show up on your image or video. The Cleaning Kit comes with a handy pocket-sized lens cleaning pen.
Wide Pen Cleaning Tip
The tip of the cleaning pen has a wide surface felt tip that is charged with a carbon cleaning powder designed to absorb oil, dirt, and grease effectively. This cleaning tip gets refreshed with carbon every time the lid is put back on so it can be used many times.
Retractable Cleaning Brush
The pen also features a slider that extends a handy cleaning brush which is perfect to remove small pieces of grit and dirt before using the cleaning tip, or to get into hard to reach corners of camera bodies.
Dust Blower
Useful for dislodging dirt and dust from the interior of the camera or getting into inaccessible nooks and crannies the dust blower features a micro-tip for high pressure delivery. It is a convenient size and uses a soft rubber design so it's easy to use.
Lens Cleaning Solution
The Lens cleaning solution spray is suitable for cleaning glass lenses and leaving them streak & smudge free without damaging lens coatings.
Wet and Dry Cleaning Wipes
The ATF Cleaning Kit comes with 6 single use dual cleaning wipe packs. Each pack has one wet and dry Anti-static wipe to ensure your gear can remain sparkling new and clean. The Wet wipe removes excess dirt while the dry wipe can be used to clean and shine surfaces.
Machine Washable Microfibre Cleaning Cloth
There is a saying among photographers that you can never have too many microfibre cloths because they are one of the most effective and useful tools in order to keep your kit in good condition. They easily absorb dust and oils from your lens, grip, and camera body, while being easily cleaned and reused by throwing it in the washing machine.
Carry Case with Access Zip
The entire set packs down into an included handy carrying case which zips for secure and easy storage. It has a breathable mesh design that allows you to easily locate your cleaning equipment. The case also doubles as a handy storage compartment for other loose items including batteries, cables and more.
The Cleaning Kit by After the Fact kit is a super useful additional to any photographer's camera bag that will ensure your gear remains in peak condition so you can stop worrying about dirt, oil, and grime and focus on shooting.
Think Tank Emergency Rain Cover - Small
The Think Tank Emergency Rain Cover Small is a compact waterproof cover that packs down for transport with an adjustable Velcro-style strap so it can be secured to the hood of your lens. It features a clear plastic viewing window so you can see the viewfinder, LCD screen and rear of your camera and can be half folded up to reveal the back of the camera if the rain eases up. The emergency rain cover is available in a choice of sizes depending on your lens choice.
Adjustable Velcro Strap Attaches to Lens
Attach the rain cover to the hood of your lens using the velcro-style pull strap that can be adjusted to achieve for a secure grip that inspires confidence.
Rear Viewing Window and Secondary Configuration
Check your framing, review shots and adjust camera settings easily using the rear clear viewing window of the rain cover. Not only does it keep your gear dry and provide a clear view of the back of your camera, but it can be rolled up when the rain starts to slow down if you prefer having better access to the viewfinder and rear LCD.
Seam-sealed Extreme Protection
The joining seams of the cover have been sealed internally for extreme protection from water and dust ensuring your equipment stays protected from the elements. With the included hot-shoe mount, the emergency rain cover can be secured attached to the top of your camera and kept in place, even in less than ideal wind conditions.
Drawstring Sleeve and Compact Design
At the base of the ThinkTank Emergency Rain Cover Small is a drawstring that allows you to tighten the base around a tripod for even better all-weather protection. The rain cover packs down super compact, making it easy to store in your camera bag and carry with you just in case.
NIKON Z8 MIRRORLESS CAMERA BODY | |
Type of Camera | Digital Camera with Support for Interchangeable Lenses |
Lens mount | Nikon Z mount |
Compatible lenses | Z mount NIKKOR lenses |
F mount NIKKOR lenses (mount adapter required; restrictions may apply) | |
Effective pixels | 45.7 million |
Image sensor | 35.9 × 23.9 mm CMOS sensor (full-frame/FX-format) |
Total pixels | 52.37 million |
File format | NEF (RAW): 14 bit with lossless compression, high efficiency or high efficiency |
JPEG (JPEG-Baseline compliant) or HEIF: fine (approx. 1:4), normal (approx. 1:8), or basic (approx. 1:16) compression; size-priority and optimal-quality compression available | |
NEF (RAW)+JPEG or NEF (RAW)+HEIF: Single photograph recorded in both NEF (RAW) and JPEG or HEIF formats | |
Picture Control System | Auto, Standard, Neutral, Vivid, Monochrome, Portrait, Landscape, Flat, 20 Creative Picture Controls; selected Picture Control can be modified; storage for custom Picture Controls; Standard, Monochrome, and Flat are available for HLG tone mode during still photography |
Storage media | CFexpress (Type B), XQD, SD (Secure Digital), and UHS-II compliant SDHC and SDXC memory cards |
Dual card slots | Either card can be used for overflow or backup storage, for separate storage of NEF (RAW) and JPEG or HEIF pictures, or for storage of duplicate JPEG or HEIF pictures at different sizes and image qualities; pictures can be copied between cards |
Viewfinder | 1.27-cm/0.5-in. approx. 3690k-dot (Quad VGA) OLED electronic viewfinder with colour balance, auto and 18-level manual brightness controls, and support for high frame rates |
Viewfinder frame coverage | Approx. 100% horizontal and 100% vertical |
Viewfinder magnification | Approx. 0.8× (50 mm lens at infinity, −1.0 m−1) |
Monitor | 8-cm, approx. 2100k-dot vertically and horizontally tilting TFT touch-sensitive LCD with 170° viewing angle, approx. 100% frame coverage, and colour balance and 15-level manual brightness controls |
Shutter type | Electronic shutter with shutter sound and sensor shield |
Shutter speed | 1/32000 to 30 s in steps of 1/3, 1/2 and 1 EV, extendable to 900 s in mode M, bulb, time |
Release modes | Single frame, continuous L, continuous H, High-Speed Frame Capture+ with Pre-Release Capture, self-timer |
Approximate frame | Continuous L: 1 to 10 fps |
Advance Rate | Continuous H: 10 to 20 fps |
High-Speed Frame Capture+ (C30): 30 fps | |
High-Speed Frame Capture+ (C60): 60 fps | |
High-Speed Frame Capture+ (C120): 120 fps | |
Exposure metering system | TTL metering using a camera image sensor |
Exposure metering modes | Matrix metering |
Centre-weighted metering: Weight of 75% given to 12- or 8-mm circle in center of frame or weighting can be based on average of entire frame | |
Spot metering: Meters circle with a diameter of approx. 4-mm centered on selected focus point | |
Highlight-weighted metering | |
Metering range (ISO 100, f/2.0 lens, 20°C/68°F) | -3 to +17 EV |
ISO sensitivity | ISO 64 to 25600 in steps of 1/3 or 1 EV; can also be set to |
(Recommended Exposure Index) | approx. 0.3, 0.7 or 1 EV (ISO 32 equi valent) below ISO 64 or to approx. 0.3, 0.7, 1 or 2 EV (ISO 102400 equivalent) above ISO 25600; auto ISO sensitivity control available; ISO 400 to 25600 for HLG tone mode |
Active D-Lighting | Can be selected from auto, extra high 2, extra high 1, high, normal, low, or off |
Autofocus type | Hybrid phase-detection/contrast AF with AF assist |
AF detection range (in photo mode, AF-S, ISO 100, f/1.2 lens, 20°C/68°F) | -7 to +19 EV (-9 to +19 EV with starlight view) |
Focus points (in photo mode, FX-format, single-point AF) | 493 points |
AF-area modes | Pinpoint AF, single-point AF, dynamic-area AF (S, M and L), wide-area AF (S, L, C1 and C2), auto-area AF, 3D-tracking and subject-tracking AF (available in video mode only); Pinpoint AF, dynamic-area AF and 3D-tracking are available in photo mode only |
Camera on-board VR | 5-axis image sensor shift |
Lens on-board VR | Lens shift (available with VR lenses) |
Flash control | TTL: i-TTL flash control; i-TTL balanced fill-flash is used with matrix, center-weighted, and highlight-weighted metering, standard i-TTL fill-flash with spot metering |
Flash modes | Front-curtain sync, slow sync, rear-curtain sync, red-eye reduction, red-eye reduction with slow sync, off |
Nikon Creative | i-TTL flash control, radio-controlled Advanced Wireless |
Lighting System (CLS) | Lighting, optical Advanced Wireless Lighting, modeling illumination, FV lock, colour information communication, auto FP high-speed sync, unified flash control |
White balance | Auto (3 types), natural light auto, direct sunlight, cloudy, shade, incandescent, fluorescent (3 types), flash, choose colour temperature (2500 to 10000 K), preset manual (up to 6 values can be stored), all with fine-tuning |
Bracketing types | Exposure and/or flash, white balance, and ADL |
Video metering modes | Matrix, center-weighted or highlight-weighted |
Frame size (pixels) and frame rate | 7680 × 4320 (8K UHD); 30p (progressive), 25p, 24p |
1920 × 1080; 120p, 100p, 60p, 50p, 30p, 25p, 24p | |
Frame size (pixels) and | 8256 × 4644; 60p, 50p, 30p, 25p, 24p |
frame rate (RAW video) | 5392 × 3032; 60p, 50p, 30p, 25p, 24p |
4128 × 2322; 120p, 100p, 60p, 50p, 30p, 25p, 24p | |
3840 × 2160; 120p, 100p, 60p, 50p | |
File format | NEV, MOV, MP4 |
Video compression | N-RAW (12 bit), Apple ProRes RAW HQ (12 bit), Apple ProRes 422 HQ (10 bit), H.265/HEVC (8/10 bit), H.264/AVC (8 bit) |
Audio recording format | Linear PCM (48 KHz, 24 bit, for videos recorded in NEV or MOV format) or AAC (48 KHz, 16 bit, for videos recorded in MP4 format) |
Audio recording device | Built-in stereo or external microphone with attenuator option; sensitivity adjustable |
Video exposure compensation | -3 to +3 EV in steps of 1/3 or 1/2 EV |
Video ISO sensitivity | M mode: ISO 64 to 25600 in steps of 1/6, 1/3 or 1 EV; |
(Recommended | with additional options available equivalent to approx. |
Exposure Index) | 0.3, 0.7, 1 or 2 EV (ISO 102400 equivalent) above ISO 25600; auto ISO sensitivity control (ISO 64 to Hi 2.0) available with selectable upper limit |
P, S or A mode: Auto ISO sensitivity control (ISO 64 to Hi 2.0) with selectable upper limit; ISO 400 to 25600 for HLG tone mode | |
Other video options | Time-lapse video recording, electronic vibration reduction, time codes, N-Log and HDR (HLG) video, wave-form display, red REC frame indicator, video recording display zoom (50%, 100%, and 200%), extended shutter speeds (M mode), and dual-format (proxy video) recording for RAW video; extended oversampling available; option to view video recording info available via i menu; Hi-Res Zoom |
USB | Type-C USB connectors |
USB data connector (SuperSpeed USB) ×1 | |
USB Power Delivery connector ×1 | |
HDMI output | Type-A HDMI connector |
Audio input | Stereo mini-pin jack (3.5-mm diameter; plug-in power supported) |
Audio output | Stereo mini-pin jack (3.5-mm diameter) |
Ten-pin remote terminal | Built-in; can be used with MC-30A/MC-36A remote cords and other optional accessories |
Wi-Fi | Available |
Bluetooth | Available |
Battery | One EN-EL15c Rechargeable Li-ion Battery; EN-EL15b and EN-EL15a batteries can be used in place of the EN-EL15c; Note that fewer pictures can be taken on a single charge than with the EN-EL15c and that EH-7P Charging AC Adapter and EH-8P AC Adapter can be used to charge EN-EL15c and EN-EL15b batteries only |
Battery pack | MB-N12 Power Battery Pack (available separately) taking two EN-EL15c batteries; EN-EL15b and EN-EL15a batteries can be used in place of the EN-EL15c |
AC adapter | EH-7P Charging AC Adapter |
(available separately) | EH-8P AC Adapter; requires UC-E25 USB Cable |
EH-5d, EH-5c, and EH-5b AC Adapters; requires EP-5B Power Connector | |
Tripod socket | 0.635 cm; ISO 1222 |
Dimensions (W × H × D) | Approx. 14.4 × 11.85 × 8.3 cm |
Weight | Approx. 0.91 kg with battery and memory card but without body cap and accessory shoe cover; approx. 0.82 kg (camera body only) |
Operating environment | Temperature: -10 to 40°C/+14 to 104°F; Humidity: 85% or less (no condensation) |
Supplied accessories | BF-N1 Body Cap, EN-EL15c Rechargeable Li-ion Battery |
NIKON Z 17-28MM F/2.8 LENS | |
Focal Length | 17 to 28mm |
Maximum Aperture | f/2.8 |
Minimum Aperture | f/22 |
Lens Mount | Nikon Z |
Lens Format Coverage | Full-Frame |
Angle of View | 104° to 75° |
Minimum Focus Distance | 19 cm |
Maximum Magnification | 0.19x |
Optical Design | 13 Elements in 11 Groups |
Diaphragm Blades | 9, Rounded |
Focus Type | Autofocus |
Filter Size | 67 mm (Front) |
Dimensions (ø x L) | 7.5 x 10.1 cm |
Weight | 0.45 kg |
SANDISK EXTREME PRO 128GB CFEXPRESS TYPE B 1700MB/S MEMORY CARD | |
Form Factor | CFexpress |
Storage Capacity | 128GB |
Performance Speed | Up to 1700MB/s read and 1200MB/s write speeds |
Compatibility | Backwards compatible with select current XQD host devices (please consult your host device manufacturer for details on CFexpress card compatibility). |
Card dimension | 24 mm x 32 mm x 2.1 mm |
Operating temperature | -10°C to 70°C (14°F to 158°F) |
Support | RescuePRO Deluxe data recovery software downloadable offer |
EXPLORER EX-EXPPRO EXPEDITION PRO CARBON FIBRE TRIPOD | |
Quick Release Plate Type | Arca-Type |
Head Type | Ball Head |
Base Mount | 3/8"-16 Female |
Bubble Level | 2 |
Vertical Tilt | 90° |
Panning Range | 360° |
Load Capacity | 20 kg |
Maximum Working Height | 141 cm |
Minimum Working Height | 16 cm |
Closed Length | 50.5 cm |
Materials | Aluminium Alloy, Carbon Fiber |
Weight | 1.91 kg |
Leg Lock Type | Twist Lock |
Leg Positions | 3 Positions |
Leg Sections | 4 |
Leg Diameter | 3.2 cm (Maximum) |
Feet Features | Rubber, Removable, Spiked |
Leg Sections | 4 |
Monopod Foot Features | Removable, Rubber, Spiked |
ATF CLEANING KIT | |
Dimensions of Carry Case (approx.) | 7 x 2.5 x 8.2 cm |
Lens Cleaner Ingredients | 97.3% Water |
1.9% Polyethylene Glycol | |
0.3 Essential Oil | |
Dimensions of Microfibre Cloth | 19.5 x 19.5 cm |
THINK TANK EMERGENCY RAIN COVER | |
Dimensions | 31 x 8-14cm adjustable diameter |
Weight | 0.107kg |
Materials | 70D Taffeta seam-sealed rip-stop plus polyurethane film, Polyurethane seam tape, High-density shock cord, Nylon webbing, Heavy-duty non-slip material,3-ply bonded nylon thread |
What Fits | Gripped or standard camera bodies + a 16–35mm f/2.8 or a 14–24mm f/2.8 or a 24–70mm f/2.8 or 24-105mm f/4 |
* Specifications subject to change by the manufacturer without notice
- Nikon Z8 Mirrorless Camera Body Only
- Nikon EN-EL15c Rechargeable Lithium-Ion Battery
- Nikon MH-25a Battery Charger
- Nikon UC-E24 USB Cable
- HDMI/USB Cable Clip
- Nikon BS-1 Accessory Shoe Cap
- Nikon AN-DC26 Camera Strap
- Nikon BF-N1 Body Cap
- Nikon DK-33 Rubber Eyecup
- Nikon Z 17-28mm f/2.8 Lens
- Nikon LC-67B 67mm Snap-On Front Lens Cap
- Nikon LF-N1 Rear Lens Cap
- Nikon HB-107 Lens Hood
- Nikon CL-C1 Lens Case
- SanDisk Extreme Pro 128GB CFexpress Type B 1700MB/s Memory Card
- Phottix Odin II TTL Flash Trigger Receiver for Nikon
- Explorer EX-EXPPRO Expedition Pro Carbon Fibre Tripod
- BX-40 Ball Head
- Urth 67mm UV, Circular Polarising (CPL), ND64, Soft Grad ND8 Lens Filter Kit (Plus+)
- Nikon Remote Cord #MC-DC2
- ATF Universal Screen Protectors
- Wet Cleaning Wipe
- Cleaning Cloth
- Soft Card Squeegee
- Lens Pen
- Dust Blower
- 15ml Lens Cleaning Spray
- Cleaning Wipes
- Microfibre Cloth
- Carry Case
- Think Tank Emergency Rain Cover - Small