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Fujifilm GFX 100S Mark II Medium Format Camera Body Only

The GFX100S II features a state-of-the-art 102MP high-speed sensor, the GFX 102MP CMOS II, alongside the latest version of the high-speed image processor, the X-Processor 5. Despite its powerful internals, this mirrorless digital camera comes in a remarkably compact and lightweight body, weighing in at just about 0.883kg. This makes it the lightest model in the GFX System, redefining portability without compromising on quality. With the GFX100S II, accessing unparalleled image quality is easier than ever.

The camera's capabilities extend beyond basic photography with its rich tonal depth and the ability to render images in three dimensions, traits enhanced by the innovative Large Format sensor. Additionally, it integrates advanced AI-based subject detection, marking a significant advancement from its predecessor. Equipped with swift and precise autofocus ("AF") and an enhanced ability to shoot continuously at speeds up to 7.0 frames per second, the GFX100S II captures dynamic subjects with unprecedented clarity and accuracy.

Furthermore, the camera's In Body Image Stabilisation has been refined to deliver up to an eight-stop improvement in five-axis performance, the most proficient in its class. Despite its compact frame and light weight, it packs a robust set of features that elevate the GFX's extraordinary image quality across diverse shooting scenarios.

For video enthusiasts, it offers the capability to produce vibrant and fluid 4K/30P video, ensuring top-tier video production quality. The GFX100S II caters to both professional photographers and photography enthusiasts keen on delving into the realm of Large Format photography, offering significant enhancements in image quality and portability. It promises a gratifying and enjoyable photographic experience to a broad spectrum of users.

Exceptional Image Quality with Large Format Sensor

Equipped with the newly developed 102MP Large Format sensor "GFX 102MP CMOS II" and the latest high-speed image processing engine "X-Processor 5", the GFX100S II brings out breathtaking resolution. Additionally, it accurately depicts captured scenery down to the finest details through a combination of colour reproduction technology refined over many years with photo film.

Improvement to the pixel structure has boosted the new sensor's saturated electrons, enabling the use of ISO80 as a standard sensitivity. When the sensor sensitivity is set at ISO80, the camera can capture images at higher dynamic range and lower noise than with the previous model.

The new sensor's micro lenses are improved to increase light use efficiency at the sensor's edges, improving image quality and AF accuracy at the edges over the previous model.

The GFX100S II is equipped with a total of 20 Film Simulation modes, including "REALA ACE," which combines accurate colour reproduction and well-defined tonal expression, capable of expressing a wide range of colours. You can enjoy a diverse range of colour expressions by selecting the appropriate Film Simulation mode that matches your subject or scene, similar to choosing a roll of film.

The GFX100S II is equipped with the "Pixel Shift Multi-Shot" feature, which controls the In Body Image Stabilisation function with high precision to shift the image sensor while capturing photos. By performing a 16-shot RAW file capture, shifting the image sensor by 0.5 pixels for each shot, and using the dedicated software "Pixel Shift Combiner" to combine the 16 RAW files, it is possible to generate an image with approximately 400 million pixels.

Additionally, in the "Real Colour" mode, which captures four RAW files with a one-pixel shift for each shot, it is possible to generate images with a resolution of 102 million pixels while suppressing false colours, in only one-fourth of the shooting time and data volume compared to the previous model.

Powerful IBIS Mechanism in a Compact Body

With a meticulously designed IBIS unit and a combination of gyro and acceleration sensors that accurately capture even the slightest movement, along with the use of image information to detect shake and improve correction precision, it achieves up to eight-stop five-axis stabilisation performance. You can comfortably capture shots even in low-light scenes without a tripod.

While evolving its features, the body size has been kept compact, with a height of approximately 104mm and a depth of approximately 87mm, similar to previous models. The weight has also been reduced further from the previous version, achieving a weight of approximately 0.883kg, making it the lightest among the GFX System models equipped with a 102 MP large format sensor.

The GFX100S II incorporates the texture "BISHAMON-TEX", which improves the grip strength at various angles when holding the camera. The body shape when coupled with the BISHAMON-TEX grip, allows for comfortable handheld shooting.

Don't Miss Decisive Moments with Evolved High-Speed, High-Precision AF and Continuous Shooting Performance.

In addition to the evolved face and eye AF achieved through algorithm advancements, it is equipped with AI-based subject detection AF developed with deep learning technology. It can detect animals, birds, cars, motorcycles, bicycles, planes, trains, insects, and drones.

With the ability to automatically track the intended subject while maintaining focus, you can concentrate on capturing the perfect shot and composition. Furthermore, it features an improved AF predictive algorithm compared to previous models, allowing it to handle high-speed motion tracking situations effectively.

With the new development of the 102 MP high-speed sensor, "GFX 102MP CMOS II," and the improvement in readout speed along with a newly developed shutter mechanism, it achieves a continuous shooting performance of 7.0 frames per second. It accurately captures those moments you don't want to miss.

Equipped with a high-magnification, high-resolution electronic viewfinder (EVF) with a magnification of 0.84x and 5.76 million dots. It suppresses image distortion and flow caused by shifts in the position of the eye, ensuring excellent visibility when using the viewfinder.

4K/30p Video Recording Capability for High-Quality Video Production

Thanks to the new development of the "GFX 102MP CMOS II", the standard ISO100 is available in the video mode to deliver higher image quality in video footage.

It is equipped with a tracking AF function during video recording. When using AF-C + Wide/Tracking AF, you can easily capture and track the intended subject even in situations where multiple subjects are present by simply touching the subject you want to track.

Capture smooth 4K video recording at 30 frames per second. It is capable of recording in 4K/30P 4:2:2 10bit on the camera's SD card. On top of this, it is possible to record using Apple ProRes connecting an external SSD via a USB Type-C cable.

The GFX100S II can record video in "F-log2," which offers a wide dynamic range of 13+ stops for recording, allowing for increased flexibility in post-production. It has the capability to record and output different video formats using different recording media and HDMI output. For example, you can record using "F-log2" on the recording media while simultaneously monitoring video with film simulation on an external monitor, making it suitable for various projects.

It supports Frame.io Camera to Cloud. This allows you to directly upload video and still image files to Frame.io, significantly speeding up the workflow from shooting to editing.

Model name Fujifilm GFX100S II
Lens Mount Fujifilm G mount
Image sensor 43.8mm×32.9mm GFX 102MP CMOS II with primary colour filter
Number of effective pixels 102 million pixels
Sensor Cleaning System Ultra Sonic Vibration
Image Processing Engine X-Processor 5
Storage media SD Card (-2GB)
  SDHC Card (-32GB)
  SDXC Card (-2TB)
  UHS-I
  UHS-II
  Video Speed Class V90
  SSD (-2TB)
File format of still image DCF: Compliant with Design rule for Camera File system (DCF2.0)
  JPEG: Exif Ver.2.32
  HEIF: 4:2:2 10bit
  RAW: 14bit / 16bit RAW (RAF original format)
  TIFF: 8bit / 16bit RGB (In-camera Raw Conversion Only)
Number of recorded pixels [L] 4:3: 11648 x 8736
        3:2: 11648 x 7768
        16:9: 11648 x 6552
        1:1: 8736 x 8736
        65:24: 11648 x 4304
        5:4: 10928 x 8736
        7:6: 10192 x 8736
  [M] 4:3: 8256 x 6192
          3:2: 8256 x 5504
          16:9: 8256 x 4640
          1:1: 6192 x 6192
          65:24: 8256 x 3048
          5:4: 7744 x 6192
          7:6: 7232 x 6192
  [S] 4:3: 4000 x 3000
         3:2: 4000 x 2664
         16:9: 4000 x 2248
         1:1: 2992 x 2992
         65:24: 4000 x 1480
         5:4: 3744 x 3000
         7:6: 3504 x 3000
Sensitivity Still Image Standard Output: AUTO1
  Still Image Standard Output: AUTO2
  Still Image Standard Output: AUTO3
  Still Image Standard Output: ISO80~12800 (1/3 step)
  Extended Output: ISO40
  Extended Output: ISO25600
  Extended Output: ISO51200
  Extended Output: ISO102400
  Movie Standard Output: AUTO
  Movie Standard Output: ISO100~12800 (1/3 step)
  Extended Output: ISO25600
Exposure control Extended Output: TTL 256-zone metering
  Multi
  Spot
  Average
  Center Weighted
Exposure mode P (Program AE)
  A (Aperture Priority AE)
  S (Shutter Speed Priority AE)
  M (Manual Exposure)
Exposure compensation Still: -5.0EV~+5.0EV 1/3EV step
  Movie: -2.0EV~+2.0EV 1/3EV step
Image stabilizer Mechanism: Image sensor shift mechanism with 5-axis compensation
  Compensation Effect: 8.0 stops
  Digital Image Stabilization: Yes (movie mode only)
  IS MODE BOOST: Yes (movie mode only)
Shutter type Focal Plane Shutter
Shutter speed Mechanical shutter
P mode: 30sec. to 1/4000sec.
A mode: 30sec. to 1/4000sec.
S/M mode: 60min. to 1/4000sec.
Bulb: up to 60min.
  Electronic shutter
P mode: 30sec. to 1/16000sec.
A mode: 30sec. to 1/16000sec.
S/M mode: 60min. to 1/16000sec.
Bulb: up to 60min.
  Mechanical + Electronic shutter:
P mode: 30sec. to 1/16000sec.
A mode: 30sec. to 1/16000sec.
S/M mode: 60min. to 1/16000sec.
Bulb: up to 60min.
  E-front + Mechanical shutter (GFX: Electronic Front Curtain Shutter):
P mode: 30sec. to 1/4000sec.
A mode: 30sec. to 1/4000sec.
S/M mode: 60min. to 1/4000sec.
Bulb: up to 60min.
  E-front + Mechanical + Electronic shutter (GFX: E-Front + Electronic Shutter):
P mode: 30sec. to 1/16000sec.
A mode: 30sec. to 1/16000sec.
S/M mode: 60min. to 1/16000sec.
Bulb: up to 60min.
4K/DCI4K: 1/4000sec. to 1/8 sec.
FHD: 1/4000sec. to 1/8 sec.
  Synchronized shutter speed for flash:
Mechanical shutter: 1/125sec. or slower
Continuous shooting CH No. of recordable frames:
Electronic shutter: Approx. 4.1fps (35mm Format Mode ON)
JPEG: 1000+ frames
Compressed RAW: 1000+ frames
Lossless compressed RAW: 96 frames
Uncompressed RAW: 24 frames
Compressed RAW + JPEG: 95 frames
Lossless compressed RAW + JPEG: 51 frames
Uncompressed RAW + JPEG: Uncompressed RAW + JPEG: 15 frames
  CH No. of recordable frames:
Electronic shutter: Approx. 3.0fps
JPEG: 1000+ frames
Compressed RAW: 508 frames
Lossless compressed RAW: 45 frames
Uncompressed RAW: 20 frames
Compressed RAW+JPEG: 41 frames
Lossless compressed RAW+JPEG: 29 frames
Uncompressed RAW+JPEG: 16 frames
  CH No. of recordable frames:
Mechanical shutter: Approx. 7.0fps
JPEG: 184 frames
Compressed RAW: 30 frames
Lossless compressed RAW: 19 frames
Uncompressed RAW: 16 frames
Compressed RAW+JPEG: 16 frames
Lossless compressed RAW+JPEG: 14 frames
Uncompressed RAW+JPEG: 12 frames
  CH No. of recordable frames:
Mechanical shutter: Approx. 5.0fps
JPEG: 526 frames
Compressed RAW: 46 frames
Lossless compressed RAW: 22 frames
Uncompressed RAW: 17 frames
Compressed RAW+JPEG: 20 frames
Lossless compressed RAW+JPEG: 16 frames
Uncompressed RAW+JPEG: 12 frames
  CL No. of recordable frames:
Mechanical shutter: Approx. 2.0fps
JPEG: 1000+ frames
Compressed RAW: 1000+ frames
Lossless compressed RAW: 337 frames
Uncompressed RAW: 26 frames
Compressed RAW+JPEG: 312 frames
Lossless compressed RAW+JPEG: 42 frames
Uncompressed RAW+JPEG: 20 frames
Drive Mode AE Bracketing:
2 frames
3 frames
5 frames
7 frames
9 frames
  Filmsimulation bracketing: Any 3 types of film simulation selectable
  Dynamic Range Bracketing:
100%
200%
400%
  ISO sensitivity Bracketing:
±1/3EV
±2/3EV
±1EV
  White Balance Bracketing:
±1
±2
±3
  Focus Bracketing:
AUTO
MANUAL
  Multiple Exposure:
Yes (Max. 9 frames)
Additive
Average
Bright
Dark
Focus Mode:
Single AF
Continuous AF
MF
  Type: Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF)
  Low-light Performance:
Contrast: -2.5EV
GF80mmF1.7 attached
  Phase Detection:
-5.5EV
GF80mmF1.7 attached
  AF frame selection:
Single point AF: 13x9 / 25x17 (Changeable size of AF frame)
Zone AF: 3x3 / 5x5 / 7x7 / Custom1-3 from 117 areas on 13×9 grid
Wide/Tracking AF: Yes (AF-S: Wide / AF-C: Tracking)
  Subject detection: Yes (Animal/Bird/Automobile/Motorcycle&Bike/Airplane/Train)
  Shoe mount flash:
Sync. Mode: 1st Curtain
Sync. Mode: 2nd Curtain
Sync. Mode: AUTO FP (HSS)
  Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. )
Flash Mode: MANUAL
Flash Mode: MULTI *When EF-X500 is set
Flash Mode: OFF
  Synchronized terminal:
Sync. Mode: 1st Curtain
Sync. Mode: 2nd Curtain
  Flash Mode: MANUAL
Hot shoe Flash Mode: Yes (Dedicated TTL Flash compatible)
Viewfinder EVF:
0.5 inch OLED Colour Viewfinder
Approx. 5.76 million dots
  Coverage of Viewing Area vs. Capturing Area: Approx. 100%
  Eyepoint: Approx. 24mm (from the Rear End of the Camera's Eyepiece)
  Diopter Adjustment: -5~+3m-1
  Magnification: 0.84x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1
  Diagonal Angle of View: approx. 40° (Horizontal angle of view: approx. 32° )
  Built-In Eye Sensor
LCD monitor 3.2 inch Tilt-Type(Three Direction) Touch Screen Colour LCD Monitor
  Aspect Ratio: 4:3
  Dots: Approx. 2.36 million dots
Touch Screen Mode Shooting Mode
  AF
  Focus Area
  OFF
  Double Tap Setting (ON/OFF)
  Touch Function Setting (ON/OFF)
  EVF Touch Screen Area Setting
  Playback Mode:
Swipe
Pinch-in / Pinch-out
Double-tap
Drag
Sub LCD monitor 1.80 inch Monochrome LCD Monitor
  Aspect Ratio: 4:3
  Dots: 303x230-dot 
Movie recording File format MOV:
Apple ProRes 422 HQ, Linear PCM (Stereo sound 24bit / 48KHz sampling)
Apple ProRes 422, Linear PCM (Stereo sound 24bit / 48KHz sampling)
Apple ProRes 422 LT, Linear PCM (Stereo sound 24bit / 48KHz sampling)
HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling)
MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling)
  MP4: MPEG-4 AVC/H.264, AAC
  Movie compression:
All Intra
Long GOP
  DCI4K(17:9):
File size: 4096 x 2160
File size: 29.97p
File size: 25p
File size: 24p
File size: 23.98p
  Bitrate:
720Mbps
360Mbps
200Mbps
100Mbps
50Mbps
  4K(16:9):
File size: 3840 x 2160
File size: 29.97p
File size: 25p
File size: 24p
File size: 23.98p
  Bitrate:
720Mbps
360Mbps
200Mbps
100Mbps
50Mbps
  Full HD(17:9):
File size: 2048 x 1080
  Frame rate:
59.94p
50p
29.97p
25p
24p
23.98p
  Bitrate:
720Mbps
360Mbps
200Mbps
100Mbps
50Mbps
  Full HD(16:9):
File size: 1920 x 1080
  Frame rate:
59.94p
50p
29.97p
25p
24p
23.98p
  Bitrate:
720Mbps
360Mbps
200Mbps
100Mbps
50Mbps
Film simulation mode 20 modes
  PROVIA/Standard
  Velvia/Vivid
  ASTIA/Soft
  Classic Chrome
  REALA ACE
  PRO Neg.Hi
  PRO Neg.Std
  Classic Neg.
  Nostalgic Neg.
  ETERNA/Cinema
  ETERNA BLEACH BYPASS
  ACROS
  ACROS + Ye Filter
  ACROS + R Filter
  ACROS + G Filter
  Black & White
  Black & White + Ye Filter
  Black & White + R Filter
  Black & White + G Filter
  Sepia
Grain Effect Roughness: STRONG, WEAK, OFF
  Size: LARGE, SMALL
Colour Chrome Effect STRONG, WEAK, OFF
Colour chrome Blue STRONG, WEAK, OFF
Smooth Skin Effect STRONG, WEAK, OFF
Dynamic range setting Still: AUTO / 100% / 200% / 400%
  ISO restriction: DR100%: No limit DR200%: ISO160 or more DR400%: ISO320 or more
  Movie: 100% / 200% / 400%
  ISO restriction: DR100%: No limit DR200%: ISO200 or more DR400%: ISO400 or more
White balance Auto:
White Priority
Auto
Ambience Priority
  Custom: Custom1 - 3
  Colour temperature selection: 2500K~10000K
  Preset: Daylight
  Shade
  Fluorescent Light-1
  Fluorescent Light-2
  Fluorescent Light-3
  Incandescent Light
  Underwater
Clarity setting ±5 steps
Self-timer Still: 10sec.
  2sec.
  Movie: 10sec.
  5sec.
  3sec.
Interval timer shooting Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing, Interval priority mode)
Wireless transmitter Standard: IEEE802.11a/b/g/n/ac (standard wireless protocol)
  Encryption: WPA/WPA2 mixed mode, WPA3
  Access mode: Infrastructure
Bluetooth Standartd: Bluetooth Ver. 4.2 (Bluetooth low energy)
  Operating frequency (Center frequency): 2402?2480MHz
Terminal Digital interface: USB Type-C (USB3.2 Gen2x1)
  HDMI output: HDMI Micro connector (Type D)
  Others: ø3.5mm, stereo mini connector (Microphone)
  ø3.5mm, stereo mini connector (Headphone)
  ø2.5mm, Remote Release Connector
  Hot shoe
  Synchronized terninal
Power supply NP-W235 Li-ion battery (included)
  Battery life for still images:
Normal Mode: Approx. 530 frames
  Actual battery life of movie capture:
4K: Approx. 80min. (29.97p)
Full HD: Approx. 70min. (59.94p)
  Continuance battery life of movie capture:
4K: Approx. 120min. (29.97p)
Full HD: Approx. 120min. (59.94p)
Dimensions Width: 15.0cm
  Height: 10.42cm
  Depth: 8.72cm
   (Minimum Depth): 4.40cm
Weight including battery and memory card: Approx. 0.883kg
  excluding battery and memory card: Approx. 0.802kg
Operation Environment Operating Temperature: -10°C~+40°C
  Operating Humidity: 10%~80% (no condensation)
Starting up period Approx. 0.5sec.


* Specifications subject to change by the manufacturer without notice.

  • Fujifilm GFX 100S Mark II Medium Format Camera Body Only
  • Li-ion battery NP-W235
  • AC power adapter AC-5VJ
  • Plug adapter
  • USB cable
  • Shoulder strap
  • Body cap
  • Hot shoe cover
  • Memory card slot cover
  • Cable protector

Manufacturer Warranty



 

This product comes with a

36 month Australian warranty

from Fujifilm Australia

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One Year Warranty

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Two Year Warranty

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* Dispatch timeframes are indications only and may vary for multiple quantities. Timeframes are updated regularly during normal business hours.