Fujifilm GFX 100 II Ultimate Landscape Kit

Introducing the Fujifilm GFX 100 II Ultimate Landscape Kit, the perfect bundle for landscape photography enthusiasts seeking unparalleled image quality and versatility. At the heart of this kit is the Fujifilm GFX 100 II, the flagship model of the GFX System. Featuring a 102MP high-speed image sensor and the X-Processor 5, this camera offers exceptional performance in continuous shooting, autofocus, and video recording. Complementing the GFX 100 II is the Fujifilm GF 20-35mm F/4 R WR Lens, an ultra-wide-angle zoom lens ideal for capturing expansive landscapes with remarkable detail and clarity. The kit also includes the WANDRD PRVKE 31 Photo Bundle for carrying your gear, the 3 Legged Thing Albert 2.0 Carbon Fibre Tripod System for stability, and a range of accessories like filters, memory cards, and batteries. This comprehensive kit ensures you're fully equipped to capture stunning landscapes with precision and ease.

Fujifilm GFX 100 II Body Only

The GFX100 II is the new flagship model of the GFX System, featuring the newly developed 102MP high-speed image sensor "GFX 102MP CMOS II HS" and the high-speed image processing engine "X-Processor 5". This model delivers up to double the signal readout speed compared to the current model, and provides significant performance improvement in continuous shooting, AF and video recording.

The GFX100 II boasts superior image quality thanks to the use of the Large Format sensor that produces rich tonal reproduction and strong three-dimensional definition. In addition, the latest high-speed image sensor coupled with the high-speed image processing engine has made it possible to bring the AI-based subject-detection AF developed with Deep Learning technology as well as the latest prediction AF algorithm, developed with the X-H2S, to the GFX System for the first time. The burst shooting performance has also improved from the current 5.0 frames per second to 8.0 frames per second to broaden the scope of genres. The GFX System excels in fashion, commercial and landscape categories to sports and news photography, where high-speed performance is essential.

Video Capabilities

The GFX 100 II aims to reshape the future of medium-format film-making by offering 4K and 8K options and internal 4:2:2 10-bit recording. In an industry-first, this camera line also supports external 12-bit Apple ProRes and Blackmagic RAW codecs, clearly aiming to become a go-to option for professional filmmakers. Further enriching the video experience are new dedicated cinema overlays and USB-C SSD recording options.

It also offers the new "Video Format" modes to take advantage of the Large Format sensor's characteristics. GFX100 II supports various cine recording formats, including Premista, 35mm, and anamorphic (35mm) with the mount adapter. This accommodates video recording in a versatile range of situations, complemented additionally by the enhanced sensor readout speed and the tracking AF.

Additional features have been added to system expandability. The GFX100 II body features an Ethernet port as well as HDMI Type A and USB-C terminals for added connectivity of external devices. Support for the cloud service "Frame.io Camera to Cloud" and timecode sync with ATMOS AirGlu BT streamlines the users' workflow.

AI Focusing, Continuous Shooting and Stabilisation

One of the most notable advancements is the introduction of AI Subject Detection AF with Eye Tracking. While the GFX 100 already featured a robust autofocus system, adding AI-based subject detection and eye tracking in the GFX 100 II substantially enhances the camera's ability to capture sharply focused images across various scenarios.

Complimenting the new AI-based autofocus system is a robust continuous shooting function of 8 frames per second. Making the GFX 100 II a more suitable choice for capturing fast-moving subjects, a capability that is generally uncommon in medium-format cameras. As for stabilisation, the GFX 100 II offers up to 8 stops of in-body image stabilisation (IBIS), a significant improvement over the GFX 100. This advancement expands the camera's operational flexibility, allowing users to shoot at slower shutter speeds without a tripod while maintaining sharpness and clarity.

New Body Design and Film Simulations

While the GFX 100 was recognised for its sturdy build and ergonomics, the new GFX 100 II has a versatile and ergonomic flagship design, accented by a trademarked BISHAMON-TEX finish that adds aesthetic appeal and improves handling.

The camera continues to be resilient with its dust and weather-resistant construction by pushing the boundaries of operability to temperatures as low as -10°C. On the storage front, the camera comes equipped with dual-slot SD UHS-II and a new CFexpress Type B slot, making buffer-free RAW shooting a seamless experience.

In addition, the GFX 100 II introduces a new film simulation mode, REALA ACE - expanding upon the array of creative options available to photographers. The interchangeable EVF system remains, allowing photographers to customise their viewfinder experience to suit particular shooting requirements.

Optional Accessories

Vertical battery grip "VG-GFX II" (designed for the GFX100 II)

• This battery grip is dust and weather resistant and capable of operating at temperatures as low as - 10°C. It can hold two of the large capacity battery "NP-W235."
• Buttons are placed at accessible places for shooting as easily and comfortably as when the camera is held horizontally.

Cooling fan "FAN-001" (designed for the GFX100 II, X-H2S, X-H2 and X-S20)

• A cooling fan that assists video filming for extended duration or under high-temperature environment.
• It can be attached to the rear side of the camera body and receive power completely cable-free to extend the duration of continuous video filming at high temperatures without concerns of heat-related malfunction

Fujifilm GF 20-35mm F/4 R WR Lens

Capture Every Detail with the GF 20-35mm F/4 R WR

This zoom lens offers a focal length range from the ultra-wide-angle 20mm to the wide-angle 35mm (equivalent to 16mm - 28mm in the 35mm format). With its ultra wide-angle coverage, you can capture expansive landscapes or cityscapes with precise details in high resolution. Plus, the wide angle of view allows you to take photos of a subject from a close distance to the camera, giving you a broader field of view than the human eye.

The convenience of having the constant F4 open aperture across the zoom range is coupled with the compactness and light weight of the lens design. It is perfect for users who travel for many hours in search of vast expanses of wilderness and for shooting a full view of a small room.

The GF 20-35mm F/4 R WR consists of 14 elements in 10 groups, including three aspherical elements, one ED aspherical element and three ED elements, effectively controlling various types of aberrations to provide advanced image resolving performance. The new lens is applied with the Nano GI (Gradient Index) coating that effectively controls angled incident rays to minimise ghosting and lens flair, thus achieving greater image clarity.

The GF 20-35mm F/4 R WR's ultimate compact design means it weighs just 0.725kg despite being a constant F4 ultra-wide-angle zoom lens. Ultra wide-angle lenses tend to be huge, but Fujifilm has designed this lens compact to make it more comfortable for landscape photographers who spend many hours outdoors.

The Fujifilm GF 20-35mm F/4 R WR lens extends the wide angle region of the GF lens lineup in pursuit of premium image quality. The new lens covers focal lengths from the ultra-wide-angle 20mm to wide angle 35mm (equivalent to 16-28mm in the 35mm format) that is the widest in the lineup of FUJINON'S GF lenses to capture information dense subject matter in a wide expanse of landscape or cityscape and to take advantage of the unique perspective of a wide angle lens.

The GF 20-35mm F/4 R WR consists of 14 elements in 10 groups, including three aspherical elements, one ED aspherical element and three ED elements, effectively controlling distortion and chromatic aberration to achieve advanced image-resolving performance. This is why the lens can present, with superior precision, all information of subject matter recorded within a wide angle of view.

The lens is applied with Fujifilm's unique Nano GI Coating technology. It seamlessly changes incoming light's refractive index as it enters the lens to mitigate light reflection, thereby effectively reducing ghosting and lens.

Compact Design That Brings Portability to Large Format Equipment

The lens is structured almost symmetrically with the aperture at the centre to achieve optimum aberration correction and compact, lightweight design simultaneously. The short flange focal distance, a unique characteristic of mirrorless photographic equipment, has been utilised to the maximum extent to perfect optical design that has the optimum balance between image quality and weight/ size. The lens weighs just 0.725kg and measures approx. 11.25cm. The use of the highly versatile 82mm filter thread means users can choose from a variety of filters when shooting landscape. The Inner Zoom system is adopted to keep the full length of the lens constant, contributing to its lightweight and ease of zooming.

A total of four aspherical elements are used in each of the lens groups to optimise the overall number of elements and their configuration, thus efficiently correcting aberrations to maintain advanced image quality while keeping the compact form factor. The concave lens surface of strong curvature, typically seen in ultra-wide-angle lenses, is applied with specialised coating with even thickness to reduce ghosting which occurs when the coating thickness is uneven.

Magnesium alloy is used for components around the lens mount to make it lightweight and robust at the same time. The shape of components has been updated to keep the lens mount area slim and to accommodate the Inner Zoom system to keep the lens length constant. These features make the lens easy to hold and manoeuvre, unlike other traditional bulky ultra wide-angle zooms.

A Rugged Lens That is Dust and Weather Resistant and Capable of Operating At Temperatures As Low As -10°C

The lens barrel is weather-sealed in 12 places to ensure dust- and weather resistance as well as the ability to operate at temperatures as low as-10°C. The front lens element is applied with a fluorine coating to repel water and offer protection against stains. This means users can enjoy the lens with peace of mind to shoot landscapes in snow-blanketed fields, in the tropics, or outdoors in harsh weather conditions.

WANDRD PRVKE 31 Photo Bundle V3 - Yuma Tan

Wandrd have updated their pack with the addition of their Essential+ Camera Cube and standard Accessory Straps. This mid-sized bundle is offered here in Yuma tan, and with the camera cube inside the pack, you can convert it to a dual-purpose daypack and camera pack. It can hold a DSLR or mirrorless camera with two to four lenses plus accessories, a tripod (using the straps), and personal gear including a laptop.

Photo Bundle Accessories

The photo bundle includes accessories that are typically sold separately to convert the backpack into a functional photo bag.

Essential+ Camera Cube

• Weather-resistant nylon exterior with padded lining
• Interior measures 48 x 30 x 19 cm
• Holds a DSLR or a mirrorless camera body with two to four lenses and accessories
• Five padded touch-tab dividers with three touch-tab internal straps to secure contents

Accessory Straps

• Set of two standard accessory straps
• Use as internal cinch straps, to attach a tripod to the bottom, or a jacket at the front of your pack
• Designed with secure gatekeeper buckles and side release buckles

What the PRVKE 31L Backpack Holds

• Main compartment measures 48 x 30 x 19 cm Maximum volume: 31L
• Quickdraw side access allows you to grab gear without having to unpack your bag, and when using the included camera cube, you can align the side access with the cube for easier use
• Also compatible with the Mini+ & Pro+ camera cubes
• Updated laptop/tablet pocket closure system with three pockets on the sleeve for tech accessories
• Updated fleece-lined pocket no longer hangs in your way when accessing the top compartment from inside the bag
• Expandable water bottle/tripod pocket
• Updated key hook design for easier use
• Secure hidden passport pocket is larger and more discreet
• Roll cinch strap webbing organisation

How PRVKE 31L Backpack is Made

• Sleek minimalist style and thoughtful design improvements make it subdued cool and infinitely practical for any adventure or daily use
• Rolltop closure ensures water, dust, and debris stay out while being expandable to create extra space if you need it
• Weather-resistant tarpaulin & 1680D ballistic nylon exterior
• P200 Denier interior with water-resistant polyurethane coating
• Updated zipper pulls
• Weighs 1.5 kg

How You Carry the PRVKE 31L Backpack

• Back panel and shoulder straps updated with new shapes and padding for a more comfortable, breathable, and versatile carrying experience for all body shapes and sizes
• Magnetic tote handles with stronger magnets
• Luggage pass-through strap fits onto the handles of rolling bags

3 Legged Thing Albert 2.0 Carbon Fibre Tripod System with Airhed Pro Ball Head

The Albert 2.0 travel tripod system from 3 Legged Thing is the world's most versatile travel tripod system. It is a perfect companion for photographers of all types, with a working range from 12.1cm to 182.1 cm. Albert 2.0 is compact enough to fit in your hand luggage, measuring just 43.1cm when folded.

The 3 Legged Thing's Albert 2.0 features three detachable legs that can be used as monopods, boom arms, or all three legs can be removed and replaced with 3 Legged Thing's footwear to produce a table-top tripod with enhanced functionality (footwear sold separately).

AirHed Pro Ball Head

The AirHed Pro Ball Head is an Arca-style ball head with an 40kg load capacity that can be mounted on tripods or other support systems with a 3/8"-16 mount. The ball-and-socket joint swivels 360 degrees can be tilted to a 90-degree angle and can be locked in place.

30kg Maximum Payload

Weighing in at just 2.18kg, the 3LT Albert is very light while still being strong enough to support up to 30kg, giving you plenty of options for your camera set-up. 8 layers of carbon fibre are combined with aircraft grade magnesium alloy, giving it the strength to handle a heavy payload with ease.

Three Section Centre Column and Reversible Legs

A 3-section collapsible centre column lets you fine-tune your height adjustments to capture the perfect shot. The column can also be inverted, allowing you to keep the legs at the height you need, while lowering the camera itself. This is especially useful when shooting macro photography.

Detachable Monopod

As with all 3LT tripods, the Albert 2.0 has a detachable leg that can be used as a monopod or selfie stick. With 3/8-inch threads on either end, the Tri-mount centre column plate can be attached to the leg for easy camera mounting, further extending the tripod's convenience and versatility.

Compact and Ideal for Travel with Carry Case Included

The 3 Legged Thing Albert 2.0 Carbon Fibre Tripod System with Airhed Pro ball head is a compact, lightweight support solution, with 180° reversible legs that let it fold down to 431mm. It fits neatly into an included carry case for convenient, safe transport and storage.

Fujifilm NP-W235 Lithium-Ion Battery (7.2V, 2200mAh)

Dedicated to select Fujiflm mirrorless cameras, the NP-W235 Rechargable Lithium-Ion Battery is a spare or replacement item for the one originally included with the camera. The battery is compatible with the dedicated Twin Battery Charger or can be charged in-camera.

Compatibility

• Fujifilm GFX100 II Medium Format Mirrorless Camera
• Fujifilm GFX 100S Medium Format Mirrorless Camera
• Fujifilm GFX 50S II Medium Format Mirrorless Camera
• Fujifilm X-H2S Mirrorless Camera
• Fujifilm X-H2 Mirrorless Camera
• Fujifilm X-T5 Mirrorless Camera
• Fujifilm X-T4 Mirrorless Camera
• Fujifilm X-S20 Mirrorless Camera

SanDisk Extreme Pro 256GB CFexpress Type B 1700MB/s Memory Card

Blazing-fast Speeds that Deliver RAW 4K Video

The SandiskExtreme Pro 256 GB CFexpress Memory Card Type B is designed to deliver high speed, consistent recording. The CFexpress form factor allows you to capture raw 4K videos with continuous, low latency performance in your video recording. This memory card comes with a RescuePRO Deluxe data recovery software (download required) which makes it easy to recover the accidently deleted files.

The memory card type B is backward-compatible with selectiveXQD cameras that adopt firmware enabling CFexpress, the express Card Bridges the gap between existing devices and the future of technology.

Fujifilm RR-100 Remote Cable Release

The RR-100 Remote Release is a discreet way to trigger your FUJIFILM digital camera's shutter. With a locking switch to help with long exposures or bulb mode, the release connects to your camera via its 2.5mm sub-mini plug. An L-shaped plug extension cable is also included.

Camera Compatibility

GFX100, GFX 50S, GFX 50R, X-H1, X-Pro3, X-Pro2, X-T4, X-T3, X-T2, X-T1, X-T30, X-T20, X-T10, X-T200, X-T100, X-E3, X-E2S, X-E2, X-E1, X-A7, X-A5, X-A10, X100V, X100F, X100T, X70, X30, and XF10.

Urth 82mm UV + Circular Polarising (CPL) Lens Filter Kit (Plus+)

Elevate Your Photography with Urth's 82mm UV + Circular Polarising Lens Filter Kit Plus+

Transform your photography experience with Urth's 82mm UV + Circular Polarising Lens Filter Kit Plus+. Engineered to tackle the rugged Australian terrain, this kit slices through 99.6% of UV light, ensuring your photos are razor-sharp and your lens is shielded from scratches, oil, dirt, fingerprints, and saltwater. Equipped with the professional CPL Lens Filter Plus+, blocking 99.9% of reflected light, you'll witness enhanced contrast and vibrant colour saturation in every shot. The Plus+ range boasts 20 layers of nano-coating for effortless cleaning and superior protection against water, oil, and scratches, keeping your gear in pristine condition. With increased light transmission and a consistent transmission curve, expect sharper images, finer colours, and greater depth to your photography.

• The filter is double-threaded for stacking filters or using screw-mount lens caps.
• The filter's ultra-slim rim avoids vignetting and the durable magnalium is guaranteed for life.
• Industry-leading German B270 Schott optical glass is coated with a 20-layer nano-coating for better sharpness, added protection, and easier cleaning.
• The design minimises space and weight in your kit and maximises creative options while providing robust protection for your lens filters.
• The UV Plus+ cuts ultraviolet haze and the CPL Plus+ cuts polarised light for better clarity, contrast and stronger colours.
• Cut polarised light for stronger contrast and vibrancy.

NiSi 150mm Advanced Kit Second Generation II Filter Kit

NiSi Filters 150mm System Advance Kit: Ideal for Landscape and Seascape Photography

For those who photograph landscapes or seascapes, the NiSi Filters 150mm System Advance Kit Second Generation II is the best advanced kit available. It can be used with any NiSi 150mm holder and is ideal for anyone who wants to take long exposure photos with ND and GND filters. Any NiSi 150mm System holder, including the S5 and Q 150mm systems, is compatible with this kit.

NiSi 150x170mm Nano IR Medium Graduated Neutral Density Filter - ND8 (0.9) - 3 Stop

The 150x170mm Nano IR Medium Graduated Neutral Density Filter - ND8 (0.9) - 3 Stop is a rectangular filter that helps to darken specific areas of an image, such as bright skies while allowing for a normal, unaffected exposure in the other regions of the image. The filter is densest at the edge and tapers to clear by the middle, with a medium-edged line of transition between the dense and clear areas. A neutral density filter with a medium-edged line of transition is particularly useful for images that feature buildings, small mountains and other elements that protrude into high into the skyline. The transition zone of a medium is 40% smaller than a Soft GND and is wonderful for shooting at sunrise and sunset.

Nisi 150x170mm Reverse Nano IR Graduated Neutral Density Filter - ND8 (0.9) - 3 Stop

The 100x150mm Reverse Nano IR Graduated Neutral Density filter - ND8 (0.9) - 3 Stop is a rectangular filter that helps to darken specific areas of an image, such as bright skies while allowing for a normal, unaffected exposure in the other regions of the image. Reverse edged GNDs are similar to hard-edged GNDs except that the darkest part of the filter is at the transition point. These filters have a specific use for shooting at the light source where the light is harshest at the horizon and tapers off toward the sky. This type of filter is most appropriate for scenes that have a sudden transition from the foreground to the sky with the brightest part of the scene near the horizon. Most commonly, this would include landscapes with no elements protruding above the horizon such as a seascape looking toward the open ocean. They can be used shooting into the direct light where a sharp transition is needed.

NiSi 150x150mm Nano IR Neutral Density filter - ND64 (1.8) - 6 Stop

The NiSi 150x150mm Nano IR Neutral Density Filter - ND64 (1.8) - 6 Stop is a Neutral Density (ND) filter that uniformly reduces the amount of light entering the lens. ND Filters can enable greater motion blurring and image detail by allowing a large aperture and a slow shutter speed. ND filters are also helpful when the contrast between the highlights and shadows is too high to get a quality exposure. The ND64 6 stops ND filter is generally used during the golden hour to create exposures of 1-2 minutes for smooth water or clouds. A 6 Stop is also great for capturing dynamic water while retaining some texture before the golden hour.

NiSi 150x150mm Nano IR Neutral Density filter - ND1000 (3.0) - 10 Stop

The NiSi 150x150mm Nano IR Neutral Density Filter - ND1000 (3.0) - 10 Stop is a Neutral Density (ND) filter that uniformly reduces the amount of light entering the lens. ND Filters can enable greater motion blurring and image detail by allowing a large aperture and a slow shutter speed. ND filters are also helpful when the contrast between the highlights and shadows is too high to get a quality exposure. The ND1000 10 Stop is used during the day outside of golden hour as the bright ambient light requires much more light blocking. These can prolong exposures for up to 5 minutes during golden hour with the appropriate settings.

NiSi Caddy 150mm Filter Pouch Pro for 7 Filters and S5 Filter Holder (Holds 7 x 150x150mm or 150x170mm filters + 150mm Holder)

The NiSi Caddy 150mm Filter Pouch Pro for 7 Filters and S5 Filter Holder (Holds 7 x 150x150mm or 150x170mm filters + 150mm Holder) is designed for the NiSi 150mm system filters and will hold 7 x 150x150mm, 150x170mm or S5 Circular Filters plus a 150mm Filter Holder. It features an adjustable cross-body sling strap and can be carried as a shoulder bag, messenger bag or a waist bag. It can be mounted on a tripod for easy access with an included smaller strap for mounting and is designed from a lightweight material that protects your filters from scratches. The pouch can hold up to 7 filters plus a holder and features a flip-top design to keep the pouch open when in use.

NiSi ND filters do not affect the colouration of the image, offer a true to life colour and are made from high-quality optical glass (not resin) with nano coating to prevent losing any single bit of detail. By using neutral density filter the camera is vulnerable to infrared light which will cast the unwanted red colour to the photos when shooting at a small aperture. NiSi ND filters have an infrared protection coating layer to eliminate the infrared light through the lens to bring back the natural true to life colour.

The NiSi Filters 150mm System Starter Kit also represents a great saving than buying all the included items separately.

Think Tank Emergency Rain Cover - Medium

The Think Tank Emergency Rain Cover Medium is a compact waterproof cover that packs down for transport with an adjustable Velcro-style strap so it can be secured to the hood of your lens. It features a clear plastic viewing window so you can see the viewfinder, LCD screen and rear of your camera and can be half folded up to reveal the back of the camera if the rain eases up. The emergency rain cover is available in a choice of sizes depending on your lens choice.

Adjustable Velcro Strap Attaches to Lens

Attach the rain cover to the hood of your lens using the velcro-style pull strap that can be adjusted to achieve for a secure grip that inspires confidence.

Rear Viewing Window and Secondary Configuration

Check your framing, review shots and adjust camera settings easily using the rear clear viewing window of the rain cover. Not only does it keep your gear dry and provide a clear view of the back of your camera, but it can be rolled up when the rain starts to slow down if you prefer having better access to the viewfinder and rear LCD.

Seam-sealed Extreme Protection

The joining seams of the cover have been sealed internally for extreme protection from water and dust ensuring your equipment stays protected from the elements. With the included hot-shoe mount, the emergency rain cover can be secured attached to the top of your camera and kept in place, even in less than ideal wind conditions.

Drawstring Sleeve and Compact Design

At the base of the ThinkTank Emergency Rain Cover Medium is a drawstring that allows you to tighten the base around a tripod for even better all-weather protection. The rain cover packs down super compact, making it easy to store in your camera bag and carry with you just in case.

ATF Cleaning Kit

The ATF Cleaning Kit helps you to protect your camera setup against dirt or dust. Taking care of your gear is one of the most important things that a photographer can do. Keeping your lenses clean so that smudges don't ruin your shots or even just having some cleaning wipes handy to remove dirt will help ensure your gear lasts a long time.

Lens Cleaning Pen

Every shot you take has to first pass through your lens so if you've got a grubby fingerprint at the front of your glass you can be sure it's going to show up on your image or video. The Cleaning Kit comes with a handy pocket-sized lens cleaning pen.

Wide Pen Cleaning Tip

The tip of the cleaning pen has a wide surface felt tip that is charged with a carbon cleaning powder designed to absorb oil, dirt, and grease effectively. This cleaning tip gets refreshed with carbon every time the lid is put back on so it can be used many times.

Retractable Cleaning Brush

The pen also features a slider that extends a handy cleaning brush which is perfect to remove small pieces of grit and dirt before using the cleaning tip, or to get into hard to reach corners of camera bodies.

Dust Blower

Useful for dislodging dirt and dust from the interior of the camera or getting into inaccessible nooks and crannies the dust blower features a micro-tip for high pressure delivery. It is a convenient size and uses a soft rubber design so it's easy to use.

Lens Cleaning Solution

The Lens cleaning solution spray is suitable for cleaning glass lenses and leaving them streak & smudge free without damaging lens coatings.

Wet and Dry Cleaning Wipes

The ATF Cleaning Kit comes with 6 single use dual cleaning wipe packs. Each pack has one wet and dry Anti-static wipe to ensure your gear can remain sparkling new and clean. The Wet wipe removes excess dirt while the dry wipe can be used to clean and shine surfaces.

Machine Washable Microfibre Cleaning Cloth

There is a saying among photographers that you can never have too many microfibre cloths because they are one of the most effective and useful tools in order to keep your kit in good condition. They easily absorb dust and oils from your lens, grip, and camera body, while being easily cleaned and reused by throwing it in the washing machine.

Carry Case with Access Zip

The entire set packs down into an included handy carrying case which zips for secure and easy storage. It has a breathable mesh design that allows you to easily locate your cleaning equipment. The case also doubles as a handy storage compartment for other loose items including batteries, cables and more.

The Cleaning Kit by After the Fact kit is a super useful additional to any photographer's camera bag that will ensure your gear remains in peak condition so you can stop worrying about dirt, oil, and grime and focus on shooting.

ATF Universal Camera Screen Protector - 2 Pack

The ATF 4-inch Universal Screen Protector minimises the risk of permanent damage to your Compact, DSLR or Video camera screen. The pack comes with two screen protectors, a wet cleaning wipe, a cleaning cloth and a squeegee card to ensure a perfect application every time.

The screen protector is thin yet rigid to ensure easy positioning and bubble free application. A handy grid pattern is printed on the mask and acts as a guide to make it easier to measure and cut the film to the perfect size and ensures your edges are straight and true.

Before applying the protector, use the wet wipe to remove fingerprints, oil, dirt and dust from your screen. Then use the cleaning cloth to remove any residue left over from the wet wipe, leaving your screen free of imperfections and eliminating the risk of unsightly contaminants trapped under the screen once the protector is applied. Finally, the squeegee card can be utilised to push any trapped air out through the edges of the screen to leave a durable, crystal clear layer that will safeguard your screen from accidental bumps and scratches.

The ATF Universal Screen Protector is compatible with capacitive touch screens and will improve your photography experience by reducing screen glare and minimising smudges for improved viewing in a broad range of lighting scenarios.