Panasonic Lumix GH6 + 12-35mm f/2.8 Mk II Lens
SKU code: 48815
- 25.2 Megapixel Micro Four Thirds Sensor
- Super High-precision 5-axis In-camera Image Stabilisation
- 13+ Stops Of Wide Dynamic Range
- Full-sensor 5.8K 30p 10-bit Recording With Anamorphic Lenses or Filters
- C4K 60p 10-bit 4:2:2 Unlimited Video Recording
- 4K 120p 10-bit 4:2:0, and FHD 240p 10-bit 4:2:2
- CFexpress Type B & UHS-II SD Memory Card Slots
- Wi-fi & Bluetooth Connectivity
- Includes Panasonic Lumix G X Vario 12-35mm f/2.8 Mk II Lens
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The Essentials:
Memory Cards:
Bags, Cases & Straps:
Batteries & Chargers:
Lenses:
Tripods & Monopods:
Flashes & Lighting:
Cleaning & Maintenance:
Audio Equipment:
Studio Lighting:
Other:
The Panasonic Lumix GH6 mirrorless camera paired with Lumix G X Vario 12-35mm f/2.8 II Lens is the latest flagship model in the LUMIX G Series digital mirrorless camera range, pushing the limits of what is possible from a Micro Four Thirds system camera.
The GH6 features a newly built 25.2-megapixel Live MOS Sensor, a first in the Micro Four Thirds category. Aside from high-resolution imaging and fast signal readout, the sensor's single exposure HDR technology represents a considerable improvement in dynamic range capability. Not only offers the next-generation Venus Engine power advanced image processing and computational photography, but it also opens up a new universe of video codec options and frame rates to improve workflow and flexibility for professional and budding videographers. The GH6 supports V-Log/V-Gamut and has an impressive 13+ stops dynamic range.
The Lumix GH6 now offers Apple ProRes 422 HQ, 5.7K 30p internal video recording, which simplifies workflow for filmmakers. This saves time in the editing process by eliminating the time-consuming procedure of transcoding media from standard compressed codecs into ProRes or proxy formats, which is frequently done by mirrorless hybrid camera users. Today's designers want high framerate recording possibilities in larger resolutions as well. The GH6 does this with superb C4K 120p in 10-bit 4:2:0, all without cropping or the image quality compromises that are common in the hybrid camera segment. LUMIX customers have always enjoyed consistently lengthy recording times, and the GH6 is no different, with unlimited recording aided by Panasonic's newest heat management technology, even in intense recording settings like HDR.
The Panasonic GH6 camera delivers 7.5 stops of outstanding image stabilisation in both wide and telephoto focal lengths, building on their tradition of great stabilisation for hybrid shooters. Dual I.S.2 allows users to choose between using tripods, gimbals or shooting completely handheld, all while delivering smooth and professional shots. The GH6 contains a new extremely high-precision 5-axis gyro sensor with a unique algorithm, which achieves 7.5 stops of Body I.S. and Dual I.S.2.
Panasonic Lumix GH6 Key Capabilities:
Sensor and processor technologies
Panasonic has created a new 25.2-megapixel Live MOS Sensor (Micro Four Thirds System) with no LPF (Low-pass Filter) and a high resolution, high-speed signal readout that reduces rolling shutter and achieves a wide dynamic range. With pre-installed V-Log and HLG recording and the Dynamic Range Boost setting, the Lumix GH6 offers 13+ stops of a wide dynamic range. This mode employs two analogue circuits, one with a high gain and one with a low gain, each of which captures a distinct exposure and saturation/noise level at the same time. The two pictures are pixel-by-pixel blended to produce a high dynamic range photo with low noise and high saturation, delivering clear and smooth HDR footage with rich gradation.
Newly developed Venus Engine
The new Venus Engine has roughly double the processing capability of the preceding generation. Intelligent Detail Processing, 2D Noise Reduction, High Precision 3D Noise Reduction for Video, and High Precision 3D Colour Control are some of the important technologies that have evolved. They work together to produce less noise, more detail and richness, and improved colour reproduction for rich, true-to-life colour representation.
100-megapixel high resolution images
100-megapixel high-definition photographs can be produced in-camera utilising the High-Resolution setting, either with a tripod or handheld, thanks to the strong image stabilisation technology. Using the Body I.S., eight consecutive photos are shot automatically while changing the sensor. The end result is a beautiful 100-megapixel (11552 × 8672-pixel) photo that properly reproduces fine details and can be stored in both RAW and JPEG formats. Multiple modes for photographing a variety of scenarios, including those with motion, are offered to give photographers the most shooting versatility.
Professional-quality video performance for unlimited expression
The GH6 has a remarkable C4K 60p 10-bit 4:2:2 limitless video recording capability. Furthermore, high frame rate video recording has been improved to incorporate 4K 120p 10-bit 4:2:0 and FHD 240p 10-bit 4:2:2 (with audio recording), allowing for amazing expressiveness such as speed ramping. VFR (Variable Frame Rate) is available in Full HD 10-bit at up to 300fps for dynamic slow motion.
Wide screen anamorphic content
When using dedicated anamorphic lenses or filters, the GH6 provides full-sensor 5.8K 30p 10-bit recording for filmmakers requiring widescreen anamorphic imagery. It is possible to display de-squeezed footage for real-time monitoring.
4:2:2 10-bit C4K 60p video recording
The LUMIX GH6 also supports 4:2:2 10-bit C4K 60p both internally and externally through HDMI. With a future firmware upgrade, HDMI 2.1 will offer C4K 120p HDMI video output. An upcoming firmware upgrade will also enable C4K 120p 12-bit RAW output to the Atomos Ninja V+ monitor recorder.
Multiple video assist functions
Panasonic has integrated video assist capabilities such as a Waveform Monitor, Zebra Pattern, Luminance Spot Meter, Frame Marker, Anamorphic Desqueeze Display, Red REC Frame Indicator, and Tally lamps in response to expert user requirements. Safety Zone Marker, which gives a guide of 95 percent, 90 percent, or 80 percent recording area, is one of the new updated features, and Centre Marker now enables you to select the type of marker. The kelvin values can now be presented on the user interface while filming under Colour Temperature Setting.
High resolution audio recording
High-resolution audio recording is now possible, with up to 24-bit 96kHzv support. Videographers can capture four channels of audio using the optional XLR Microphone Adaptor DMW-XLR1 and the 3.5mm input jack/built-in microphone, avoiding the requirement for external audio recording devices. External microphone combinations can be employed to best meet the recording scenario, such as outdoor interviews when both voices and ambient sound must be recorded. During video recording, the headphone channel can be altered, and audio menus can be accessed immediately using the Fn1 button on top of the camera for quick sound level checks during 4-channel audio recording.
Internal time lapse
Inside the camera, 4K 60p Time Lapse footage can also be created. The Exposure Levelling tool automatically adjusts the exposure to eliminate dramatic fluctuations in brightness between adjacent frames, allowing day-to-night 'holy grail' time lapses to be recorded in-camera. Users can understand the required parameters without the usage of other apps/intervalometers thanks to the inbuilt time-lapse calculator.
Agile and smart operation for professional use
The autofocus capability of the LUMIX GH6 has been improved by taking advantage of the upgraded sensor and image processing engine. Subject detection performance has been greatly improved to produce higher accuracy AF thanks to faster signal processing by the new image processor and an upgraded AF algorithm. The AF Focus Limiter is a new feature that allows users to specify a near and distant range that the camera's autofocus will stay within, ensuring consistent results in difficult settings.
Manual focusing assist
The LUMIX GH6 offers practical manual focusing options, such as MF Assist, which allows the focus point to be increased while video recording, to support high-precision focusing. By altering the degrees required for the lens to travel over the focus range from close to infinity focus, the linear focus control allows for reproducible focus pulls.
Free-angle touch-control 3.0-inch Screen
The LUMIX GH6 boasts a flexible free-angle touch-control 3.0-inch LCD back monitor to improve shooting ergonomics (3:2 aspect, 1840K-dot resolution). Tilt/rotation angle can be easily adjusted so that HDMI and USB cords do not get in the way during shooting. A huge, 3,680K-dot OLED (Organic Light-Emitting Diode) LVF (Live View Finder) with a magnification ratio of about 1.52x / 0.76x is included (35mm camera equivalent).
Reliable quality and performance for professional use and connectivity
The Lumix GH6 has a durable field-ready construction. It has a splash and dust-resistant magnesium alloy full diecast front/rear frame, as well as being freeze-resistant down to -10 degrees Celsius. Recording buttons are situated on the top and front of the camera, making it simple to start and stop recording even when shooting from a low angle or with a shoulder rig.
Future firmware updates
There is a strong firmware roadmap to expand GH6 capabilities. The following functions will be available with future firmware updates to meet evolving customer needs.
- DCI4K ProRes 422 HQ / ProRes 4 2 2
- FHD ProRes 422 HQ / ProRes 4 2 2
- USB-SSD direct recording
- 4K 120p HDMI Video output during Live View
- DCI 4K 120p HDMI RAW Video Data Output to ATOMOS Ninja V+
Panasonic Lumix G X Vario 12-35mm f/2.8 Mk II Lens
The Panasonic Lumix G X Vario 12-35 mm f/2.8 Lens is an all-purpose zoom designed for use with the LUMIX G Series and micro four thirds mount cameras. It has a constant f/2.8 aperture over the zoom range and delivers a handy 35mm focal length equivalent of 24-70mm. With 14 optical elements in 9 groups, it produces sharp images and is resistant to dust and water incursion, making it a great choice for professionals working in unforgiving conditions.
TYPE |
Type |
Digital Single Lens Mirrorless camera |
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Lens mount |
Micro Four Thirds mount |
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IMAGE SENSOR |
Type |
Live MOS sensor (17.3 x 13.0 mm) |
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Camera effective pixels / Total pixels |
25.21 megapixels / 26.52 megapixels |
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AR (Anti Reflection) coating |
Yes |
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Aspect ratio / Color filter |
4:3 / Primary color filter |
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Dust reduction system |
Image sensor shift type |
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LATITUDE |
Dynamic Range Boost ON: 13+ stops (V-Log) Dynamic Range Boost OFF: 12+ stops (V-Log) |
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STILL IMAGE |
Recording file format |
JPEG (DCF, Exif 2.31), RAW |
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Aspect ratio |
4:3 / 3:2 / 16:9 / 1:1 |
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File size (Pixels) |
4:3 |
5776x4336(L) / 4096x3072(M) / 2944x2208(S) / 11552x8672(XL)* / 8192x6144(LL)* |
*High Resolution Mode. |
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3:2 |
5776x3848(L) / 4096x2728(M) / 2944x1960(S) / 11552x7696(XL)* / 8192x5464(LL)* |
*High Resolution Mode. |
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16:9 |
5776x3248(L) / 4096x2304(M) / 2944x1656(S) / 11552x6496(XL)* / 8192x4608(LL)* |
*High Resolution Mode. |
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1:1 |
4336x4336(L) / 3072x3072(M) / 2208x2208(S) / 8672x8672(XL)* / 6144x6144(LL)* |
*High Resolution Mode. |
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Image quality |
RAW / RAW+Fine / RAW+Standard / Fine / Standard |
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Color space |
sRGB, AdobeRGB |
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MOTION PICTURE |
Recording file format |
MOV: H.264/MPEG-4 AVC, H.265/HEVC, ProRes |
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MP4: H.264/MPEG-4 AVC, H.265/HEVC |
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Audio format |
MOV: LPCM (2ch 48kHz/24-bit, 96kHz/24-bit*) (4ch 48kHz/24-bit**, 96kHz/24-bit**) |
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MP4: AAC (2ch 48kHz/16-bit) |
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*When attaching Φ3.5mm microphone or DMW-XLR1 (sold separately). **When attaching DMW-XLR1 (sold separately). |
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System frequency |
59.94Hz / 50.00Hz / 24.00Hz |
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Image area of video |
Full / Pixel by Pixel |
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MOV (*1) (*2) |
59.94Hz |
[5.8K] 5760x4320 (4:3) |
29.97p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) |
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23.98p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) |
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*HLG is selectable. |
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[5.7K] 5728x3024 (17:9) |
59.94p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) |
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47.95p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) |
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29.97p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) |
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23.98p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) |
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[4.4K] 4352x3264 (4:3) |
59.94p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) |
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47.95p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) |
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[C4K] 4096x2160 |
119.88p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* |
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59.94p, 800Mbps (4:2:2 10-bit ALL-Intra) / 600Mbps (4:2:2 10-bit ALL-Intra) / 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) |
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59.94p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) |
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47.95p, 800Mbps (4:2:2 10-bit ALL-Intra) / 600Mbps (4:2:2 10-bit ALL-Intra) / 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) |
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47.95p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) |
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29.97p, 400Mbps (4:2:2 10-bit ALL-Intra) / 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) |
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29.97p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) |
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23.98p, 400Mbps (4:2:2 10-bit ALL-Intra) / 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) |
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23.98p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) |
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*When Dynamic Range Boost is set to OFF. |
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[4K] 3840x2160 |
119.88p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* |
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59.94p, 800Mbps (4:2:2 10-bit ALL-Intra) / 600Mbps (4:2:2 10-bit ALL-Intra) / 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) |
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59.94p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) |
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47.95p, 800Mbps (4:2:2 10-bit ALL-Intra) / 600Mbps (4:2:2 10-bit ALL-Intra) / 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) |
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47.95p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) |
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29.97p, 400Mbps (4:2:2 10-bit ALL-Intra) / 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) |
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29.97p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) |
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23.98p, 400Mbps (4:2:2 10-bit ALL-Intra) / 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) |
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23.98p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) |
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*When Dynamic Range Boost is set to OFF. |
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[FHD] 1920x1080 |
239.76p, 800Mbps (4:2:2 10-bit ALL-Intra) / 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*/** |
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239.76p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*/** |
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119.88p, 400Mbps (4:2:2 10-bit ALL-Intra) / 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)* |
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119.88p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* |
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59.94p, 200Mbps (4:2:2 10-bit ALL-Intra) / 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) |
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59.94p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) |
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59.94i, 100Mbps (4:2:2 10-bit ALL-Intra) / 50Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) |
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47.95p, 200Mbps (4:2:2 10-bit ALL-Intra) / 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) |
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47.95p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) |
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29.97p, 200Mbps (4:2:2 10-bit ALL-Intra) / 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) |
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29.97p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) |
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23.98p, 200Mbps (4:2:2 10-bit ALL-Intra) / 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) |
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23.98p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) |
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*When Dynamic Range Boost is set to OFF. **When Image Area of Video is set to FULL. |
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50.00Hz |
[5.8K] 5760x4320 (4:3) |
25.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) |
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[5.7K] 5728x3024 (17:9) |
50.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) |
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[4.4K] 4352x3264 (4:3) |
50.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) |
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[C4K] 4096x2160 |
100.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* |
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[4K] 3840x2160 |
100.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* |
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[FHD] 1920x1080 |
200.00p, 800Mbps (4:2:2 10-bit ALL-Intra) / 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*/** |
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24.00Hz |
[5.8K] 5760x4320 (4:3) |
24.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) |
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[5.7K] 5728x3024 (17:9) |
48.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) |
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[4.4K] 4352x3264 (4:3) |
48.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) |
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[C4K] 4096x2160 |
120.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* |
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[4K] 3840x2160 |
120.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* |
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[FHD] 1920x1080 |
120.00p, 400Mbps (4:2:2 10-bit ALL-Intra) / 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)* |
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MP4 (*1) |
59.94Hz |
[4K] 3840x2160 |
59.94p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)* |
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29.97p, 72Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)* |
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23.98p, 72Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)* |
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29.97p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) |
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23.98p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) |
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*HLG is selectable. |
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[FHD] 1920x1080 |
59.94p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) |
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29.97p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) |
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23.98p, 24Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) |
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50.00Hz |
[4K] 3840x2160 |
50.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)* |
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25.00p, 72Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)* |
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25.00p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) |
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*HLG is selectable. |
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[FHD] 1920x1080 |
50.00p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) |
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25.00p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) |
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24.00Hz |
- |
- |
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ProRes (*1) (*2) |
59.94Hz |
[5.7K] 5728x3024 (17:9) |
29.97p, 1.9Gbps (ProRes 422 HQ) / 1.3Gbps (ProRes 422) (H.264/MPEG-4 |
AVC, LPCM) |
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50.00Hz |
[5.7K] 5728x3024 (17:9) |
25.00p, 1.6Gbps (ProRes 422 HQ) / 1.1Gbps (ProRes 422) (H.264/MPEG-4 |
AVC, LPCM) |
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24.00Hz |
[5.7K] 5728x3024 (17:9) |
24.00p, 1.5Gbps (ProRes 422 HQ) / 1.0Gbps (ProRes 422) (H.264/MPEG-4 |
AVC, LPCM) |
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VARIABLE FRAME RATE |
MOV (*1) |
59.94Hz |
[5.7K] 5728x3024 (17:9) |
29.97p (Maximum output of sensor is 60fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 23.98p (Maximum output of sensor is 60fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* |
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[C4K] 4096x2160 |
59.94p (Maximum output of sensor is 120fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 29.97p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM) 29.97p (Maximum output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 23.98p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM) 23.98p (Maximum output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* |
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[4K] 3840x2160 |
59.94p (Maximum output of sensor is 120fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 29.97p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM) 29.97p (Maximum output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 23.98p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM) 23.98p (Maximum output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* |
|||||
[FHD] 1920x1080 |
59.94p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)* 59.94p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 29.97p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)* 29.97p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 23.98p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)* 23.98p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* |
|||||
50.00Hz |
[5.7K] 5728x3024 (17:9) |
25.00p (Maximum output of sensor is 60fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* |
||||
[C4K] 4096x2160 |
50.00p (Maximum output of sensor is 120fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 25.00p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM) 25.00p (Maximum output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* |
|||||
[4K] 3840x2160 |
50.00p (Maximum output of sensor is 120fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 25.00p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM) 25.00p (Maximum output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* |
|||||
[FHD] 1920x1080 |
50.00p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)* 50.00p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 25.00p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)* 25.00p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* |
|||||
24.00Hz |
[5.7K] 5728x3024 (17:9) |
24.00p (Maximum output of sensor is 60fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* |
||||
[C4K] 4096x2160 |
24.00p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM) |
|||||
[4K] 3840x2160 |
24.00p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM) 24.00p (Maximum output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* |
|||||
[FHD] 1920x1080 |
24.00p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)* 24.00p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* |
|||||
VIEWFINDER |
Type |
OLED Live View Finder |
||||
Pixels |
Approx. 3.68 million dots |
|||||
Field of view / Magnification |
Approx. 100% / Approx. 1.52x / 0.76x (35mm camera equivalent) with 50 mm lens at infinity; -1.0 m-1, when the aspect ratio is set to 4:3 |
|||||
Eye point / Diopter adjustment |
Approx. 21 mm at infinity; -1.0 m-1 / -4.0 - +3.0 (dpt) |
|||||
Eye sensor |
Yes |
|||||
REAR MONITOR |
Type |
TFT LCD monitor with static touch control |
||||
Monitor size |
Tilt free-angle, 3.0-inch (7.6cm), 3:2 aspect |
|||||
Pixels |
Approx. 1.84 million dots |
|||||
Field of view |
Approx. 100% |
|||||
FOCUS (*3) |
Type |
Contrast AF system |
||||
DFD technology |
Yes |
|||||
Focus mode |
AFS (Single) / AFC (Continuous) / MF |
|||||
AF mode |
Tracking / Full Area AF / Zone (Horizontal/Vertical) / Zone / 1-Area+ / 1-Area / Pinpoint |
|||||
AF detective range |
EV -4 - 18 (F2.0, ISO100 equivalent, AFS) |
|||||
AF custom setting |
AF Sensitivity, AF Area Switching Sensitivity, Moving Object Prediction |
|||||
AF assist light |
Yes |
|||||
AF lock |
Set the Fn button in custom menu to AF lock |
|||||
Focus ring control |
Nonlinear / Linear* (90°/ 120°/ 150°/ 180°/ 210°/ 240°/ 270°/ 300°/ 330°/ 360°/ 720°/ 1080°/ Maximum) |
*When a compatible lens is attached. |
||||
Others |
AF-ON, AF-ON: Near Shift, AF-ON: Far Shift, Focus Limiter, Focus Peaking, 1-Area AF Moving Speed, Continuous AF (during motion picture recording), Focus/Shutter Priority, Focus |
|||||
EXPOSURE CONTROL |
Light metering system |
1,728-zone multi-pattern sensing system |
||||
Light metering mode |
Multiple / Center Weighted / Spot / Highlight Weighted |
|||||
Metering range |
EV0-18 (F2.0 lens, ISO100 equivalent) |
|||||
Mode dial |
Program AE (P) / Aperture Priority AE (A) / Shutter Priority AE (S) / Manual Exposure (M) / Creative Video (P/A/S/M)* / Custom 1, 2, 3, 4 / Intelligent Auto |
|||||
Exposure compensation |
1/3 EV step ±5EV (±3EV for motion picture) |
|||||
Dynamic Range Boost |
ON / OFF |
|||||
ISO sensitivity (Standard |
Still image |
[Normal] |
||||
Motion picture |
[Normal] |
|||||
AE lock |
Set the Fn button in custom menu to AE lock |
|||||
IMAGE STABILIZATION SYSTEM |
B.I.S. (5-axis / 7.5-stop*) |
|||||
WHITE BALANCE |
White balance |
AWB / AWBc / AWBw / Daylight / Cloudy / Shade / Incandescent / Flash / White Set 1, 2, 3, 4 / Color temperature setting 1, 2, 3, 4 |
||||
White balance adjustment |
Blue/Amber bias, Magenta/Green bias |
|||||
Color temperature setting |
2500-10000K in 100K |
|||||
SHUTTER |
Type |
Focal-plane shutter |
||||
Shutter speed |
Still image: Bulb (Max. 30 minutes), 1/8,000 - 60 |
|||||
Self timer |
10sec, 3 images / 2sec / 10sec / Custom Time |
|||||
Remote control |
Remote control by DMW-RS2 (sold separately) |
|||||
Silent mode / Shutter type |
Yes / Yes (Auto / Mechanical / Electronic front curtain / Electronic / Electronic+NR) |
|||||
BRACKET |
AE bracket |
3, 5, 7 images in 1/3, 2/3 or 1 EV step, max. ±3 EV, single/burst |
||||
Aperture bracket |
3, 5 or all positions |
|||||
Focus bracket |
1 to 999 images, focus steps can be set in 10 levels |
|||||
White balance bracket |
3 images in blue/amber axis or in magenta/green axis, color temperature setting |
|||||
BURST SHOOTING |
Burst speed |
Mechanical shutter / |
H: 14 frames/sec (AFS/MF), 8 frames/sec (AFC) (with Live View) |
|||
Electronic shutter |
SH75: 75 frames/sec (AFS/MF) SH60: 60 frames/sec (AFS/MF) SH20: 20 frames/sec (AFS/MF) |
|||||
Number of recordable images |
H/M/L* |
|||||
TIME LAPSE SHOT |
Yes |
|||||
STOP MOTION ANIMATION |
Yes |
|||||
FLASH |
Flash type |
TTL External Flash (sold separately) |
||||
Flash mode |
Auto* / Auto/Red-eye Reduction* / Forced On / Forced On/Red-eye Reduction / Slow Sync. / Slow Sync./Red-eye Reduction / Forced Off *For iA only. |
|||||
Flash synchronization |
1st Curtain Sync, 2nd Curtain Sync. |
|||||
Flash output adjustment |
1/3EV step ±3EV |
|||||
Synchronization speed |
Less than 1/250 second |
|||||
Wireless control |
Yes (When using DMW-FL200L / FL360L / FL580L (sold separately)), Wireless Channel: 1ch/2ch/3ch/4ch |
|||||
Flash sync socket |
Yes |
|||||
EXTRA TELE CONVERSION |
2.0x (EX S), 1.4x (EX M) *Only for still image recording. |
|||||
PHOTO STYLE |
Photo Style |
Standard / Vivid / Natural / L. Classic Neo / Flat / Landscape / Portrait / Monochrome / L. Monochrome / L. Monochrome D / L. Monochrome S / Cinelike D2 / Cinelike V2 / Like709 / V-Log / Hybrid Log Gamma / My Photo Style 1-10 |
||||
Picture adjustment |
Contrast / Highlight / Shadow / Saturation / Color Tone / Hue / Filter Effect / Grain Effect / Color Noise / Sharpness / Noise Reduction / ISO / WB |
|||||
FILTER |
Expressive / Retro / Old Days / High Key / Low Key / Sepia / Cross Process / Bleach Bypass |
|||||
MOTION PICTURE FUNCTION |
Master pedestal level |
31 steps |
||||
Luminance level |
8-bit: 0-255 / 16-235 / 16-255 |
|||||
Wave form monitor / Vectorscope |
Selectable |
|||||
LUT view assist |
Supported file types: .vlt, .cube Monitor / HDMI |
|||||
HLG view assist |
Monitor (MODE1 / MODE2 / OFF) / HDMI (AUTO / MODE1 / MODE2 / OFF) |
|||||
Anamorphic desqueeze display |
2.0x / 1.8x / 1.5x / 1.33x / 1.30x / OFF |
|||||
Synchro scan |
Yes |
|||||
SS/Gain operation |
Shutter Duration/ISO / Angle/ISO / Shutter Duration/dB |
|||||
Color bars / 1kHz test tone |
Yes (SMPTE / EBU / ARIB) / Yes |
|||||
Knee control |
Yes (in Like709 mode) |
|||||
Red REC frame indicator |
ON / OFF |
|||||
VERTICAL POSITION INFORMATION |
Still image / Motion picture (ON/OFF) |
|||||
LEVEL GAUGE |
Yes |
|||||
FUNCTION BUTTON |
REC |
Exposure Comp. / Dynamic Range Boost / Sensitivity / White Balance / Photo Style / Metering Mode / Aspect Ratio / Picture Quality / Picture Size / 1 Shot Spot Metering / Long Exposure |
||||
PLAY |
Magnify from AF Point / LUT View Assist (Monitor) / HLG View Assist (Monitor) / Anamorphic Desqueeze Display / RAW Processing / Delete Single / Protect / Rating 1, 2, 3, 4, 5 / Copy / Rec/Playback Switch / LVF/Monitor Switch / Video Record / Video Record (Creative Video) / Night Mode / Card Slot Change / Sound Monitoring Channel(Play) / Wi-Fi / Fan Mode / Send Image (Smartphone) / LUT View Assist (HDMI) / HLG View Assist (HDMI) / No Setting / Off (Disable Press and Hold) / Restore to Default |
|||||
OSD LANGUAGE |
Please refer to "OSD" Sheet |
|||||
|
PictBridge compatible |
|||||
INTERFACE |
USB |
USB Type-C (SuperSpeed USB 10Gbps (USB 3.2 Gen2)) |
||||
HDMI (*4) |
HDMI |
HDMI TypeA |
||||
Monitor-through |
4:2:2 10bit (When [Rec Quality] is set to [4:2:2 10bit] or [4:2:0 10bit].) 4:2:2 8bit (When [Rec Quality] is set to [4:2:0 8bit].) |
|||||
Playback |
59.94Hz: 8K/30p* / C4K/120p** / C4K/60p / C4K/30p / 4K/120p** / 4K/60p / 4K/30p / 1080/120p / 1080p / 1080i / 720p** / 480p** |
|||||
Remote input |
φ2.5mm |
|||||
Audio |
Build-in microphone |
Stereo |
||||
External microphone / External audio device input |
φ3.5mm for external microphone / external audio device MIC (Plug-in Power) / MIC / LINE |
|||||
XLR microphone |
Yes with DMW-XLR1 (sold separately) |
|||||
4ch mic input |
Yes with DMW-XLR1 (sold separately) |
|||||
Speaker |
Monaural |
|||||
Headphone output |
φ3.5mm |
|||||
Card slot |
Slot 1: CFexpress Card (CFexpress Type B) |
|||||
TC IN/OUT |
TC IN/OUT |
Yes with BNC Converter Cable (bundled) |
||||
Count up |
Rec Run / Free Run |
|||||
Time code mode |
Drop Frame / Non-Drop Frame (When system frequency [59.94Hz] is selected.) |
|||||
HDMI time code output |
ON / OFF |
|||||
External TC setting |
TC Synchronization / TC Output Reference |
|||||
FAN |
Auto1 / Auto2 / Fast / Normal / Slow / OFF* *OFF can be set when in iA/P/A/S/M mode. |
|||||
LAMP |
Tally Lamp (front/rear) / Card Access Light / Power Indicator / Charging Light/Network Connection Light |
|||||
WIRELESS |
Wi-Fi |
2.4GHz (STA/AP) (IEEE802.11b/g/n) |
||||
Bluetooth |
Bluetooth® v5.0 (Bluetooth Low Energy (BLE)) |
|||||
DUST AND SPLASH RESISTANT* |
Yes. |
|||||
POWER |
Battery |
Li-ion Battery Pack (7.2V, 2200mAh, 16Wh) (bundled) |
||||
Battery life (CIPA standard) |
When using CFexpress Card |
Approx. 330 images, 750 images (Power Save LVF mode*) with H-ES12060 / DMW-BLK22 Approx. 350 images, 800 images (Power Save LVF mode*) with H-FS12060 / DMW-BLK22 |
||||
When using SD memory card |
Approx. 360 images, 850 images (Power Save LVF mode*) with H-ES12060 / DMW-BLK22 Approx. 380 images, 900 images (Power Save LVF mode*) with H-FS12060 / DMW-BLK22 |
|||||
Continuous recordable time (Motion picture) (*1) |
When using CFexpress |
MP4 [4K/60p]: Approx. 80 min with H-ES12060 / H-FS12060 |
||||
When using SD memory card |
MP4 [4K/60p]: Approx. 90 min with H-ES12060 / H-FS12060 MP4 [FHD/60p]: Approx. 100 min with H-ES12060 / H-FS12060 |
|||||
Actual recordable time (Motion picture) (*1) |
When using CFexpress |
MP4 [4K/60p]: Approx. 40 min with H-ES12060 / H-FS12060 |
||||
When using SD memory card |
MP4 [4K/60p]: Approx. 45 min with H-ES12060 / H-FS12060 MP4 [FHD/60p]: Approx. 50 min with H-ES12060 / H-FS12060 |
|||||
DIMENSIONS / WEIGHT |
Dimensions (W x H x D) |
Approx. 138.4 x 100.3 x 99.6 mm / 5.45 x 3.95 x 3.92 inch (excluding protrusions) |
||||
Weight |
Approx. 823g / 1.81 lb (SD Memory Card x 1, Battery, Body) Approx. 739g / 1.63 lb (Body only) |
|||||
OPERATING ENVIRONMENT |
Operating temperature |
-10oC to 40oC (14oF to 104oF) |
||||
Operating humidity |
10%RH to 80%RH |
|||||
STANDARD ACCESSORIES |
Software |
Recording |
LUMIX Tether |
|||
Playback / Editing |
・The software to process RAW file on computer is not bundled with this camera. To do this, SILKYPIX Developer Studio is available for download at Ichikawa Soft Laboratory's website using computer connected to the Internet. |
|||||
Standard accessories |
DC-GH6 Kit |
|||||
(*1) About motion picture recording |
||||||
- The cards that can be used for recording vary depending on the motion pictures bit rate and format type. |
||||||
- A new file will be created to continue recording if the continuous recording time exceeds the following conditions. |
||||||
- A new file will be created to continue recording if the file size exceeds the following conditions. [MP4] in [FHD]: 4GB |
||||||
- If the resolution is higher than C4K, the frame rate is higher than 60p or set to ProRes, the camera may stop the recording to protect itself. Wait until the camera cools down. |
||||||
(*2) High-res audio is selectable only when attaching Φ3.5mm microphone or DMW-XLR1 (sold separately). |
||||||
(*3) About AF |
||||||
* Specifications subject to change by the manufacturer without notice
Manufacturer Warranty
This product comes with a
12 month Australian warranty
from Panasonic Australia
Want to read more about warranties?