Atomos Shogun 7 Pro Monitor, Recorder and Switcher
SKU code: 44438
- Supports DCI 4K60p RAW Recording and HD 240p
- 7.2-inch 1920x 1280 IPS Touchscreen
- 1500 Nit Bright HDR 10-Bit Display
- AtomHDR Processing Engine with Dolby Vision HDR Output
- ProRes RAW, Avid DNxHR Support
- 3G-SDI, 12G-SDI & HDMI 2.0 Ports
- Multi-camera Switcher for up to 4xHD60p SDI Signals
- Dual Sony L Series Battery Slots
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The Essentials:
Bags, Cases & Straps:
Batteries & Chargers:
Cleaning & Maintenance:
Studio Lighting:
Cables & Connectivity:
Other:
The Shogun 7 is a recorder, monitor and switcher with the features that matter to professional cinema and video shooters. It can capture high resolution DCI 4K60p recordings and boasts a massive 7.2-inch 1500 nit display with a massive 15+ stops of dynamic range. But that’s not all, the Shogun 7 boasts a HDMI 2.0 port that support live Dolby Vision output in addition to 4 SDI ports that enable simultaneous monitoring, recording, and switching of up to 4 HD streams.
Record DCI 4K 60p RAW Footage
The external recorder can capture an ultra-high resolution of 4096x2160 signal at a frame rate up to 60p as well as an impressive 240fps at a 2K resolution, but that’s not all. The recorder helps eliminate any potential recording bottlenecks in your production, with an incredible recording ability that can record an astounding 5.7K DCI resolution in ProRes RAW when connected to the Panasonic EVA 1.
Massive 7.2-inch Touchscreen
Framing your scene is easier than ever with a huge 7.2-inch display that not only has an impressive 1500 nits of brightness combined with a 1920x1280 resolution. Making changes and accessing the extensive shooting assist modes is simple because the screen is touch sensitive, making changes intuitive and straightforward.
360 Zone HDR 10-Bit Panel
With a HDR capable 10-Bit panel that uses both LED and LCD technology that makes use of 360 zones of backlight to deliver the highest viewing quality. The dynamic AtomHDR engine displays millions of shades of brightness and colour for accurate results along with a 1,000,000:1 screen contrast that ensures the blacks are deeper and the colours are brighter.
Dolby Vision Output
In addition to an incredibly accurate display, the Shogun can output a Dolby Vision signal to be displayed on a compatible monitor or TV. This signal can be sent via live HDMI 2.0 or SDI using the AtomoOS 10 software.
ProRes RAW and DNxHR Compatible
The same AtomosOS 10 software ensures that a wide combination of codecs and recording formats are available onboard the Shogun 7. You can use ProRes, ProRes RAW, CinemaDNG, and Avid DNxHD ensuring you can select the most appropriate format possible to save time transcoding footage in post-production.
12G-SDI and HDMI 2.0 Outputs
Offering a selection of different connection options, the Shogun 7 has HDMI 2.0 input and output port, as well as 5 SDI ports. 2 of them are 3G-SDI ports, while the other 3 are 12G-SDI speed, one of which can double as either an input or an output depending on your requirements.
Live-Switch Multi-camera Recording
One benefit of the multiple SDI inputs is the ability to record up to 4 different HD60p streams at the same time, while also recording the cut points between cameras using a multi-camera view. This data is saved as an xml file that can be imported into most popular NLE software for a faster multi-cam edit workflow.
Shooting Assist Tools
In addition to a recorder and multi-cam switcher the Shogun 7 is a highly advanced shooting monitor with integrated tools to help you out on set. Customisable 3D LUTs help display a more accurate post-graded preview of log footage for directors and clients, Scopes allow you to be sure the colour of your shot is accurate. Focus peaking, and a 2:1 zoom helps you nail focus and zebra guides ensure your exposure is accurate.
Dual Battery Mounts
Powering the Atomos Shogun 7 is hassle free with several options depending on your needs. The unit supports the widely used and popular Sony L series batteries and is rated for approximately 1.5 hours of monitoring and recording 4K 30p footage with a 5200mAh battery and 2.2 hours with a 7800mAh. The kit also includes a DC adapter for use in studios and on sets with power.
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Weight |
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Without batteries & media |
709g / 25oz. |
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Dimensions (W x H x D mm) |
214 x 127 45mm |
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Construction |
Polycarbonate ABS |
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Mounting points |
1/4”-20 screw mount. 1x top and 1x bottom |
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Power |
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Operating power |
10 - 33W |
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Compatible batteries |
Atomos NP-F series and supporting accessories |
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Input voltage (battery) |
6.2V to 16.8V |
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Battery time (based on 2 x .4V) |
5200mAh - up to 1.5hrs (monitor & record 4K 30p) |
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7800mAh - up to 2.2hrs (monitor & record 4K 30p) |
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DC In |
1 x DC in (6.2 - 16.8V) |
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Touchscreen |
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Size |
7.2” |
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Resolution |
1920 x 1280 |
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PPI |
325 |
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Aspect ratio |
16:9 native |
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Color Gamut |
Up to Wide color gamut (105% DCI-P3) |
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Look up table (LUT) support |
3D LUT (.cube format) |
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Anamorphic de-squeeze |
2x, 1.5x, 1.33x |
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Technology |
Dynamic AtomHDR zoned backlight |
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IPS LCD |
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Dynamic AtomHDR Technology |
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Backlight |
Direct LED |
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Zones |
360 direct backlight individual LEDs |
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LEDs |
Wide Color Calibrated D65 or D95 |
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Bit depth |
10-bit (8+2 FRC) |
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Color |
DCI-P3 105% |
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Brightness |
1500nit (+/- 10%) |
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Control |
On the fly real-time brightness analysis for LED control |
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HDR Conversion |
Log/RAW to HLG or PQ |
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HDR Monitoring Technology |
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Gamma |
Sony SLog / SLog2 / SLog3 Canon CLog / CLog2 / Clog3 ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600 Panasonic Vlog JVC JLog1 RED Log3G10 / RED LogFilm FujiFilm F-log Nikon N-Log PQ10k HLG |
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Gamut |
Sony SGamut / SGamut3 / SGamut3.cine Canon Cinema / DCI P3 / DCI P3+ Nikon Bt2020 Panasonic V Gamut Arri Alexa Wide Gamut Rec709 / BT.2020 JVC RED WideGamut / RED DragonColor / DragonColor2 / RED Color2 / RED Color3 / RED Color4 / |
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Video Input/Loop Out |
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HDMI |
HDMI 1 x HDMI (2.0) |
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SDI |
Quad Link 4 x 3G/6G SDI*, 4 x 3G-SDI, 2x 12G single link SDI |
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Signal |
Uncompressed true 10-bit or 8-bit 422 |
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(camera dependent) |
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Genlock |
Genlock input signal and output signal |
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Video Output (Play Out) |
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HDMI |
1 x HDMI (2.0) |
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SDI |
2x 4K-SDI 12G or HD-SDI 3G/6G |
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Signal |
Uncompressed true 10-bit or 8-bit 422 |
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(playback file dependent) |
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Video Signal Conversion |
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HDMI to SDI |
- |
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SDI to HDMI |
- |
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Audio In/Out (48kHz PCM Audio) |
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HDMI |
2 or 8ch 24-bit, camera dependent |
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SDI |
12ch 48kHz 24-bit |
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Audio |
2ch balanced XLR analogue in/out |
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Dynamic range >90dB |
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Max signal level +24dBu |
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Max analogue gain +52dB |
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48V Phantom Power for Mic |
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Headphone out |
3.5mm 2ch. |
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Supported Codecs & Frame Rates (Record & Playback) |
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Raw to: |
ProRes RAW |
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ProRes |
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CinemaDNG |
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(CDNG up to 30p only) |
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Avid DNxHD |
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Sony^^ |
4K DCI; 24/25/30/50/60p |
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FS700, FS-5, FS-7, FS-7MkII |
4K UHD; not supported in camera |
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2K; 24/25/30/50/60/100/120/200/240p |
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1080; not supported in camera |
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Canon |
4K DCI; 24/25/30p |
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C300MKII/C500 CDNG |
4K UHD; 24/25/30p |
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2K; not supported in camera |
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1080; not supported in camera |
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Panasonic |
5.7K DCI; 24/25/30p (EVA1 ProRes RAW only) |
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VaricamLT, EVA1 |
4K DCI; 24/25/30/50/60p |
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4K UHD; 24/25/30/50/60p |
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2K; 24/25/30/50/60/100/120/200/240p 1080; not supported in camera |
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Supported base resolution & FPS from cameras |
4K DCI: 23.98/29.9/59.94p |
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4K UHD: 23.98/29.9/59.94p |
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2K DCI: 23.98/29.9/59.94p |
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1080p: 23.98/29.9/59.94p |
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Supported FPS & resolution from gaming consoles and graphic cards |
1080p; 24/25/30/50/60/100/120 |
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Onboard Processing |
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Pulldown removal |
24/25/30pSF > 24/25/30p (2:2 pulldown) |
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60i > 24p (3:2 pulldown) |
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4K UHD downscale for HD monitoring |
Yes - Loop-out and playback (Not available in RAW) |
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Remote Start/Stop |
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HDMI |
Auto HDMI Trigger |
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Supported Protocols - Dolby Vision, Canon, Sony, Atomos Open Standard |
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SDI |
SDI trigger camera selectable |
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Other |
LANC control - Slave |
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Playback |
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Playlist / Genlock / LTC |
Yes / Yes / Yes |
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CDNG (Recorded content) |
No support |
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ProRes (Recorded content) |
All recorded files can playback. Playback in slow motion >= 100fps. |
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DNxHR / DNxHD (recorded content) |
All recorded files can playback. Playback in slow motion >= 100fps. |
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Recording |
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Pre-roll record |
Yes (HD 8s, 4K 2s) |
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Custom timelapse |
Yes* |
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Supported media |
2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit atomos.com/drives for list of tested and approved drives |
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Master caddy case |
Master Caddy II (included) |
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75mm x 105mm x 12mm |
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Master caddy dock |
2.5” SATA to USB 2.0/3.0 |
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Supported applications |
Final Cut Pro / Media Composer / Premiere Pro / After Effects / EDIUS / Vegas Pro / Lightworks / Autodesk Smoke |
* Specifications subject to change by the manufacturer without notice
- Shogun 7 unit
- Master Caddy II x 1
- 12V-3A AC power supply
- Carry Case
- Quick Start guide